Landon Nordeman Color Photography

Mesmerizing large format photograph of ethereal floral surface and horizon , a body of works capturing the tactile surfaces and monochromatic nature and cloudscapes Blue Hour (2021)...

Original large format still life photograph from Linda Rosewall's series "Flora Italiana", an intensively beautiful body of works exploring the botanica...

Shot in Hanoi in 2016, there are so many beautiful elements to this piece. The lines, the tone and the abstract nature of the books allowing you to make it your own bookcase. This a...

large format photography diptych by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and ritua...

Elise - Signed limited edition archival pigment print, Edition of 5 Sexy woman in short shorts repairing a car. Signed + numbered by artist with certificate of authenticity, unfra...

The Upside Down - 2017 Edition of 7 plus 2 Artist Proofs. Archivall C-Print, based on the Polaroid. Signed on the back and with certificate. Artist inventory PL2016-127. Not m...

Letters from Madame - Touch, from the series mme.xposed, 2006, Archival C print based on the Polaroid, beautiful on Fine art Bright white by Hahnemuhle, mounted on Dibond - uncoated in shadow frame, Hand signed & numbered by the artist edition of 7 - nr 2 25x25cm Carmen De Vos - Artist statement Flying Freelance Portrayer. Purveyor of Exquisite Photographic Peculiarities. Chroniqueur and Archiver. Founder and Editor-in-Chief of the late TicKL-Magazine. The Belgian artist Carmen De Vos is a slow photographer. She registers, portrays and thinks up odd stories. She shoots Polaroids to frame these mental escapades, they get so easily out of hand. She enormously longs for what she’s afraid to loose: real human contact, the slowness of being and creating, the tangibility of materials. Almost without exception she uses old Polaroid camera’s, long time expired film and self-made filters. Her tools and methods - such as film bleaching and deliberate film obstruction - are not precise and are not even geared towards a perfect representation. They often yield results - such as colorisation, deformation, unsharpness - which she could never have predicted on forehand with any certainty, because their flaws do not allow for calculation. She’s not in control. She fights the material. She plans, stages and directs but the decayed chemistry and off-focus lenses add their magic. All by themselves. Which merrily surprises her. Or ruins her image. This battle attracts her as much as it frustrates her. She loves to create within these limitations, to try to produce the best possible image within the narrow circumstances given. Luckily, she’s a sucker for imperfections. Once upon a time she found herself guilty of home-crafted mischiefs for TicKL, her English art porn Polaroid magazine. She never really got cured from naughtiness. She can’t help but traveling back to these blessed times of free-love photography...

'Thursday's Child' part of the series 'A Girl called N.' - 2019 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signature label and certificate....

Wild Things (Till Death do us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Apples ‘ who was captured on film in 19...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Josefa ‘ who was captured on film in 19...

Wild Things (Till Death Do Us Part) - 2005, 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Invent...