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Herend Jewelry & Watches

Hungarian

Herend Porcelain occupies a singular place in the world of luxury European ceramics. The firm's vast range of figurines and distinctive patterns are visually striking and notably different from those of other major porcelain producers like Meissen or Sèvres. Whereas the latter tend to feature discrete decorative elements that appear to float on a white background, Herend favors large, bold designs for its porcelain, with its serving pieces, dishes and other works incorporating historical scenes, animals or vegetation.

Vince Stingl established what would become the Herend Porcelain Manufactory in 1826 in the town of Herend, Hungary, to produce earthenware. When he went bankrupt in the late 1830s, Mór Fischer, who took over, switched the focus from earthenware to porcelain to take advantage of the growing European market for fine china. 

By 1849, Herend counted among its clients members of the Habsburg dynasty and the Hungarian aristocracy. Thanks to its participation in several important international exhibitions and fairs — including the 1851 Crystal Palace Exhibition in London, the 1853 Exhibition of the Industry of All Nations in New York and the 1855 Exposition Universelle in Paris — its wares became a popular choice for courtly dining in the middle of the 19th century, and its patrons included Francis Joseph I of Austria and Queen Victoria of England, for whom its Viktória pattern was named.

The company foundered in the latter half of the 19th century under the leadership of Fischer’s two sons. But it was given new life, artistically and financially, when Fischer’s grandson, Jenő Farkasházy, himself a trained ceramist, took the helm around 1900. Farkasházy designed new patterns and revived classic ones. After World War II, Herend was nationalized by the Communist government but kept alive its tradition of skilled craftsmanship by continuing to produce its classic patterns. In 1993, after the fall of the Iron Curtain, the factory was privatized once again and today is owned by its management and workers.

Authentic Herend animal figurines — their groupings of white rabbits, cats or pheasants — are often covered head to toe with the factory’s famed “fish-scale” pattern, also known as Vieux Herend, which produces the effect of a dense coat of feathers or fur. The fish-scale pattern also appears on this chocolate cup and saucer decorated in the Cornucopia pattern.

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Creator: Herend
"Barcaccia" Fountain Herend Porcelain Centerpiece Exclusive for SERRA
By Herend
Located in Roma, IT
This reproduction of Bernini's Barcaccia, located near the Spanish steps in Rome, was made by Herend exclusively for the Serra shop, using a sterling silver model that Serra had created (with the help of the artist Foscolo Benedetti), and had then supplied to Herend. The director of the prestigious Hungarian manufacture, a great lover of Italian history and art, was so enthusiastic about the model that he proposed making it an elegant and unique centerpiece, exclusive for Serra, which can be decorated with all the famous Herend decorations. Here we see the "Victoria" decoration, made at the end of the 19th century for Queen Victoria, and still used by the English royal house. Pope Urban VIII commissioned Pietro Bernini in 1623 to build the fountain as part of a prior Papal project to erect a fountain in every major piazza in Rome. The fountain was completed between 1627 and 1629 by Pietro possibly along with the help of his son Gian Lorenzo Bernini, especially after his father's death on August 29, 1629. The sculptural fountain is made into the shape of a half-sunken ship...
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1990s Herend Jewelry & Watches

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Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock-Crystal, Jade, Mother-Of-Pearl and Smoky Quartz, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt, rock-crystal, jade, obsidian, mother-of-pearl, and smoky quartz carved jeweled sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1991. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved smoky -quartz and jade horse with a harness mounted in 18k gold, brilliant -cut diamonds, rubies, turquoise, and amethyst chains and pendants. The top columns adorned with 18k gold and brilliant cut diamond pendants, the bottom with gold and mother of pearl plaques. The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / N° 05 / MELLERIO DITS MELLER / PARIS / 5003 D The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10.5" high x 8.5" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...
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Located in Marcianise, Marcianise (CE)
For any inquiries,please contact the seller through the message center. A touch of greek mythology for this table silver fountain. the top of the fountain there is a male character ...
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Silver Table Garden Fountain
Silver Table Garden Fountain
$41,715
H 19.69 in W 27.56 in D 19.69 in

Herend jewelry & watches for sale on 1stDibs.

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