Hiroshi Watanabe Still-life Photography

Standing Ovation by Frank Schott 40 x 32 inches (102 x 81cm) edition of 25 signed 60 x 48 inches (152 x 122cm) edition of 7 signed archival fine ar...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...

Persephone V by Erik Pawassar 62 x 48 inches (157 x 122cm) edition of 7 signed 40 x 31 inches (102 x 79cm) edition of 25 signed archival fine art pigment print signed & numbered...

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...

Dutch dog #3 King Charles Spaniels - Signed limited edition archival pigment print - Edition of 10 A series of four images inspired by the 17th century g...

Mesmerizing abstract color play of muted tones and surreal shapes, from a series of still life works created entirely in camera Caleidoscope l by Christian Stoll 40 x 28 inches (10...

Printed on archival Moab Lasal Exhibition Luster Editions of 12 SILHOUETTES Humans have always adorned both themselves and their surroundings—even the earliest cave drawings are ev...

Star Wars (R2-D2) by Tom Schierlitz still life photograph of the original iconic Star Wars droid robot 40 x 32 inches (102 x 81cm) signed edition of 25 60 x 48 inches (152 x 122cm...

from a series of Industrial Style still life photographs captured at a high performance race car repair shop 48 x 72inches / 122cm x 183cm signed edition of 7 27 x 40 inches / 69cm...

Persephone IV by Erik Pawassar 62 x 48 inches (157 x 122cm) signed edition of 7 40 x 31 inches (102 x 79cm) signed edition of 25 archival fine art pigment print signed & numbere...

Automobili III by Frank Schott 27 x 40 inches / 69cm x 102cm edition of 25 signed 48 x 72 inches / 122cm x 183cm edition of 7 signed archival quality fine art pigment print limite...

Rider’s Field Boot from Claremont Riding Academy on the Upper West Side of Manhattan in the 1990s was photographed for City Riders (Macmillan, 1997) by Roberta Fineberg. From the bo...