John-Paul Pietrus Art

Chromogenic print (Edition of 10) Signed, verso This artwork is offered by ClampArt, located in New York City. Price includes mounting and display.

The Dominion of Trees (2000 - 2005) Constructed fictions about humans relationship to the natural world “Nature is never spent” - G. M. Hopkins This series of landscape-based nar...

Jung LEE (*1972, South Korea) You are in my heart, 2020 C-Type Print, Diasec Sheet 136 x 200 cm (53 1/2 x 66 7/8 in.) Frame 173,5 x 139,5 x 3,7 cm (68 1/4 x 54 7/8 x 1 1/2 in.) Editi...

Lambda C-type print, Diasec finishing. Luigi Visconti is keen on urban landscapes. He is allured in cities with architectural asperity and story to tell about their historical backg...

Les Vacances II The west coast of France is a place to eat delectable oysters, drink fine wines and walk along endless beaches in the glare of the summer sun. The Atlantic swell and...

Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...

Woman in Malibu II (Stranger than Paradise) - 1999 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid Certificate and Signature label, artist Inventory No. 315_2.26 No...

Bennett, Colorado is a limited edition color photograph of a minimal landscape covered in snow. 20 x 24 in. Edition of 25 Signed and numbered in black in ink on print margin. Publis...

'Ewan McGregor' (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid Certificate and Signature label artist Inventory No. 5007.01 Not mounted Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas...

Please bear in mind that all prints are produced to order. Lead times are expected between 5-15 days. This is an 80cm x 80cm Digital print on 100cm x 100cm Cotton Paper. This sized...

Digital C-print (Edition of 10) Signed and numbered, verso This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Amy ...

Digital C-print (Edition of 10) Signed and numbered, verso This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Amy ...