Isabel Bishop Figurative Prints

The Gate of Hundred Sorrows Etching, 1900 Signed in the plate lower right (see photo) From: A Series of Thirty Etchings by William Strang, Illustrating Subjects from the Writings of...

Dennis Corrigan gives us a fresh, admittedly whimsical, interpretation of the important nineteenth-century American author, Nathaniel Hawthorne. Known to most of us for the 'dark rom...

Dans les Cendres (In the embers). 1887. Delteil catalog 67 state iii. State after the plate was cut down and a second figure eliminated (the two earlier states are of the greatest rarity). Etching, drypoint and roulette. 16 3/4 x 12 1/8 (sheet 19 1/2 x 14). Edition 50. Illustrated: Print Collector's Quarterly 9 (1921): 254. A very rich impression with plate tone and drypoint burr, printed on simili-japon. Provenance: Frederick Keppel & Co. This is one of the artist's most striking images. Signed in pencil. Housed in 25 x 20-inch archival mat, suitable for framing. Paul Albert Besnard, was an impressionist painter. In 1866, the seventeen-year-old son of artist parents began his studies at the École des Beaux-Arts Paris. In 1874, Besnard won the important Prix de Rome, with which the academy distinguished young talent. A portion of the scholarship is a stay of several years in Rome. Besnard married Charlotte Dubray, a sculptress, during this time in Rome. The couple lived in England, where Besnard exhibited at the Royal Academy London, between 1881 and 1884. He became involved with English portrait painting during this period, which had a lasting influence on his work. In the years that followed, Besnard broke with the academic tradition. In 1886, he presented the portrait of Madame Roger Jourdain...

Muse is #43 of 45. It depicts a young woman in a colorful swimsuit doing her best to swim through the blue waters of the pool. Her mouth is pursed and the bubbles flow out. I sold an impression of this image to an olympic swimming...

Artist: Ian Hornak (1944-2002) Title: Olive Grove in Moonlight Year: 1968 Edition: 200, plus proofs Medium: Etching on vélin de Rives paper Size: 22 x 30 inches Condition: Good Inscription: Unsigned and unnumbered, as issued Notes: Published and printed by Ian Hornak, New York IAN HORNAK (January 9, 1944 – December 9, 2002) was an American draughtsman, painter and printmaker. Described by The New York Times as being, “right at the top of romantically descriptive painters today,” Hornak was one of the founding artists of the Hyperrealist and Photorealist fine art movements. Hornak's personal papers and effects entered into the permanent collection of the Smithsonian Institution's Archives of American Art in 2007. His artwork is owned by the permanent collections of the Smithsonian Institution's National Museum of American Art; the Smithsonian Institution's National Museum of American History; the Library of Congress; the Corcoran Gallery of Art; the Detroit Institute of Arts; the Board of Governors of the Federal Reserve System; the Museum of Fine Arts, Boston; the Albrecht-Kemper Museum of Art; the Allen Memorial Art Museum; the Austin Museum of Art; the Barbara Ann Karmanos Cancer Institute; the Canton Museum of Art; the Children's Hospital of Philadelphia; the Hood Museum of Art at Dartmouth College; the Detroit Historical Museum; the Flint Institute of Arts; the Forest Lawn Museum; Galleria Internazionale; The George Washington University Art Galleries; Guild Hall; the Children's Hospital Boston (Harvard Medical School affiliate); the Kinsey Institute for Research in Sex, Gender and Reproduction; the Long Island Museum of American Art, History, and Carriages; the National Czech & Slovak Museum & Library; the National Hellenic Museum; the Ringling College of Art and Design; the Rockford Art Museum; the Jane Voorhees Zimmerli Art Museum at Rutgers University; the Florida State Capital; St. Mary's University, Texas; The Art Gallery at the University of Maryland; the University of Texas at San Antonio; the Frances Lehman Loeb Art Center at Vassar College; the Washington County...

English Bar. 1908. Etching and drypoint. Exsteens catalog 275 state ii. 8 1/8 x 5 5/8 (sheet 17 3/8 x 12 1/4). Series: Les Bars. Edition 65 in this state (total edition 95). Printed ...

Bibi Valentin. 1859. Etching and drypoint. Kennedy catalog 50 state ii; Glasgow catalog 34 state ii. 6 x 8 7/8 (sheet 8 11/16 x 10 11/16). Glasgow records 44 known impressions. A rich impression with burr, printed on watermarked laid paper with full margins. Signed and dated in the plate. Housed in a 20 x 16-inch archival mat A young girl, sits facing the viewer, leaning on her left elbow, legs extended to left. She wears a high-necked smock and buttoned boots...

Beautiful print on verge crème, 2° state on 3, with letters printed in red. Stamp “Lugt 1545”. Little crack and fold on lower left margin of the sheet. Some small traces of oxidati...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Etching on cream wove paper. 6 5/16 x 3 3/4 inches (159 x 94 mm), full margin. Signed in pencil lower center margin, from the edition of 111. A well inked impression with a minor cre...

Paul César Helleu. La Duchesse de Marlborough, Consuelo Vanderbilt. c. 1901. Drypoint. 21 1/2 x 13 3/4 (sheet 24 x 15). A rich impression printed o...

Elegant pair of etchings by Marie Laurencin (French 1883-1956) from the "Poemes de Sapho" published in 1950 ref. 273. Each beautifully mounted in fram...