Jean Baptiste-Armand Guillaumin Landscape Paintings

Item is in excellent condition and has only been displayed in a gallery setting. Item includes custom built frame; framed dimensions are approximately 14 x 18 inches. Laura was born...

Landscape. 1990. Oil on cardboard, 24x32,5 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seas...

Distant yellow field is an original painting by Eleanor Woolley. This painting was inspired by the bright yellow fields of oil see rape that appear at the end of spring. Oil on str...

Autumn Landscape. 1976. Oil on cardboard, 22x31 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different...

Artist/ School: by Jean Kevorkian (French, b.1933), signed and also studio stamped verso. Title: Barque au Soleil, titled verso. Medium: oil painting, on canvas, framed Size: p...

The Provencal House French, mid/second half 20th century indistinctly signed oil painting on canvas, framed framed: 28.75 x 47 inches canvas: 22.75 x 46 inches condition: very good...

Michael Strang 1942-2021 This ia a Typical Plein Aire hedge scene of Michael Strang's beloved Cornwall. Great painting, heavy impasto rich and vibrant work. Michael Strang was one...

Landscape. 2007. Oil on cardboard, 22x30,5 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seas...

Max Kuehne (1880 - 1968) Train Station, circa 1910 Watercolor on paper 8 1/4 x 10 1/4 inches Signed lower right Provenance: Private Collection, Illinois Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes. Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work. Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri. A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him. After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie. Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically. Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...

Montbretia above New Quay [2020] original Oil on canvas Image size: H:20 cm x W:20 cm Complete Size of Unframed Work: H:20 cm x W:20 cm x D:2cm Framed Size: H:23 cm x W:23 cm x D...

"Lilac and Spring Sun" is a painting by Maestro Aleksandr Kryushyn Dear art lovers, if you like the art of maestro Aleksandr Kryushyn please click the link to follow this artist and art gallery Snow Pearl to discover all our artists and beautiful artworks. Thank you so much! we appreciate your interest to our work. The painting has no frame. His paintings bring emotion of happiness, love, pure energy, peace and beauty represented by the vast creative power of his talent.” Maestro Aleksandr Kryushyn was Born in 1982 in Kerch (Crimea, Ukraine) Alexandr Kryushyn is a professional painter. He studied at the Kharkov Academy of Design and Arts. Member of the National Union of Artists of Ukraine. In his work, Alexandr combines the traditions of the European school of painting with a bright author's emotional manner of implementation. The artist has a great experience of painting on the plein air, and this allows him to masterfully work in color. Each picture of the author has a unique composition and color mood. The artist's inspiration is the search for love, beauty, harmony and aesthetics in the surrounding world. Paintings by Alekandr Kryushyn are colorful music containing a palette of pure human emotions. 1998-2001 / Art School in Kerch 2004-2010 / Kharkiv Academy of Design and Arts, «Easel painting» specialty 2013 / got master's degree in the specialty «Easel painting» 2010-2014 / teacher of painting in «Kharkiv Academy of Design and Arts» 2006 – «Picturesque Ukraine», Odessa 2007 – «Picturesque Ukraine», Ternopol' 2008 - Personal exhibition, Kharkov 2008 - Exhibition creative association «Round a Sun», Kharkov 2009 - The «Refraction» Youth Art Salon «Marts» at the National Museum of. Taras Shevchenko...

Free US CONTINENTAL shipping, incl Europe and Asia. Jean Pierre Dubord was born in Rouen in 1949, and after spending years in the French countryside, he returned to his hometown to ...