Jacques Monory Figurative Prints

Original Vintage Airline Poster by Harold Foster. He created several designs commissioned by the British Overseas Airways Corporation ...

A poster belonging to Erik Nitsche's third series for General Dynamics, promoting its Convair Company. Founded 1952, General Dynamics hired Nitsche a...

Original Vintage Poster by the Austrian artist Ferdinand Ludwig Graf, a member of the Hagenbund. This Viennese artist association moved as soon a...

THERE ARE LITTLE PEOPLE INSIDE ME Date of creation: 2011 Medium: Offset print with silver and silkscreen with spot UV varnishing Edition: 300 Size: 66.5 x 56.4 cm Observations: Offse...

Takashi Murakami - COLORFUL, MIRACLE, SPARKLE Date of creation: 2022 Medium: Offset lithograph with cold stamp and high gloss varnishing on paper Edition number: 207/300 Size: 71 cm ...

Original Mardi Gras, New Orleans, 1978 linen-backed poster. Dressed up in what would be an American Indian costume with full headgear, he is holding a shield with a horse on it. Indian decoration on the footwear. Signed and numbered. I believe this has to deal with Big Chief leading his Congo Nation Mardi Gras Indian group. Zulu Parade. Many of the original Mardi Gras jazz posters...

CHAOS: PRIMORDIAL LIFE Date of creation: 2017 Medium: Offset lithograph with cold stamp on paper Edition: 300 Size: 68 x 68 cm Condition: In mint conditions, brand new and never fram...

I KNOW NOT, I KNOW Date of creation: 2010 Medium: Offset lithograph with silver and UV varnish on paper Edition: 300 Size: 68.9 × 53 cm Condition: In mint conditions and not framed O...

TAKASHI MURAKAMI - Time Bokan Black Date of creation: 2011 Medium: Offset lithograph with silver on paper Edition: 300 Size: 50 x 50 cm Condition: In mint conditions and not framed O...

This large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...

Michael Mazur "The Artist" Hand signed and editioned from the edition of 50 1967 Michael Burton Mazur (1935-August 18, 2009) was an American artist who was described by William Grim...

Takashi Murakami HOMAGE TO FRANCIS BACON: STUDY FOR HEAD OF GEORGE DYER Date of creation: 2016 Medium: Offset lithograph with cold foil stamp on paper Edition: 300 Size: 50 x 50 cm ...