Joseph Brisot Abstract Prints

David Shrigley You are not alone, 2014 Linocut on wove paper 31 x 21 cm (image) 39 x 29 cm (paper) Edition 42 of 100 signed and numbered by the artist published by Schafer Editions ...

Kerry James Marshall Keeping the Culture, 2011 Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges 20-1/4 x 30-1/4 inches Hand signed, titled and numbered 79/100 by Kerry James Marshall in graphite pencil on the front Published by Africa House International, Chicago Unframed Kerry James Marshall's 2011 "Keeping the Culture" is based upon the artist's eponymous painting done the year earlier. Marshall, along with his dealer, were voted by ArtReview the top two of the 100 most influential people in the art world of 2018 - even ahead of the #MeToo movement, and ahead of figures like Jeff Koons, Larry Gagosian and Eli Broad! His paintings now sell for tens of millions of dollars - after P. Diddy paid $21 million for a painting. The present work "Keeping the Culture" is an extremely desirable work of art and exemplifies Marshall's style. For a feature profile/article written for Marshall's first retrospective - a blockbuster show entitled "MASRY" at the Museum of Contemporary Art, LA, the Museum of Contemporary Art Chicago and the Met Breuer in New York, Barbara Isenberg of the LA Times wrote: ." The New York Times called the show “smashing” and its subject “one of the great history painters of our time.” The New York Review of Books and Artforum magazine put large images from the show on their January covers. “I’ve been acutely aware that museums are behind their academic colleagues in terms of thinking of representation and people of color,” MOCA chief curator Helen Molesworth says. “I find Kerry’s paintings ravishing — they are drop dead, great paintings — and they have an extra level of reward for people who hold in their heads a history of Western painting.” Marshall is a compelling storyteller, whether on canvas or in conversation. Talking at length during a visit to MOCA, he is easygoing but eloquent, recalling his neighborhood in Birmingham, Ala., where he was born in 1955, or about growing up black there and in Los Angeles. He remembers the names of teachers who encouraged him. Asked when he first began to notice a lack of black subjects...

Jasper Johns Sun on Six, 2000 Color linoleum cut on Gampi Torinoko paper Pencil signed, dated and numbered 4/26 on the front Published by Z Press, Calais, Vermont Frame included: ele...

Larry Zox, American (1937 - 2006) - Purple Composition, Year: 1971, Medium: Linocut, signed and numbered in pencil, Edition: 6/50, Size: 22 x 30 in. (55.88 x 76.2 cm)

Linoleum cut printed in colors, signed in pencil and numbered on Arches wove paper, printed by Arnéra, Vallauris, France, published by Galerie Louise Leiris, Paris. Image Size: 13.7...

Any work by Tobias Musicant is terrific. These New Jersey-made, mid-century near abstractions are generally scarce. The pieces I know are master works of American Modernism. Cubist c...

Artist: Larry Zox Title: Purple Composition Year: 1971 Medium: Linocut, signed and numbered in pencil Edition: 6/50 Paper Size: 22 x 30 in. (55.88 x 76.2 cm)

Composition is an original linograph realized by Luigi Veronesi in 1975. Hand-signed and numbered. Edition of 20 prints. Good conditions. Image Dimensions: 39 x 31 cm.

Lithograph, linocut, and screenprint in colors with hand-coloring and collage, on wove paper, 1984, signed and dated in pencil, from the numbered edition of 60 (there were also 10 ar...

This linocut is all about the tradition of a farm pond, often used by cattle, but in this case it is full of waterlilies at the edge of a field. The sun was glinting on the water and...

Contemporary op art abstract linocut and woodcut print by Polish artist Ryszard Gieryszewski. Print is mostly black and white with red. Title of this artwork is 'Equivalent shapes'. ...

I love the busy swirl of gulls around a harbour. It makes for a challenging composition and offers a chance to play with light and colour. I have tried to capture movement and a harb...