Johann Gabriel Doppelmayr Art

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Map of Persiae, Armeniae, Natoliae et Arabiae Descriptio per F de Wit 1688 engraving from: Atlas Contractus Orbis Terrarum Praecipuas ac Novissimas Complectens Tabulas. Amsterdam, N. Visscher, 1656-77. (Koeman III, Vis5-8) This highly decorative map of the Middle East is by the Dutch engraver, publisher, and map seller...

PROJECT FOR A FOLLY IN A PARK 1989 is an impressive, finely detailed architectural drawing image depicting a garden folly structure. PROJECT FOR A FOLLY IN A PARK 1989 presents a fin...

SNOWSCAPE, RED BRICK COTTAGE is an original wood engraving by the American artist Bernard Brussel-Smith, hand printed in light blue, light red and black ink on Strathmore cream color...

The image depicts a restaurant on New York's Mott Street with ornamental iron work on the balconies. There are six figures in the scene in various stages of contrast. Mott Street is considered the unofficial Main Street of New York's Chinatown. Ella Fitzgerald sang it best: “And tell me what street compares with Mott Street in July? Sweet pushcarts gently gliding by.” CFW Mielatz was an early influence on the drypoints and etchings of Martin Lewis. This piece was created in 1906 and it is signed in pencil. It is part of the collection of New York's Metropolitan Museum of Art C.F.W. Mielatz American, 1860-1919 Born in Bredding, Germany in 1864, Mielatz emigrated to the United States as a young boy and studied at the Chicago School of Design. Mostly self-taught, his first prints were large New England landscapes reminiscent of the painter-etcher school of American Art. Around 1890 he started to produce prints of New York City and by the time of his death, the number totaled over ninety images. He was a master technician in the field of etching, reworking many of his plates to get the exact feeling he was seeking. Mielatz was a member of the New York Etching...

Carte Particulaire Des Costes De Bretagne Depuis Le Cap de Frehel, Jusques a Perros, & L’Isle Tome. This large sea scale chart shows part of the northwestern co...

Plan of the Park, Garden and Plantations of Goodwood in Sussex the Seat of his Grace the Duke of Richmond and Lenox &c Copper-line engraving with later hand-colouring by Hendrik Hul...

This impression is #22 Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting. In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon...

Carte Particuliere Des Costes De Bretagne qui Comprend Morlaix, Saint Paul de Leon, les Sept Isles, et L’Isle. Faite par ordre Exprez Du Roy de France is from the collection of ch...

Three Varieties of Leucoium (I. Leucoium purpureum variegatum flore pleno. II Leucoium pleno flor album purpureis maculis signatum. III. Leucoium pleno flor album sanguine maculis signatum), from B. Besler, Hortus Eystettensis possibly (after) Basil Besler...

Prairie Winter, Cerrillos Flats by John Hogan serigraph New Mexico Landscape brown, white, blue, pink limited edition framed serigraph 2/20 © 1979 John Hogan A graduate of Northeast...

“Sky High” is a two-color a la poupee etching, aquatint, and drypoint, created in 2011, in an edition of 50. This impression is inscribed “15/50”. The paper size is 16 x 12 inches, ...