Ince & Mayhew Furniture

Good quality yew display cabinet on stand by Bradley. Coming in two main sections for ease of movement. Upper cabinet section with twin opening glazed doors with locking key, reve...

George III mahogany bedside cabinet with brass accents.

19th century George III style mahogany, satinwood and marquetry bookcase on stand, having a broken arch pediment with fan inlays above the frieze inl...

Restoration required. Dutch marquetry cabinet, large angular form with shaped cornice with a floral basket marquetry panel over double glazed d...

in the Neoclassical taste, each well-constructed, custom made cabinet with satinwood and mahogany veneers and exotic wood inlay; centering a single curved door opening to an interior...

Rectangular top over a pair of paneled doors enclosing adjustable shelves, raised on turned feet and original casters. Provenance; Norman Adams Ltd. Londo...

This highly important secrétaire-cabinet was crafted for and specially ordered by King George I for the British Ambassador to Russia. From its craftsmanship and materials to its exceptional artistry, it is a work of royal and historic significance that exudes power in each and every detail. The broken pediment at its apex features the simplified royal coat of arms bearing the king’s crown, while the interior is adorned by portraits of the British Royal Family. Placed within the ambassador’s St. Petersburg home, this entirely unique piece of furniture would have been a potent reminder of England's grandeur and political importance. Relations between England and Russia during this period were at an all-time high. Peter the Great had traveled to England in 1698 as part of his widely known “Grand Embassy” tour, wherein he attempted to gain foreign support against the Ottoman Empire. He spent a period of nearly four months there, meeting with King William III and his court on numerous occasions. Noted academic Arthur MacGregor wrote concerning the impact of the trip, “For two decades following Peter's visit, British influence in Russia reached a peak. It manifested itself in social custom, in craft practice and in ships and naval organization... it reached a significant sector of the population before relations cooled once again and the two nations pulled back from this era of unprecedented cordiality.” First and foremost, however, it is a reminder of British might and influence. By the reign of King George I, England had come into its own as a world power. Unique in its design, this cabinet is a reflection of the country’s might. It is crafted from the highest-quality solid walnut and burr walnut adorned by gilded lock plates and engraved hinges. The presence of ormolu at its apex and lining the doors was a rarity for this period, and its addition makes manifest the importance of the design. The outer doors open to reveal multiple interiors, including fifteen separate drawers around a central cupboard; the cupboard doors each bear mezzotint portraits of George I and his father, Ernest Augustus, Elector of Hanover. An etching after the portrait of George I dating to circa 1716 is in London’s Royal Academy. A second, inner pair of doors are adorned by mezzotints of the Prince and Princess of Wales (later Queen Caroline and George II), which are both after portraits by Sir Godfrey Kneller dated 1716 in the Royal Collection. A final portrait is revealed on the very interior of the cabinet, where a mezzotint of Frederick, Anne, Amelia and Caroline, children of the Prince of Wales, resides. An etching (circa 1715-1720) after this portrait can be found in the National Portrait Gallery (London). Apart from its abundance of royal portraiture, the cabinet features stunning painted decoration, including floral designs as well as clouds, birds and trees in a bucolic motif reminiscent of Eden. Its lower portion is a study in both form and function, featuring a fitted secrétaire-drawer above three additional drawers for storage. The cabinet appears in The Shorter Dictionary of English Furniture by R. Edwards from 1964, a text that is regarded as the bible of British furniture design. Edwards describes it as a “writing cabinet...given by George I to the British Ambassador at the Russian court.” The cabinet was likely made for the 18th-century German diplomat and writer Friedrich Christian Weber, who represented English interests at the Russian court from 1714 until 1719. Although Weber’s tenure as ambassador was relatively short, while in St. Petersburg, he authored his account entitled Das veraenderte Russland (The Present State of Russia), which was published in three volumes in 1721, 1739 and 1740. It may, however, also have been made for George Douglas, 2nd Earl of Dumbarton, who served as ambassador alongside Weber in 1716. Diplomatic relations ceased between the two countries in 1721. In 1928, the cabinet appeared for sale at the International Exhibition of Antiques & Works of Art in Olympia. It had previously been in the collection of the Woltner family of Bordeaux, the celebrated vintners who owned the estate Château Laville Haut-Brion and produced wine of the same name. According to the family, Monsieur Woltner was given the cabinet as a gift from an aunt who lived in Russia for many years. After leaving the Woltner collection, the cabinet was acquired by William Berry...

Back in October 2016, on one of his many travels to the Persian Gulf in his role as Honorary Chairman of Christie’s Europe Middle East, Russia and India, David Linley’s fascination with Islamic art and architecture was reignited. A photograph of a vibrant tile mosaic pattern was sent back to the LINLEY studio on Pimlico Road, inspiring the design of the spectacular Girih Treasure Chest. The Girih Treasure Chest explores Islamic pattern through detailed wooden marquetry in brilliant sapphire blue and rich gold tones. Girih is an Islamic decorative art form consisting of geometric lines that create an interlaced framework. As if a precious stone in a delicate claw setting, the chest perches on a simple sycamore frame which is supported by a forged brass metal stretcher. As the center of the design lies an eight-pointed star, taken from a beautiful mosaic tile pattern that caught the eye of LINLEY Founder and Chairman David Linley on a visit to Doha, Qatar back in October 2015. Adorning all façades of the chest, the pattern is created using a specially dyed deep blue ripple sycamore...

A George III style antiqued wood side cabinet, with two frieze drawers over two parquetry cabinet doors enclosing an adjustable shelf on a molded bas...

Louis XV Style Ormolu And Marquetry Kingwood and Satinwood Side Cabinet with gallery. Measures 24" in width, 12" in depth and stands 26.25" tall. Shelf is fixed with a clearance of 7.5"

In two parts. The upper section with a broken arch cornice with inlaid pinwheels at the termination of the scrolls. Central oval inlay in the center. Two glazed and mullioned doors i...

A George IV yew-wood veneered and crossbanded secretaire bookcase. The upper part with a moulded cornice, fitted with adjustable shelves enclosed by a pair of Gothic pointed arch gla...