Juan Garcia Ripolles Prints and Multiples
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Artist: Juan Garcia Ripolles
Arlequin, Modern Screenprint by Juan Garcia Ripolles
By Juan García Ripollés
Located in Long Island City, NY
Arlequin
Juan Garcia Ripolles, Spanish (1932)
Date: 1981
Screenprint, signed and numbered in pencil
Edition of 75
Size: 41.5 in. x 30.5 in. (105.41 cm x 77.47 cm)
Category
1980s Modern Juan Garcia Ripolles Prints and Multiples
Materials
Screen
Adam and Eve, Modern Lithograph by Juan García Ripollés
By Juan García Ripollés
Located in Long Island City, NY
Adam and Eve
Juan Garcia Ripolles
Spanish (1932)
Date: 1981
Lithograph, numbered in pencil
Edition of 11
Image Size: 13 x 16 inches
Size: 19.5 x 27.5 in. (49.53 x 69.85 cm)
Category
1980s Modern Juan Garcia Ripolles Prints and Multiples
Materials
Lithograph
Fallen Angel (Black), Signed Modern Lithograph by Juan García Ripollés
By Juan García Ripollés
Located in Long Island City, NY
Fallen Angel (Black)
Juan Garcia Ripolles
Spanish (1932)
Date: 1981
Lithograph, signed and numbered in pencil
Edition of 17
Image Size: 9.5 x 15.5 inches
Size: 14 x 19.5 in. (35.56...
Category
1980s Modern Juan Garcia Ripolles Prints and Multiples
Materials
Lithograph
Spanish Modernist 'Paloma' Colorful Lithograph of a Bird
By Juan García Ripollés
Located in Surfside, FL
Juan García Ripollés (Castellon) was born in Alzira (Valencia, Spain) in 1932. His mother died during childbirth and not long after, he moved to Castellon, known as Castellon La Plan...
Category
1960s Modern Juan Garcia Ripolles Prints and Multiples
Materials
Lithograph
Fallen Angel (White), Signed Modern Lithograph by Juan García Ripollés
By Juan García Ripollés
Located in Long Island City, NY
Fallen Angel (White)
Juan Garcia Ripolles
Spanish (1932)
Date: 1981
Lithograph, signed and numbered in pencil
Edition of 17
Image Size: 10 x 16.5 inches
Size: 13.5 x 19.5 in. (34.2...
Category
1980s Modern Juan Garcia Ripolles Prints and Multiples
Materials
Lithograph
Adam and Eve II, Signed Modern Lithograph by Juan García Ripollés
By Juan García Ripollés
Located in Long Island City, NY
Adam and Eve II
Juan Garcia Ripolles
Spanish (1932)
Date: 1981
Lithograph, signed and numbered in pencil
Edition of 12
Image Size: 14 x 16.75 inches
Size: 19.5 x 27.5 in. (49.53 x ...
Category
1980s Modern Juan Garcia Ripolles Prints and Multiples
Materials
Lithograph
Figura en el Frente de las Casas, Signed Lithograph by Juan García Ripollés
By Juan García Ripollés
Located in Long Island City, NY
Figura en el Frente de las Casas
Juan Garcia Ripolles
Spanish (1932)
Date: 1981
Lithograph, signed and numbered in pencil
Edition of 17
Image Size: 14 x 16.5 inches
Size: 19.5 x 27...
Category
1980s Modern Juan Garcia Ripolles Prints and Multiples
Materials
Lithograph
Harlequin Leaping, Lithograph by Juan Garcia Ripolles
By Juan García Ripollés
Located in Long Island City, NY
Artist: Juan Garcia Ripolles (1932 - )
Title: Harlequin Leaping
Date: 1971
Medium: Lithograph, signed and numbered in pencil
Edition of E.A. XX (20)
Size: 25.5 in. x 19 in. (64.77 cm...
Category
1970s Modern Juan Garcia Ripolles Prints and Multiples
Materials
Lithograph
Diablo, Screenprint by Juan Garcia Ripolles
By Juan García Ripollés
Located in Long Island City, NY
Artist: Juan Garcia Ripolles
Title: Diablo
Date: 1981
Medium: Screenprint, signed and numbered in pencil
Edition: 45
Paper Size: 33.5 x 27.5 inches
Category
1980s Modern Juan Garcia Ripolles Prints and Multiples
Materials
Screen
Kissing Couple, Modern Art Lithograph by Juan Garcia Ripolles
By Juan García Ripollés
Located in Long Island City, NY
Artist: Juan Garcia Ripolles, Spanish (1932 - )
Title: Kissing Couple
Year: 1971
Medium: Lithograph, Signed in Pencil
Edition: E.A. 20
Size: 29.5 in. x ...
Category
1970s Modern Juan Garcia Ripolles Prints and Multiples
Materials
Lithograph
Paloma, Framed Folk Art Lithograph by Juan Garcia Ripolles
By Juan García Ripollés
Located in Long Island City, NY
Artist: Juan Garcia Ripolles, Spanish (1932 - )
Title: Paloma
Year: 1969
Medium: Lithograph, signed and numbered in pencil
Edition: PA XXVII/XXX
Image Size: 17 x 22 inches
Frame Size...
Category
1970s Modern Juan Garcia Ripolles Prints and Multiples
Materials
Lithograph
Un Dia de Marzo, 1981 by Juan Garcia Ripolles
By Juan García Ripollés
Located in Long Island City, NY
Artist: Juan Garcia Ripolles, Spanish (1932 - )
Title: Un Dia de Marzo...
Year: 1981
Medium: Lithograph, signed and numbered in pencil
Edition: 16
Image Size: 14 x 16.5 inches
Size: ...
Category
1980s Expressionist Juan Garcia Ripolles Prints and Multiples
Materials
Lithograph
Related Items
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Excellent condition
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Derrière Le Miroir No. 156 (front cover) /// Modern Abstract Alexander Calder
By Alexander Calder
Located in Saint Augustine, FL
Artist: Alexander Calder (American, 1898-1976)
Title: "Untitled (front cover)"
Portfolio: Derrière le Miroir (No. 156)
*Issued unsigned, though signed by Calder in the plate (printed signature) lower right
Year: 1966
Medium: Original Lithograph on smooth wove paper
Limited edition: Unknown
Printer: Arte Adrien Maeght, Paris, France
Publisher: Galerie Maeght, Paris, France
Sheet size: 14.75" x 11"
Condition: In excellent condition
Notes:
Lithograph produced for the 1966 No. 156 "Derrière le Miroir" portfolio in conjunction with a special exhibition of Calder's work at Galerie Maeght, Paris, France in February of 1966 which featured 13 totems and 27 gouaches. The complete folio included a poem by Jacques Prévert and texts by Professor Meyer Schapiro, Alexander Calder, and Nicholas Guppy. Small spiral lithograph and text on verso as issued.
In October 1945, the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The magazine Derriere Le Miroir was created in October 1946 and published without interruption until 1982. Maeght's ambition in establishing his print shop and his publication magazine Derriere Le Miroir was to make available to a broader audience less expensive printed imagery by the artists of his time, many whom were represented by his Paris gallery...
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Flying Colors '76 (Stars and Stripes) /// Alexander Calder Abstract Modern Art
By Alexander Calder
Located in Saint Augustine, FL
Artist: Alexander Calder (American, 1898-1976)
Title: "Flying Colors '76 (Stars and Stripes)"
Portfolio: Flying Colors
*Issued unsigned, though signed by Calder in the plate (printed signature) lower right
Year: 1976
Medium: Original Lithograph on unbranded white wove paper
Limited edition: approx. 1,000, (there was also a signed and numbered edition of 100 on larger Arches paper)
Printer: possibly Atelier Fernand Mourlot, Paris, France
Publisher: possibly Atelier Fernand Mourlot, Paris, France for Braniff International Airlines, Dallas, TX
Framing: Recently framed in a white maple wood moulding
Framed size: 12.25" x 15.25"
Sheet size: 11.07" x 14"
Condition: Faint crease down center of sheet. Light undulation to far left side. In otherwise very good condition with strong colors and clean paper
Notes:
Provenance: private collection - South Kingstown, RI; private collection - life-long Braniff Airways travel agent who acquired it directly from their employer/the publisher Braniff International Airlines, Dallas, TX. Printed in two colors: red and blue. Comes from Calder's 1974-1976 "The Flying Colors Collection" of various works. The image featured on this print is a design representing the stars and stripes of the Nation's flag which Calder hand-painted on the cover of a Braniff Airways plane's right-side engine. In conclusion to Alexander Calder and Braniff International Airline's collaborative marketing campaign in conjunction with the American bicentennial...
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1967 Joan Miro 'Untitled'
By Joan Miró
Located in Brooklyn, NY
Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm )
Image Size: 15 x 11 inches ( 38.1 x 27.94 cm )
Framed: No
Condition: A-: Near Mint, very light signs of handling
Additional Detai...
Category
1960s Modern Juan Garcia Ripolles Prints and Multiples
Materials
Lithograph
Original Signed 1970s Blue Birds Colored Lithograph - Mid Century Modern Artwork
Located in Denver, CO
This vintage original lithograph by renowned artist Mary Chenoweth features an abstract depiction of birds in flight, showcasing her unique technique of layering various textures of ...
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H 34.25 in W 27.25 in D 1.5 in
Baden Baden, Casino
By LeRoy Neiman
Located in San Francisco, CA
This artwork titled "Baden Baden, Casino" 1988 is an original color serigraph by noted American artist LeRoy Neiman, 1921-2012. It is hand signed and numbered 261/375 in pencil by the artist. The image size is 36 x 42 inches, sheet size is 42 x 48 inches. With the blind stamp of the printer Styria Studio at the lower left corner margin. It is in excellent condition, three small pieces of hanging tape remain on the back.
About the artist:
Mr. Neiman's kinetic, quickly executed paintings and drawings, many of them published in Playboy, offered his fans gaudily colored visual reports on heavyweight boxing matches, Super Bowl games and Olympic contests, as well as social panoramas like the horse races at Deauville, France, and the Cannes Film Festival.
Quite consciously, he cast himself in the mold of French Impressionists like Toulouse-Lautrec, Renoir and Degas, chroniclers of public life who found rich social material at racetracks, dance halls and cafes.
Mr. Neiman often painted or sketched on live television. With the camera recording his progress at the sketchpad or easel, he interpreted the drama of Olympic Games and Super Bowls for an audience of millions.
When Bobby Fischer and Boris Spassky faced off in Reykjavik, Iceland, to decide the world chess championship, Mr. Neiman was there, sketching. He was on hand to capture Federico Fellini directing "8 ½" and the Kirov Ballet performing in the Soviet Union.
In popularity, Mr. Neiman rivaled American favorites like Norman Rockwell, Grandma Moses and Andrew Wyeth. A prolific one-man industry, he generated hundreds of paintings, drawings, watercolors, limited-edition serigraph prints and coffee-table books yearly, earning gross annual revenue in the tens of millions of dollars.
Although he exhibited constantly and his work was included in the collections of dozens of museums around the world, critical respect eluded him. Mainstream art critics either ignored him completely or, if forced to consider his work, dismissed it with contempt as garish and superficial — magazine illustration with pretensions. Mr. Neiman professed not to care.
Maybe the critics are right," he told American Artist magazine in 1995. "But what am I supposed to do about it — stop painting, change my work completely? I go back into the studio, and there I am at the easel again. I enjoy what I'm doing and feel good working. Other thoughts are just crowded out."
His image suggested an artist well beyond the reach of criticism. A dandy and bon vivant, he cut an arresting figure with his luxuriant ear-to-ear mustache, white suits, flashy hats and Cuban cigars. "He quite intentionally invented himself as a flamboyant artist not unlike Salvador Dalí, in much the same way that I became Mr. Playboy in the late '50s," Hugh Hefner told Cigar Aficionado magazine in 1995.
LeRoy Runquist was born on June 8, 1921, in St. Paul. His father, a railroad worker, deserted the family when LeRoy was quite young, and the boy took the surname of his stepfather.
He showed a flair for art at an early age. While attending a local Roman Catholic school, he impressed schoolmates by drawing ink tattoos on their arms during recess.
As a teenager, he earned money doing illustrations for local grocery stores. "I'd sketch a turkey, a cow, a fish, with the prices," he told Cigar Aficionado. "And then I had the good sense to draw the guy who owned the store. This gave me tremendous power as a kid."
After being drafted into the Army in 1942, he served as a cook in the European theater but in his spare time painted risqué murals on the walls of kitchens and mess halls. The Army's Special Services Division, recognizing his talent, put him to work painting stage sets for Red Cross shows when he was stationed in Germany after the war.
On leaving the military, he studied briefly at the St. Paul School of Art (now the Minnesota Museum of American Art) before enrolling in the School of the Art Institute of Chicago, where, after four years of study, he taught figure drawing and fashion illustration throughout the 1950s.
When the janitor of the apartment building next door to his threw out half-empty cans of enamel house paint, Mr. Neiman found his métier. Experimenting with the new medium, he embraced a rapid style of applying paint to canvas imposed by the free-flowing quality of the house paint.
While doing freelance fashion illustration for the Carson Pirie Scott department store in Chicago in the early 1950s, he became friendly with Mr. Hefner, a copywriter there who was on the verge of publishing the first issue of a men's magazine.
In 1954, after five issues of Playboy had appeared, Mr. Neiman ran into Mr. Hefner and invited him to his apartment to see his paintings of boxers, strip clubs and restaurants. Mr. Hefner, impressed, showed the work to Playboy's art director, Art Paul, who commissioned an illustration for "Black Country," a story by Charles Beaumont about a jazz musician.
Thus began a relationship that endured for more than half a century and established Mr. Neiman's reputation.
In 1955, when Mr. Hefner decided that the party-jokes page needed visual interest, Mr. Neiman came up with the Femlin, a curvaceous brunette who cavorted across the page in thigh-high stockings, high-heeled shoes, opera gloves and nothing else. She appeared in every issue of the magazine thereafter.
Three years later, Mr. Neiman devised a running feature, "Man at His Leisure." For the next 15 years, he went on assignment to glamour spots around the world, sending back visual reports on subjects as varied as the races at Royal Ascot, the dining room of the Tour d'Argent in Paris, the nude beaches of the Dalmatian coast, the running of the bulls at Pamplona and Carnaby Street in swinging London. He later produced more than 100 paintings and 2 murals for 18 of the Playboy clubs that opened around the world.
"Playboy made the good life a reality for me and made it the subject matter of my paintings — not affluence and luxury as such, but joie de vivre itself," Mr. Neiman told V.I.P. magazine in 1962.
Working in the same copywriting department at Carson Pirie Scott as Mr. Hefner was Janet Byrne, a student at the Art Institute. She and Mr. Neiman married in 1957. She survives him.
A prolific artist, he generated dozens of paintings each year that routinely commanded five-figure prices. When Christie's auctioned off the Playboy archives in 2003, his 1969 painting Man at His Leisure: Le Mans sold for $107,550. Sales of the signed, limited-edition print versions of his paintings, published in editions of 250 to 500, became a lucrative business in itself after Knoedler Publishing, a wholesale operation, was created in 1975 to publish and distribute his serigraphs, etchings, books and posters.
Mr. Neiman's most famous images came from the world of sports. His long association with the Olympics began with the Winter Games in Squaw Valley in 1960, and he went on to cover the games, on live television, in Munich in 1972, Montreal in 1976, Lake Placid in 1980, and Sarajevo and Los Angeles in 1984, using watercolor, ink or felt-tip marker to produce images with the dispatch of a courtroom sketch artist. At the 1978 and 1979 Super Bowls, he used a computerized electronic pen to portray the action for CBS.
Although he was best known for scenes filled with people and incident, he also painted many portraits. Athletes predominated, with Muhammad Ali and Joe Namath among his more famous subjects, but he also painted Leonard Bernstein, the ballet dancer Suzanne Farrell...
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21st Century and Contemporary American Modern Juan Garcia Ripolles Prints and Multiples
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Astrological Sign of Leo - Screenprint by Sergio Barletta - 1980
By Sergio Barletta
Located in Roma, IT
Astrological sign of leo is a screen print on grey paper realized by Sergio Barletta, in 1980s.
Signed on the lower left margin.
68 x 49 cm.
In good conditions except for fairl...
Category
1980s Modern Juan Garcia Ripolles Prints and Multiples
Materials
Screen
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Located in OPOLE, PL
Pablo Picasso (1881-1973) - Composition
Lithograph from 1957.
The edition 211/275.
With Arches watermark.
Dimensions of work: 44.5 x 33.5 cm
Publisher: Fernand Mourlot Éditeur, ...
Category
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Materials
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With two watermarks - one of the pa...
Category
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Materials
Lithograph
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REFERENCES : Catalog raisonne "Stone Echoes, Original Prints by Fr...
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Previously Available Items
Spanish Modernist 'Paloma' Colorful Lithograph of a Bird
By Juan García Ripollés
Located in Surfside, FL
Juan García Ripollés (Castellon) was born in Alzira (Valencia, Spain) in 1932. His mother died during childbirth and not long after, he moved to Castellon, known as Castellon La Plan...
Category
1960s Modern Juan Garcia Ripolles Prints and Multiples
Materials
Lithograph
Juan Garcia Ripolles prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Juan Garcia Ripolles prints and multiples available for sale on 1stDibs. If you’re browsing the collection of prints and multiples to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of purple and other colors. You can also browse by medium to find art by Juan Garcia Ripolles in lithograph, screen print and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Juan Garcia Ripolles prints and multiples, so small editions measuring 19 inches across are available. Customers who are interested in this artist might also find the work of Miguel Ibarz Roca, Lilya Vorobey, and Paul Rand. Juan Garcia Ripolles prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $600 and tops out at $1,800, while the average work can sell for $1,200.