Skip to main content

John Singer Sargent Art

American, 1856-1925

The most sought-after society portraitist of his time — as well as a highly accomplished painter of landscapes and genre scenes — John Singer Sargent was born in Florence, Italy, to well-to-do American parents. The French-trained Sargent depicted his sitters with a bravura brushstroke and a degree of originality that were highly progressive at the time. As a result, he enjoyed critical notice and important patronage, but also weathered some controversy.

Though Sargent spent most of his life abroad, his American ties brought him numerous portrait commissions as well as important commissions for the mural programs at Boston's Museum of Fine Arts and the Boston Public Library.

Sargent's works, whether in oil, watercolor, or charcoal, are marked with naturalness and a distinct sense of immediacy due to his remarkable technical facility as an artist. Whether monumental portraits or casual outdoor scenes, his works possess a freshness and fluidity seldom matched in any era.

Sargent spent much of his free time painting and sketching outdoors, and his landscapes, architectural, and subject pictures — influenced by his friendship with Claude Monet and frequently executed in watercolor — depict the various locations he visited, including Italy, rural England, Giverny, the Mediterranean, northern Africa, and the Alps. The artist devoted a large portion of his late career to his mural projects, and also served as a war artist during World War I.

Find original John Singer Sargent drawings, paintings and other art on 1stDibs.

to
1
3
3
2
1
2
1
Overall Height
to
Overall Width
to
3
2
2
2
1
1
5
4
8
314
140
127
119
3
3
1
1
1
Period: 19th Century
Artist: John Singer Sargent
Loch Moidart, Inverness-shire (3), 1896
By John Singer Sargent
Located in New York, NY
Renowned American impressionist painter John Singer Sargent paints a view overlooking water with the rocky shoreline in the fore in his work entitled, “Loch Moidart, Inverness-Shire ...
Category

Late 19th Century Impressionist John Singer Sargent Art

Materials

Paper, Pencil, Watercolor

"Study off Newport, Rhode Island" John Singer Sargent Drawing, Impressionism
By John Singer Sargent
Located in New York, NY
John Singer Sargent Study off Newport, Rhode Island, 1876 Signed in pencil "JS265A" lower left Pencil on paper 5 x 10 inches Provenance: Estate of the artist Grand Central Art Galleries, New York, 1959 Mr. William H. Bender Jr Sotheby's New York, September 19, 1987 Private Collection 1987-2000 Mark Borghi Fine Art Inc., circa 2002 Private Collection (acquired from the above), New York Recognized as the leading portraitist in England and the United States at the turn of the century, John Singer Sargent was acclaimed for his elegant and very stylish depictions of high society. Known for his technical precocity, he shunned traditional academic precepts in favor of a modern approach towards technique, color and form, thereby making his own special contribution to the history of grand manner portraiture. A true cosmopolite, he was also a painter of plein air landscapes and genre scenes, drawing his subjects from such diverse locales as England, France, Italy and Switzerland. In so doing, Sargent also played a vital role in the history of British and American Impressionism. Sargent was born in Florence in 1856. He was the first child of Dr. Fitzwilliam Sargent, a surgeon from an old New England family, and Mary Newbold Singer, the daughter of a Philadelphia merchant. His parents were among the many prosperous Americans who adopted an expatriate lifestyle during the later nineteenth century. Indeed, Sargent's family traveled constantly throughout the Continent and in England, a mode of living that enriched Sargent both culturally and socially. He ultimately became fluent in French, Italian and German, in addition to English. Having developed an interest in drawing as a boy, Sargent received his earliest formal instruction in Rome in 1869, where he was taught by the German-American landscape painter Carl Welsch. Following this, he attended the Accademia di Belle Arti in Florence during 1873-74. In the spring of 1874, Sargent's family moved to Paris, enabling him to continue his training there. He soon entered the studio of Charles-Emile-Auguste Carolus-Duran. In contrast to most French academic painters, Carolus-Duran taught his students to paint directly on the canvas, capturing the essence of his subject through relaxed brushwork, a tonal palette and strong chiaroscuro. Although Sargent also spent four years studying drawing under Léon Bonnat at the Ecole des Beaux-Arts, it was Carolus-Duran's approach that would form the aesthetic basis of his style. Upon his teacher's advice, Sargent also traveled to Spain and Holland to study the work of old master painters such as Diego Velázquez and Frans Hals, both of whom also employed deft, fluid techniques. In 1876, Sargent made his first visit to the United States, claiming his American citizenship and visiting the Philadelphia Centennial Exposition. One year later, he spent the summer in Cancale, in France's Brittany region, where he painted outdoors, applying Carolus-Duran's strategies to portrayals of fishing folk on sunlit beaches. His reputation in Paris was established in 1878 when his Oyster Gatherers of Cancale (1878; Corcoran Gallery of Art, Washington, D.C.) won an Honorable Mention at that year's Salon. During the early 1880s, Sargent began making painting trips abroad, working in Venice in 1880 and 1882, where he painted street scenes and interiors notable for their brilliant play of light and shadow. He also embarked on what would be a lucrative career as a portraitist, producing such well known works as The Daughters of Edward Darley Boit (1882; Museum of Fine Arts, Boston). His early commissions also included an image of Madame Pierre Gautreau. A renowned beauty and member of Parisian society, Madame Gautreau was known for her bold, unorthodox approach towards fashion. In her portrait, entitled "Madame X" (1884; Metropolitan Museum of Art, New York), Sargent effectively captured her distinctive aura. However, his daring realism, coupled with fact that he portrayed a diamond shoulder strap falling off one of her shoulders, caused such an uproar that his career in France was seriously compromised. As a result of the controversy surrounding "Madame X,"Sargent left Paris in 1886, settling permanently in London. He subsequently flourished in the English capital, becoming the leading portrait painter to the upper classes. Those who shared Sargent's sense of refinement and sophistication, as well as his international viewpoint, were especially drawn to his fashionable French style. In addition to patronage from such prominent British families as the Wertheimers and the Marlboroughs, Sargent received an equal number of American commissions, many of them secured by artists and architects he had met during his student days in Paris, among them painters J. Carroll Beckwith and Julian Alden Weir and architect Stanford White. On a painting tour to America during 1887-1888, he portrayed members of notable families from Boston and New York, including Mrs. Jacob Wendell and Elizabeth Allen...
Category

1870s Impressionist John Singer Sargent Art

Materials

Paper, Pencil, Graphite

Figure Bending Over
By John Singer Sargent
Located in New York, NY
Image dimensions: 5 ½ x 3 ½ inches Framed dimensions: 12 ⅛ x 10 ⅜ inches Inscribed at lower left: JS 220 Our drawing is also referred to as Young Boy Adjusting His Sandal, and is illustrated in the catalogue for Sargent's 1928 exhibition of drawings at Grand Central Art Galleries in New York. It is an example of an early study from life executed c. 1874-8.* Sargent drew continuously from an early age and had benefited from the emphasis on drawing at the Accademia delle Belle Arti in Florence where he entered the life class in 1870. He arrived in Paris on May 16th, 1874, with a large portfolio of drawings...
Category

1870s American Impressionist John Singer Sargent Art

Materials

Paper, Pencil

Related Items
Garland Studies I
By John Singer Sargent
Located in New York, NY
Image dimensions: 7 ¼ x 10 ½ inches Framed dimensions: 16 ½ x 20 inches To produce his murals, Sargent painted monumental canvases in his studios in London and Boston, adhering them...
Category

1920s American Impressionist John Singer Sargent Art

Materials

Paper, Pencil

Au Bord de l'eau, Original Drawing, Pastel, Trees and House along the seafront
Located in AIX-EN-PROVENCE, FR
Work : Original Drawing, Unique Work, Handmade Artwork. The work has been treated with Archival Varnish with UV protection and it is not framed. Medium : Soft Pastel and Oil based c...
Category

21st Century and Contemporary Impressionist John Singer Sargent Art

Materials

Pastel, Archival Paper, Color Pencil

Au Bord de l'eau, Original Drawing, Seascape, Trees, Seaside
Located in AIX-EN-PROVENCE, FR
Oil base Colored Pencils and dry pastel on Hahnemühle paper 300g - Original Drawing, Seascape, Trees along the seafront Work Title : Au bord de l'eau (series) Artist : Gabriel Riesne...
Category

21st Century and Contemporary Impressionist John Singer Sargent Art

Materials

Archival Paper, Color Pencil, Pastel

"Train Station, " Max Kuehne, Industrial City Scene, American Impressionism
By Max Kuehne
Located in New York, NY
Max Kuehne (1880 - 1968) Train Station, circa 1910 Watercolor on paper 8 1/4 x 10 1/4 inches Signed lower right Provenance: Private Collection, Illinois Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes. Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work. Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri. A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him. After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie. Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically. Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...
Category

1910s American Impressionist John Singer Sargent Art

Materials

Paper, Watercolor

Early 20th Century Mission Carmel, California Watercolor.
Located in Soquel, CA
1906 Original Watercolor Painting of Mision de San Carlos Borromeo de Carmelo (Mission Carmel) Historically accurate watercolor painting of Carmel historic landmark Mission Carmel i...
Category

Early 1900s Impressionist John Singer Sargent Art

Materials

Laid Paper, Pencil, Watercolor

"Zoltan" - 1990 Male Nude Study
By Arnold A. Grossman
Located in Soquel, CA
"Zoltan" - 1990 Male Nude Study Watercolor painting depicting a nude male figure. The brunette male figure is posing, seated on a purple cloth, his left hand gripping a table net to him, while he leans on his right elbow, his face looking straight ahead. The background is made up of hues of green. Signed "AG" lower left. Signed, titled and dated on verso. "Arnold Grossman, 'Zoltan' November 1990" Presented in a white mat. Image with mat: 19"H x 22"W Image: 10.5"H x 14.5"W Sheet: 12"H x 16"W Arnold A...
Category

1990s American Impressionist John Singer Sargent Art

Materials

Watercolor, Paper

1940s Nude Figure Study II
Located in Soquel, CA
Nude figure study of a female model by an unknown artist (American, 20th Century). Circa 1940. Unsigned. Unframed. Image size: 25"H x 19"W.
Category

1940s American Impressionist John Singer Sargent Art

Materials

Paper, Charcoal

1940s Nude Figure Study II
1940s Nude Figure Study II
H 25 in W 19 in D 0.13 in
"Monhegan Island, Maine, " Edward Dufner, American Impressionism Landscape View
By Edward Dufner
Located in New York, NY
Edward Dufner (1872 - 1957) Monhegan Island, Maine Watercolor on paper Sight 16 x 20 inches Signed lower right With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy. In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines. Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler. During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...
Category

Early 20th Century American Impressionist John Singer Sargent Art

Materials

Paper, Watercolor

Nude Woman from Behind in Charcoal on Paper
Located in Soquel, CA
Nude Woman from Behind in Charcoal on Paper Nude woman laying down by Santa Cruz and San Francisco artist Heather Speck (American, b. 1978). The model is on her side, facing away fr...
Category

Early 2000s American Impressionist John Singer Sargent Art

Materials

Charcoal, Paper

Winter Forest Bike Adventure
Located in THOMERY, FR
In this engaging gouache on handmade watercolor paper, Linda Clerget invites viewers into a winter scene filled with quiet adventure. Measuring 65 x 50 cm, this skillful piece featu...
Category

21st Century and Contemporary Impressionist John Singer Sargent Art

Materials

Gouache, Color Pencil

1940s Seated Nude Figure Study
Located in Soquel, CA
Nude figure study of a seated female model by an unknown artist (American, 20th Century). Circa 1940. Unsigned. Unframed. Image size: 25"H x 19"W.
Category

1940s American Impressionist John Singer Sargent Art

Materials

Paper, Charcoal

A Canal in Venice, Hanging Out The Washing......
Located in Cotignac, FR
A watercolour on paper view of a canal in Venice by French artist Paule Soulé. The pain ting is signed bottom right and presented in a gilt and painted wood frame under glass. A cha...
Category

Early 20th Century Impressionist John Singer Sargent Art

Materials

Watercolor, Pencil, Paper

John Singer Sargent art for sale on 1stDibs.

Find a wide variety of authentic John Singer Sargent art available for sale on 1stDibs. You can also browse by medium to find art by John Singer Sargent in paper, pencil, charcoal and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Impressionist style. Not every interior allows for large John Singer Sargent art, so small editions measuring 9 inches across are available. Customers who are interested in this artist might also find the work of Reynolds Beal, Robert Hallowell, and Marjorie May Blake. John Singer Sargent art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $20,000 and tops out at $95,000, while the average work can sell for $53,750.

Artists Similar to John Singer Sargent

Questions About John Singer Sargent Art
  • 1stDibs ExpertApril 5, 2022
    John Singer Sargent painted a number of notable people during the late 19th and early 20th centuries. Some of his most famous subjects include the writer Robert Louis Stevenson and U.S. Presidents Theodore Roosevelt and Woodrow Wilson. You'll find a range of John Singer Sargent art on 1stDibs.
  • 1stDibs ExpertFebruary 27, 2024
    You can see John Singer Sargent paintings at a number of museums. The largest collection of the American artist's work is in the Museum of Fine Arts in Boston, Massachusetts. Other institutions that have Sargent's work in their collections include the National Gallery of Art in Washington, D.C.; Harvard Art Museums in Cambridge, Massachusetts; the Isabella Gardner Museum in Boston; the Art Institute of Chicago in Chicago, Illinois; the Museum of Fine Arts in Houston, Texas; and the Amon Carter Museum of American Art in Fort Worth, Texas. On 1stDibs, shop an assortment of John Singer Sargent art.

Recently Viewed

View All