Henri Maurice CAHOURS Landscape Paintings

Signed and dated pointillist landscape oil on canvas by Belgian impressionist painter Willy Schlobach. The piece depicts a coastal view looking out over the dark green sea to where it meets the powder blue sky on the distant horizon, with rock formations on either side. This work was executed in 1907 - the definitive mature period for Schlobach's work. Paintings by the artist executed between 1906 and 1908 are the pinnacle of his oeuvre and show the influence and ideas of neo impressionism brought by his friend and compatriot Theo van Rysselberghe who had learnt from Signac and Seurat in Paris. Schlobach painted numerous coastal views in this period which display a free approach to pointillism with theory being displaced by a desire to create luminosity and effect. Signature: Signed lower right and dated 1907 Dimensions: Framed: 29"x33" Unframed: 20"x24" Provenance: Private French collection Further information: This work was executed in 1907 - the definitive mature period for Schlobach's work. Paintings by the artist executed between 1906 and 1908 are the pinnacle of his oeuvre and show the influence and ideas of neo impressionism brought by his friend and compatriot Theo van Rysselberghe who had learnt from Signac and Seurat in Paris. Schlobach painted numerous coastal views in this period which display a free approach to pointillism with theory being displaced by a desire to create luminosity and effect. Willy Schlobach first studied at the Academy in Brussels and then later in Ghent. At the precocious age of nineteen he was already at the forefront of painters in Belgium numbering among his close friends Emile Verhaeren and Theo van Rysselberghe whose instructive influence on him was of great significance. He was one of the founding members of the group 'Les XX' who were broadly speaking avant-garde and influenced by the Parisian developments in painting but by no means uniform in their style or approach (see also have lots 201 and 233). Octave Maus, a lawyer and critic was the driving force behind 'Les XX' but the most important painter was Theo van Rysselberghe. Van Rysselberghe had lived and worked in Paris and brought to Belgium an intimate knowledge and understanding of the Neo-Impressionist techniques of Seurat and Signac which were to be a great influence on the younger generation of Belgian painters such as Willy Finch and Willy Schlobach. In the late 1880s Schlobach responded with enthusiasm to these new ideas emanating from Paris and produced some well structured and highly organised pointillist work in which his favoured subject matter was coastal scenes. Schlobach was also influenced by the other main group within 'Les XX' which was best represented by Fernand Khnopff. As well as working in a pointillist manner he produced paintings full of symbolism and reminiscent of the Pre-Raphaelites whose work he had studied and admired on visits to England. It is, however, in the neo-impressionist or luminist work that Schlobach found greater freedom of expression away from the sometimes claustrophobic subject matter of the symbolists. On his visits to London Schlobach had been influenced not only by the Pre-Raphaelite painters but also by the work of Turner whose atmospheric and misty paintings...

Signed and dated oil on canvas by French impressionist painter Charles Theophile Angrand. This wonderful and good-sized piece depicts an artist painting "en plain air" in a beautiful...

This captivating artwork, titled "A Walk in the Vegetable Garden," is a stunning portrayal of a moment frozen in time, inspired by a vegetable garden I visited in Normandy. It unveil...

Ralph Reuben/Ruben Stubbs (English, 1824-1879) Low Tide at Sunset • 19thC Oil on artist board (card) ca. 21 x 36.5 cm • Signed bottom right and verso Biografie: Stubbs Ralph Reu...

In the Park by Louis Abel-Truchet (French 1857-1918) *see below signed oil on canvas, unframed canvas: 16 x 13 inches provenance: private collection, France condition: overall good a...

Ashley John is proud to offer this artwork by: Carle Blenner (1862 - 1952) Carle Blenner was born in Richmond, Virginia, and received his education in Marburg, Germany. Blenner re...

This lovely Impressionist Colourist oil painting is a fine example of the work of noted Scottish landscape and animal artist George Smith. He was particularly known for his paintings...

This early 20th-century oil painting by Danish artist Michael Therkildsen (1850-1925) depicts a rural landscape with a standing bull, resting cattle, chickens and thatched buildings. It’s skillfully rendered and demonstrates the artist’s keen understanding of anatomy. The cottage in the upper right, which is nestled into trees, is also a charming addition. Hans Michael Therkildsen was an accomplished Danish painter of landscapes, rural scenes, interiors and animals. He trained at the Royal Danish Academy of Fine Arts in Copenhagen and later under Laurits Tuxen and Frans Schwartz...

This lovely British Victorian Impressionist pastoral landscape oil painting is by prolific exhibitor William Mark Fisher. Known as a B...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 24 x 36 Frame Size: 34 x 46 Medium: Oil 1975 "Panhandle Chill" G. Harvey, known...

This late 19th-century oil painting by Belgian artist Isidore Verheyden (1846-1905) depicts a small farmyard. Snuffling and grunting amid the grubby hay, a chubby pig with a muddy n...

A wonderful image of an English country cottage set in a meadow with cattle grazing. Franklin White (1892-1975) A cottage in the countryside Signed with initials and dated (19)32 Oi...