Kamal Mitra Figurative Prints

Tacita Dean (British, born 1965) La puerta del Diablo, 2021 Medium: Hand-printed photochemical colour photograph printed on Fuji flex paper, mounted on paper Dimensions: 40 x 37.5 cm...

Wolfgang Tillmans (German, born 1968) Kepler Venice Tables, 2013 Medium: Inkjet print on cotton paper Dimensions: 84 x 59.4 cm (33 x 23 3/8 in) Edition of...

Very last of the "Falcon" edition available! Emerson has pioneered a technique of printing with delicate charcoal powders, which give the image a softne...

Nick Cave Soundsuit #6 Year: 2010 Archival Pigment Print on Premium Rag Size: 17 x 12 in. Edition: 200 Signed by hand on label COA provided Ref.: 924802-2069 Tags: #NickCave #Missou...

Meschac Gaba (Benin, 1961- ) Artist with American Inspiration: 4 World Financial Center, 2004, Meschac Gaba, pigmented inkjet print, Hand signed, dated and inscribed '15 des 30 Artiste d'inspiration Americaine' verso. Dimensions: approximately 17 1/2 x 42 1/2 in. (sheet), 19 x 44 in. (frame) Meshac Gaba employs an intervention on an American dollar bill in Artist with American Inspiration: 4 World Financial Center, swapping out our stately eagle for his smiling face portrait. One of Gaba’s sculptures appears on the left as well. Meschac Gaba (born 1961) is a Beninese conceptual artist based in Rotterdam and Cotonou. His installations of everyday objects whimsically juxtapose African and Western cultural identities and commerce. He is best known for The Museum of Contemporary African Art 1997–2002, an autobiographical 12-room installation acquired and displayed by the Tate Modern in 2013. He has also exhibited at the Studio Museum in Harlem and at the 2003 Venice Biennale. Meshac Gaba was born in Cotonou, Benin, in 1961. He had drifted from his training as a painter until a bag of decommissioned money cut into confetti led him to make paintings with the material. 1981-1985 He was a student at the artist studio of Zossou Gratien, Cotonou, Benin. Gaba became known for his installations of everyday objects that whimsically juxtapose African and Western cultural identities and commerce. He held a residency at the Amsterdam Rijksakademie in 1996 for two years. In the absence of opportunities to display his work in the city, he set out over the next five years to make his own museum. This piece became his seminal The Museum of Contemporary African Art 1997–2002, which consists of 12 rooms (some based on museum function and others personal) filled with objects made by Gaba. Throughout the exhibition ran a vein of confessional narrative about the artist's art travails between Africa and Europe The wedding room, which he made while in love, holds mementos as museum artifacts from Gaba's wedding to the Dutch curator Alexandra van Dongen in 2000 at the Amsterdam Stedelijk Museum. The Library room holds art...

Hadar takes euphoric moments and try to generate a three dimensional feeling with every image inviting the viewer to jump into the game and to be part of it. There's a hidden message...

Hadar takes euphoric moments and try to generate a three dimensional feeling with every image inviting the viewer to jump into the game and to be part of it. There's a hidden message...

Not one to shy away from human representation, Pia Clodi’s more portraiture-like works continually offer the sitter an air of anonymity, and as such the viewer has the opportunity to...

"Moda" is one of Rosie Emerson's newest pieces from her fashion inspired photographic series. This is a photopolymer etching with embossing on paper, framed in a custom box black frame. This is an edition of 12, and each piece is slightly different because they are each hand-made. Moda, Ed 2/12 Photopolymer etching with embossing on paper, framed Artwork: 22" x 10" inches / 55 x 25 cm Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s screen-prints use unusual materials including charcoal powder, ash and saw dust to shift the focus of printmaking from accuracy and replication to the creation of unique, hand-finished prints with subtle texture. She explains ‘By combining photography with painting it allows me to balance energy and precision, and create something, which despite hours of planning will still surprise me in its results.’ Her recent Cyanotype works enable her to montage objects with real size photographic negatives. Using UV light from the sun to expose objects and images directly on to the sensitized surface, the works are often hand painted or gilded with gold leaf. Emerson describes ‘the technique itself has an element of magic about it, it also a wonderful discovery to be able to combine painting, collage and photography in this way’’. Emerson’s work is widely collected and exhibited both in the UK as well as internationally, through galleries, art fairs and museums. She has also worked with brands and individuals including Harvey Nichols, The Ivy Club, Sony, Triumph Underwear, Redbull, P&O Cruises, and Annoushka jewelry...

Hadar takes euphoric moments and try to generate a three dimensional feeling with every image inviting the viewer to jump into the game and to be part of it. There's a hidden message...

This photography is a reminiscence to a PF card from 1968 done by my father. The replica in a bigger format was done on the occasion of his solo exhibition in June 2023 in Slovakia. Will be signed and a single copy of the photo for sale.

By Gerhard Richter Hybrid raster dissolved offset/digital high quality art print on Rives 260 gsm paper 70 x 70 cm Edition of 500