Josef Frank Furniture

A pair of height adjustable floor lamps model 1842 designed by Josef Frank. Produced by Svenskt Tenn in Sweden. Height: 98.5-145 cm.

Stool model 927 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Mahogany and rattan. Measures: H: 43 cm W: 43 cm D: 28 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best sellers long after Frank was forced to hand the company over in 1938 after the Third Reich annexation of Austria. When Josef and Anna had moved to Sweden Frank had struck up a working relationship with Design shop owner Estrid Ericson. Ericson was the proprietor of Svenskt Tenn that at this point was a successful interiors shop in Stockholm with the royal warrant of appointment to the Swedish Royal Household. In 1935 Frank had become the chief designer for Svenskt Tenn and had set about putting all of his creative effort into his designs for the company. At the World Expositions in Paris in 1937 and New York in 1939 the world saw for the first time the wealth of products that Frank had been working on, ranging from candlesticks to cabinets, there was not a domestic object that Frank had not subjected to his colourful, comfortable and organic style of Modernism. Frank’s new school of Modernism championed ideas such as chairs having a freeing, open back and that “If one desires the room to be comfortable…all pieces of furniture should allow for a free view of the separating line between the floor and the wall. A cabinet without legs breaks this line and thus reduces the feeling of space.” A world-wide audience tired of classic Modernism’s furniture with solid planes and aggressive forms leapt upon these ideas and Franks natural and bright designs for Svenskt Tenn became internationally desired. Frank created over 2000 designs for Svenskt Tenn and his products continue to be the core of their brand. Frank’s rejections of tubular metal and heavy lacquers within his furniture have insured his unique light form of Modernism continues to influence and flourish today. His natural toned mahogany and walnut pieces along with his tactile leather covered and brightly shaded lighting still bring the forms of nature back into the home. Original Frank pieces are now increasingly rare, highly desirable and are the epitome of “Scandinavian Design”. Renowned Designer and Academic Isle Crawford...

Josef Frank designed Vänskapsknuten (the Knot of Friendship) as a symbol of friendship and peace at a time when Europe was filled with turmoil. The very first sketch of the candelabra dates back to 1938, just a year before the outbreak of the Second World War, but it is as relevant now as it was then. The Austrian designer and architect may be best known for his vivid textiles for Swedish firm Svenskt Tenn, but his artistic touch reached far beyond textiles and created iconic objects such as this candle holder. The elaborate brass structure intertwines at multiple points, but the brass rods only meet in the middle where a small sphere connects them. Each of the three brass cup have so-called chambersticks, small pans to catch dripping wax. The looping calligraphic design gives this piece a weightless grace that is stunning even without the symbolism behind it. The body’s busy look is completed and balanced by the long candles. The design changes from angle to angle and shows Frank’s sensitive touch. The Knot of Friendship has become an iconic object not only in Svenskt Tenn’s range, but also of Sweden. The production traditionally required a process of thorough methodology and great craftsmanship. Josef Frank was the most prestigious designer in the Stockholm design company Svenskt Tenn (Swedish Pewter), recruited by the founder of the company, Estrid Ericson herself. Since 2018, after a careful assessment of Josef Frank’s original drawing, the candelabra regained its original form from 1938 under the hands of Svenskt Tenn. However, the production of this well-known and widely-loved candle holder...

Although electricity has relegated candleholders to decorative use, interior designers continue to favour candelabra for their cosy light and eye-catching appearance. Josef Frank modernized the classic...

Candlestick (the knot of friendship) in brass designed by Josef Frank. Produced by Svenskt Tenn in Sweden.

Set of six dining chairs model 2027 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Mahogany, leather and brass. Josef Frank developed his characteristic style combining e...

In 1934, Josef Frank made his first attempt at modernizing the classic candelabra. With softly swaying forms, he eliminated the base in the middle, ...

Dining table model 1197 designed by Josef Frank for Svenskt Tenn, Sweden, 1940s. Mahogany. This simple yet elegant dining table is an excellent example of how Josef Frank combined...

A pair of brass and fabric wall lights, designed by Josef Frank and produced by Svenskt Tenn, Stockholm, Sweden, c. 1940s. Dimensions of back plate (inches) : 0.93 x 2.93 x 0.06 ...

A brass and paper wall light designed and produced by Josef Frank, Sweden, 1950s. Sold with lampshade. Stated dimensions refer to the Sconce with the Shade.  

A brass and fabric wall light designed and produced by Josef Frank, Sweden, 1950s. Sold with lampshade. Stated dimensions refer to the Sconce with the Shade. Variable dimensions, ...

A brass and paper wall light designed by Josef Frank and produced by Svenskt Tenn, Stockholm, Sweden, c. 1940s. Dimensions of back plate (inches) : 3.87 x 1.37 x 0.68 (H x W x D).

Set of four dining chairs model 2027 designed by Josef Frank for Svenskt Tenn. Sweden, 1950s. Mahogany and leather. Together with Estrid Ericson and her furnishing company, Svenskt...

A brass coated pewter lamp by Josef Frank for Svenskt Tenn. Model #2332. Conical wicker shade of later vintage. Two available. Only one shade.

A mahogany stool or bench designed by Josef Frank and produced by Svenskt Tenn, Sweden, 1970s.

An early production table lamp by Josef Frank for Svenskt Tenn, Stockholm, Sweden. Other lighting designers of the period include Paavo Tynell, Alvar Aalto, Serge Muille, and Angelo...

Set of six chairs model 2025 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Lacquered wood frame and a fabric upholstered seat. Marked. Josef Frank designed this chair i...

This very rare floor lamp was designed by Otto Schulz and produced by his company Boet in Gothenburg, Sweden in 1928. The elegant design is exemplary for the Swedish Grace style with...

Elegant chest of drawers by Josef Frank, made from mahogany. Beveled edges around the drawers, brass handles. Lighter wood stripe inlayed around the edge of the table top.

Sideboard model 1148 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Walnut and alder root veneer. This sideboard model 1148 with two clever extension flaps was designed b...

Candlestick (the knot of friendship) in brass designed by Josef Frank. Produced by Svenskt Tenn in Sweden.

This elegant floor lamp was designed by Alf Svensson and produced by Bergboms in Sweden in the 1960s. This three-legged design is numbered G34. The design is marked by the three legged base leading to the central tube, all in solid teak wood with a beautiful grain. A brass stem and the light fitting are mounted on top of the teak wood base. The cylinder shade is a custom design in a beautiful linen Svenskt Tenn fabric...

Serving trolley model 756 designed by Josef Frank for Svenskt Tenn, Sweden, 1940s. Veneered walnut and brass. H: 65 cm W: 53 cm Width when fully extended: 89 cm D: 80 cm Josef Fr...

A brass and fabric wall light designed by Josef Frank, Sweden, 1950s. Variable dimensions, measured as illustrated in the first image. Dimensions of the back plate (inches) : 1 x...

Rare candlestick designed by Josef Frank. Produced by Svenskt Tenn in Sweden.  

Beautiful, rare floor lamp by Josef Frank, made from black lacquered metal and brass. Distinctly sculpted base, pleated satin shade with loose brass top. Josef Frank was an Austri...

Table lamp model 2434 designed by Josef Frank for Svenskt Tenn, Sweden, 1939. Polished and lacquered brass with fabric shade. Measures: H: 58 cm W: 50 cm Josef Frank was a true E...

A pair of brass and rattan wall light designed and produced by Josef Frank, Sweden, 1950s. Variable dimensions, measured as illustrated in the first image. Dimensions of back...

Serving trolley model 470 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Mahogany. Stamped. H: 60 cm W: 80 cm D: 45 cm Josef Frank was a true European, he was also a pi...

An adjustable wall light / sconce / task light. Designed by Josef Frank, produced by Svenskt Tenn, Stockholm, Sweden, c. 1950s. Original fabric lampshade. Stated dimensions includ...

Candlestick (the knot of friendship) in brass designed by Josef Frank. Produced by Svenskt Tenn in Sweden.

Rare and early candlestick designed by Josef Frank. Produced by Svenskt Tenn in Sweden.

Bedside table model 914 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Mahogany veneer and brass handle. Josef Frank’s elegant bedside table model 914 with sophisticated ...

Cabinet on stand model 2135 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Cherry wood and alder root veneer. Signed. Dimensions: H: 140 cm / 4' 7" W: 105 cm / 3' 5 1/2"...

Brass. Table Lamp Model 2552 Designed by Josef Frank for Svenskt Tenn, Sweden, 1950s Measures: H 49.5 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best...

Set of eight dining chairs model 2027 designed by Josef Frank for Svenskt Tenn, Sweden. 1950s. Mahogany and horsehair upholstery. Together with Estrid Ericson and her furnishing co...

Pair of armchairs model 789B ‘Captain’s Chair’ designed by Josef Frank for Svenskt Tenn, Sweden. 1938. Mahogany, leather and brass. Dimensions: H: 76.5 cm / 2' 6" W: 58 cm / 1' 10 ...

Occasional table model 2168 designed by Josef Frank for Svenskt Tenn, Sweden. 1950s. Walnut and marble. Josef Frank’s occasional table “model 2168” is one of his rarer models. Its beautifully carved, turned legs...

Pair of armchairs model 789B ‘Captain’s Chair’ designed by Josef Frank for Svenskt Tenn, Sweden. 1930s. Mahogany, leather and brass. Measures: H: 76.5 cm W: 58 cm D: 65 cm SH: 48 ...

Elegant coffee table by Josef Frank, with a mahogany base and black marble coffee top. Elegant, light base contrasts with the heavy top. Rounded corners.

Rare, early table lamp modell 1819 by Josef Frank, made from glass and brass. Weighty round glass base with bubbles caught inside. Colorful shade in green, red and white.

Rare dining table model 1020 designed by Josef Frank. Produced by Svenskt tenn in Sweden.

This elegant rosewood cabinet was designed by Josef Frank for Svenskt Tenn in the late 1930's. In the Svensk Tenn archive's furniture book, Estrid Ericson (the founder of Svenskt Tenn) has made a pencil sketch of the cabinet and written "designed for the King", Gustaf V, likely for his 80th birthday in 1938. So this particular model 792 also became known as the Gustav V model. The rare cabinet on offer here was produced by Svenskt Tenn in Sweden in the early 1950s. The model was usually produced in pyramid mahogany, only a few pieces were made in rosewood. The cabinet has double doors, veneered in mirorred rosewood, with a solid oak interior with a total of 10 pull-out drawers. Brass key and round brass door hinges...

Set of six dining chairs model 526 designed by Josef Frank for Svenskt Tenn, Sweden, 1934. Mahogany and rattan with seats upholstered in Frank’s "Anakreon" fabric. Marked "BODAFORS...

Elegant brass floor lamp by Josef Frank with adjustable height. Simple, clean lines, crisp plissé lamp shade. About Josef Frank: Josef Frank was ...

Rare dining table model 1020 designed by Josef Frank. Produced by Svenskt Tenn in Sweden.

A brass, leather and white fabric floor lamp designed by Josef Frank and produced by Svenskt Tenn, Sweden, 1950s.

Bedside table model 914 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Mahogany veneer and brass handle. Josef Frank’s elegant bedside table model 914 with sophisticated brass handles is one of Svenskt Tenn’s timeless classics. It works very well combined with modern or antique pieces. The overall simplicity of form and use of luxurious wood are characteristic of Josef Frank. L: 65 cm W: 40 cm H: 55 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best...

Very rare, elegant brass table or desk lamp by Josef Frank, with a dark green shade. Original black leather upholstery on the stem and base. Flexible neck and decorative round brass ...

Rare table mirror designed by Josef Frank. Produced by Svenskt Tenn in Sweden.

Rare pair of stools model 973 designed by Josef Frank. Produced by Svenskt Tenn in Sweden.

Floor lamp model 2564 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Polished and lacquered brass with textile shade. Dimensions: H: 151 cm D: 36.5 cm Base D: 28.5 cm J...

Occasional table designed by Josef Frank for Svenskt Tenn, Sweden. 1950s. Mahogany. H: 45 cm L: 80 cm D: 40 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best...

Beautiful side table by Josef Frank, with an oval green marble table top on a slender mahogany base. Deep green marble, lovely sculpted legs and feet.

Cool mahogany chest of drawers by Josef Frank, with an amazing, playful silhouette. Elegant brass handles.

A pair of large table lamps for Svenskt Tenn, Stockholm, Sweden. In painted turned wood. Lampshades are not included, stated dimensions are without l...

Very rare easy chair model 508 designed by Josef Frank. Produced by Svenskt Tenn in Sweden.

Set of six chairs designed by Josef Frank for Svensk Tenn, Model 725. Sweden. 1938. Mahogany and original leather. Literature: Kristina Wängberg Eriksson, Jan Christer Eriksson, "Josef Frank Möbelformgivaren", Carlsson Bokförlag, Stockholm 2014, p. K 18 H: 90 cm W: 58 cm D: 63 cm SH: 43 cm Armrest height: 69 cm (at the highest point) Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best...