Julian Schnabel Prints and Multiples

Georg Baselitz (German, born 1938) 45 – August, 1990 Medium: Woodcut on paper Dimensions: 124.2 x 68 cm Edition of 30: Hand-signed, numbered and dated in pencil Condition: Excellent

"Fish Dish" by Morag Muir (Scottish, b. 1960). Screen print on paper Signed "Morag Muir" and dated "87" lower right. Titled "Fish Dish" center and numbered "...

Joan Miró Litografia Original II Color Lithograph Year: 1975 Size: 12.5 × 9.6 inches Catalogue Raisonné: Queneau, Miro Lithographe II, 1952-1963, p.35 Publisher: Maeght Editeur, Pari...

RETNA Madre (Mother), 2023 Silkscreen and crystallina (diamond dust) on Coventry rag paper Hand signed and numbered by RETNA from the limited edition of only 75 on the front (41/75) ...

Screenprint on gesso board. Hand signed and numbered. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 30. All reasonable offers will be conside...

NATURAL BEAUTY by the self taught African American artist William Tolliver (b.1951-2000) is an original hand drawn limited edition lithograph printed in 25 colors on archival printma...

1960s Francis Bacon lithograph from Derrière le miroir: Well-suited for matting & framing, this original 1960's print is derived from Bacon's ...

Alan Shields Alice in Grayland, 1979 Mixed media collage: Etching, aquatint, screen print with stitching and collage on hand made paper Hand signed, dated, titled and numbered 1/13 by Alan Shields on the front Unique variant This very unique and imaginative mixed media paper collage with stitching and fabric is floated and framed in a museum quality white wood frame with UV plexiglass. It is hand signed, dated, titled and numbered from the limited edition of 13 - but each is a unique variant. Frame included: Measurements: Frame: 27.75 x 22.5 x 2 inches Artwork: 23.5 x 18 inches Catalogue Raisonne: K. Tyler Tyler Graphics: Catalogue Raisonné, 1974-1985, New York: Abbeville Press, 1987. p. 289. Alan Shields came of age artistically in the late 1960s in New York. Expanding the boundaries of Minimalism, he became known as a master of aesthetic invention through his wide-ranging exploration of materials and techniques. His mixed media works often contain combinations of traditional silkscreen processes combined with found materials. New York Times critic Roberta Smith wrote in her 2005 obituary for the artist: "Mr. Shields's work combined expanses of gorgeous stained color, reminiscent of Helen Frankenthaler's canvases, with the humbler crafts and a Gypsy sense of portability." Critic Robert Hughes has described Shields as a brilliant bricoleur who could, and often did, make art out of just about anything. He became an innovative printmaker, experimenting with handmade paper and turning out editions in which each print was unique. After his passing, Shields was awarded a Judith Rothschild Foundation grant given to recently deceased abstract artists whose work is of the highest quality but merits further recognition. About Alan Shields: Alan Shields (b. 1944, Herington, KS; d. 2005, Shelter Island, NY) created unique, imaginative, and theatrical structures using unconventional materials and vibrant color. His three-dimensional paintings convey a playful, deconstructive impulse through the incorporation of un-stretched hand-dyed canvas, rope, yarn, beads, and wood. Shields moved to New York City in 1968, where he showed with Paula Cooper...

Silkscreen on Patapar printing parchment paper. Paper Size: 10.125 x 10.125 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Jasper Johns, Screenprints...

This Pablo Picasso print serves as an excellent example of the artist's unique style and ability to convey deep meaning through seemingly simple portraits. Relying on intense bursts ...

Inspired by Cubism and Futurism, Giancarlo Impiglia’s print of a black tie affair is also reminiscent of Art Deco. With the sharp lines, lean physiques, and minimalistic approach to ...

ALL THE PEOPLE is an original hand drawn limited edition lithograph by the highly acclaimed African-American woman artist Elizabeth Catlett, master printmaker and sculptor best known for her depictions of the African-American experience. ALL THE PEOPLE is graphic composition comprised of a brilliant multi color rainbow across the bottom of the image with a centered, rose beige textured circle filled with simple black line drawings of men, women, and children's faces, a blue sky like area on top consists of textural effects obtained from Japanese rice paper. This impressive composition by the master print maker and sculptor, Elizabeth Catlett is from the FOR MY PEOPLE suite of prints, a set of 6 lithographs illustrating the well known 1942 poem by Margaret Walker. "For my people standing staring trying to fashion a better way from confusion, from hypocrisy and misunderstanding, trying to fashion a world that will hold all the people, all the faces, all the adams and eves and their countless generations;" - Stanza from the poem FOR MY PEOPLE by Margaret Walker Print size 23” x 19”, Edition size 99, unframed color lithograph on archival Arches paper, 100% acid free, Edition printed using traditional hand lithography methods by J.K. Fine Art Editions Co, NJ. Published in 1992 by the Limited Editions Club, NY. Excellent condition, never been framed or mounted, hand signed in pencil, dated and inscribed P.P.(Printers Proof) aside from edition of 99, print documentation/COA will be provided. From the master printer's private collection. About the artist - Elizabeth Catlett (born April 15, 1915, Washington, D.C., U.S.—died April 2, 2012, Cuernavaca, Mexico), American-born Mexican sculptor and printmaker renowned for her intensely political art. Catlett, a granddaughter of enslaved people, was born into a middle-class Washington family; her father was a professor of mathematics at Tuskegee Institute. After being disallowed entrance into the Carnegie Institute of Technology because she was Black, Catlett enrolled at Howard University (B.S., 1935), where she studied design, printmaking, and drawing and was influenced by the art theories of Alain Locke and James A...