Julian Schnabel Figurative Prints

Title: Portrait of a Painter Etching and soft-ground etching, in colors, 2017. Edtion of 30 printed on 100% cotton paper. Signed, titled and numbered in pencil. In excellent condit...

R.B. Kitaj (1932-2007) Spirit of the Ghetto Original seven color silkscreen on paper Signature: Hand signed by the artist in pencil lower right Edition: From the small, limited edition of 25, pencil numbered lower right 2/25 Sight Size: 23-1/2" x 17-1/2" Frame Size: 27" x 21.5" In Tate collection, London. Ronald Brooks Kitaj RA 1932 – 2007 was an American artist with Jewish roots who spent much of his life in England. He became a merchant seaman with a Norwegian freighter when he was 17. He studied at the Akademie der bildenden Künste in Vienna and the Cooper Union in New York City. After serving in the United States Army for two years, in France and Germany, he moved to England to study at the Ruskin School of Drawing and Fine Art in Oxford (1958–59) under the G.I. Bill, where he developed a love of Cézanne, and then at the Royal College of Art in London (1959–61), alongside David Hockney, Derek Boshier, Peter Phillips, Allen Jones and Patrick Caulfield. Richard Wollheim, the philosopher and David Hockney remained lifelong friends. "Through an earlier pre-occupation with turn-of-the-century intellectual life in Vienna (where he had started his art studies in the early 1950s), as well as an admiration for the Warburg Institute approach to the history of art-in-its-intellectual-context (since after Vienna he had moved to Oxford to study with the art historian Edgar Wind, before going on to the Royal College of Art) Kitaj has come to identify most strongly with the central European Jewish writer Franz Kafka, and with his sense of estrangement and of hidden mysteries. Illustrations to Kafka's aphorisms, imaginary portraits of his fiancée Felice and Count West-West who owned The Castle, appear in the Little Pictures, as do rapidly sketched portraits of Karl Kraus, Paul Celan, Leon Trotsky and Ludwig Wittgenstein, representations of Judeo-Christian mysteries of the hidden face of God. Kitaj settled in England, and through the 1960s taught at the Ealing Art College, the Camberwell School of Art and the Slade School of Art. He also taught at the University of California, Berkeley in 1968. He staged his first solo exhibition at Marlborough New London Gallery in London in 1963, entitled "Pictures with commentary, Pictures without commentary", in which text included in the pictures and the accompanying catalogue referred to a range of literature and history, citing Aby Warburg's analysis of symbolic forms as a major influence. He curated an exhibition for the Arts Council at the Hayward Gallery in 1976, entitled "The Human Clay" (an allusion to a line by W. H. Auden), including works by 48 London artists, such as William Roberts, Richard Carline, Colin Self and Maggi Hambling, championing the cause of figurative art at a time when abstract was dominant. In an essay in the controversial catalogue, he invented the phrase the School of London to describe painters such as Frank Auerbach, Leon Kossoff, Francis Bacon, Lucian Freud, Euan Uglow, Michael...

Pop Art style portrait of a woman with a likeness to Kate Moss by Marc Foster Grant (American, 20th Century). Unsigned, from a collection of his work...

Bright and colorful early 1970's limited edition screen print by J. Harrison, 1971. This intricately detailed abstract pattern undulates across the orange background with psychedelic...

Artist: Francis Bacon (1909-1992) Title: Portrait Isabel Rawsthorne Year: 2003 Medium: Offset Lithograph on premium paper Size: 39.25 x 27.5 inches Condition: Excellent Notes: Publis...

Color Reduction woodcut from 4 blocks with 4 silk screen colors and embossing on white Rives BFK paper Edition 28/30, Unframed MassArt welcomed artist Winfred Rembert for the 2014 Master Print Series, an artist in residency project during which, an established artist transforms an idea into physical artwork, and invites students to collaborate in the art-making process. A self-taught artist, Winfred Rembert records a painful chapter of American history in autobiographical paintings, created on hand-tooled and dyed leather, which explore the lives of African Americans in Jim Crow-era Georgia. After taking part in civil rights demonstrations, he survived a lynching only to be sent to prison to do hard labor on a chain gang. Another inmate taught him leatherworking and Rembert began depicting his past in engaging compositions and vibrant color. In many scenes, Rembert offers a raw view of racism, inequality, and violence while celebrating his community’s resilience in the face of such overwhelming injustice. Winfred Rembert also participated in the Adderley Lecture series, which features distinguished artists, historians, and writers and was established in 1995 in memory of Tyrone Maurice Adderley. Past Adderley lecturers have included Chakaia Booker, Melvin Edwards...

Adolph Gottlieb Guild Hall is for Everyone, 1970 Vintage Offset Lithograph poster Vintage metal Frame included Rare vintage, limited edition, offset lithograph poster. Donated by D...

Striking abstract expressionist lithograph by I. Colon (20th Century). An open hand with a baby in the palm is the focal point with objects, including a spaceship, an eye and doodles...

A color screen print with diamond dust by Andy Warhol. "The Shadow" is a self-portrait print executed in a dark, bold palette of browns and blacks by American Pop Artist Any Warhol. ...

Artist: After Francis Bacon (1909-1992) Title: Le Boeuf, exhibition poster Year: 1986 Medium: Offset Lithograph on premium paper Size: 30.75 x 18 inches Condition: Excellent Notes: Published by Foundation Maeght FRANCIS BACON (1909-1992) Francis Bacon has a distinctive style as a figure painter. In his mature style, developed in the 1950s, the paintings include images of either friends or lovers, or images of people found in movie stills...

John Altoon (1925-1969) UNTITLED, 1966, color lithograph, hand signed in pencil and inscribed trail proof II, sheet 29 ¾ x 41 ¼, printed by Gemini G.E.L.,...

"Balcony" 1938 WPA Print Mid 20th Century American Broadway Theatre Modernism. Silk screen on paper, 15” x 20". Numbered 15/20 lower left. Pencil si...