Laura Tanner Graham Drawings and Watercolor Paintings
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Artist: Laura Tanner Graham
Lola I
By Laura Tanner Graham
Located in New Orleans, LA
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty...
Category
21st Century and Contemporary Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Ink
Dish
By Laura Tanner Graham
Located in New Orleans, LA
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty...
Category
21st Century and Contemporary Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Ink
Sweet Tea
By Laura Tanner Graham
Located in New Orleans, LA
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty...
Category
21st Century and Contemporary Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Ink
Three Tier
By Laura Tanner Graham
Located in New Orleans, LA
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty...
Category
21st Century and Contemporary Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Ink
The Whole Pie
By Laura Tanner Graham
Located in New Orleans, LA
artwork dimensions (unframed): 35.5h x 39w inches
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society.
Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ.
STATEMENT
Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened.
Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism.
The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...
Category
21st Century and Contemporary Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Ink
P.O.P. (Piece of Pie)
By Laura Tanner Graham
Located in New Orleans, LA
artwork dimensions (unframed): 15h x 20w inches
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society.
Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ.
STATEMENT
Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened.
Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism.
The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...
Category
21st Century and Contemporary Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Ink
Natural Lure
By Laura Tanner Graham
Located in New Orleans, LA
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society.
Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ.
STATEMENT
Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened.
Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism.
The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...
Category
21st Century and Contemporary Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Ink
Dead Eye #2
By Laura Tanner Graham
Located in New Orleans, LA
artwork dimensions (unframed): 37.5h x 13.5w inches
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing s...
Category
21st Century and Contemporary Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Ink
Barbecue Nation
By Laura Tanner Graham
Located in New Orleans, LA
artwork dimensions (unframed): 59h x 41w inches
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing simil...
Category
21st Century and Contemporary Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Ink
Cherry / Silver / Lace
By Laura Tanner Graham
Located in New Orleans, LA
artwork dimensions (unframed): 20h x 14w inches
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society.
Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ.
STATEMENT
Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened.
Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism.
The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...
Category
21st Century and Contemporary Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Ink
Dead Eye #1
By Laura Tanner Graham
Located in New Orleans, LA
artwork dimensions (unframed): 37.5h x 13.5w inches
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing s...
Category
21st Century and Contemporary Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Ink
Merrymaking
By Laura Tanner Graham
Located in New Orleans, LA
LAURA TANNER GRAHAM's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor ...
Category
21st Century and Contemporary Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Ink
Low Front IV
By Laura Tanner Graham
Located in New Orleans, LA
[Tucson, AZ ::: b. 1987, Atlanta, GA]
LAURA TANNER GRAHAM's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes ...
Category
21st Century and Contemporary Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Ink
Low Front I
By Laura Tanner Graham
Located in New Orleans, LA
medium: ink on hand-cut mylar
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with aut...
Category
21st Century and Contemporary Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Ink
Donut Dollies
By Laura Tanner Graham
Located in New Orleans, LA
Artwork dimensions (without frame): 60h x 40w inches
During World War II an the Vietnam War, women were encouraged to volunteer to travel to war zones through the Red Cross. They w...
Category
21st Century and Contemporary Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Ink
Plaything
By Laura Tanner Graham
Located in New Orleans, LA
Plaything, 20”x20”, Ink on Hand-Cut Mylar, 2018
This piece focuses on America's cultural appropriation and exploitation of Mexican culture. Living in the desert Southwest...
Category
21st Century and Contemporary Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Ink
Lithotomy
By Laura Tanner Graham
Located in New Orleans, LA
medium: ink on hand-cut mylar
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with aut...
Category
21st Century and Contemporary Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Ink
Jane
By Laura Tanner Graham
Located in New Orleans, LA
artwork dimensions (without frame): 33h x 45w x 6d inches
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sha...
Category
2010s Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Mixed Media, Ink
Info-Red Infra-Structure
By Laura Tanner Graham
Located in New Orleans, LA
medium: ink on hand-cut mylar
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with aut...
Category
21st Century and Contemporary Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Ink
Tender Target
By Laura Tanner Graham
Located in New Orleans, LA
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor ...
Category
2010s Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Ink
Dorothy
By Laura Tanner Graham
Located in New Orleans, LA
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor ...
Category
21st Century and Contemporary Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Ink, Mylar, Mixed Media
Peachtree Battle
By Laura Tanner Graham
Located in New Orleans, LA
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor ...
Category
21st Century and Contemporary Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Ink
Sweet Milk
By Laura Tanner Graham
Located in New Orleans, LA
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor ...
Category
21st Century and Contemporary Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Ink
Sweet and Salty
By Laura Tanner Graham
Located in New Orleans, LA
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor ...
Category
21st Century and Contemporary Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Ink
On the Hunt
By Laura Tanner Graham
Located in New Orleans, LA
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor ...
Category
21st Century and Contemporary Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Ink
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2011 Gallery Group Ann Nathan Gallery, Chicago, IL
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SELECTED EXHIBITIONS
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2011 Gallery Group Ann Nathan Gallery, Chicago, IL
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2010 SOFA Chicago 2010: Special Installation at SOFA Café, Navy Pier, Chicago, IL
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Borgman loves the directness of drawing. It is immediate, there is no lag time. There is no time waiting for the paint to dry. She works solely in charcoal which she can manipulate to achieve varying degrees of darkness and opacity. It is messy and the artist loves that.
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[This work is custom framed in shadow box style with non-reflective Tru-Vue Museum Glass]
FRAMED DIMENSIONS
44.75h x 58.75w x 2.25d in
113.67h x 149.22w x 5.71d cm
Mary Borgman
b. October 4, 1959 St. Louis, MO
SELECTED EXHIBITIONS
2017 Grand Opening: Coming Attractions, Gallery Victor Armendariz, Chicago, IL
2013 SOFA Chicago 2013, Ann Nathan Gallery, Navy Pier, Chicago, IL Portraiture Now: Drawing on the Edge, National Portrait Gallery, Arkansas Art Center, Little Rock, AR
2012 Portraiture Now: Drawing on the Edge, National Portrait Gallery, Washington D.C.
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SOFA NY, Ann Nathan Gallery, New York, NY
2011 Gallery Group Ann Nathan Gallery, Chicago, IL
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2010 SOFA Chicago 2010: Special Installation at SOFA Café, Navy Pier, Chicago, IL
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Flower Drawing, No. 1, graphite pencil and pastel on mylar paper
Located in Petaluma, CA
This flower drawing is done on mylar paper, a semi-transparent paper with a smooth surface. The drawing was done with graphite pencil, red oil pencil and Farber-Castell quality pen...
Category
21st Century and Contemporary Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Color Pencil, Graphite
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H 24 in W 19 in D 1 in
A.103-013- abstract geometric black ink drawing on mylar
By Patrick Carrara
Located in New York, NY
abstract geometric black and white ink drawing on mylar framed in white frame
For over twenty years now Patrick Carrara has lived in Brooklyn, where he has maintained a studio and s...
Category
21st Century and Contemporary Abstract Geometric Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Archival Ink
Goddess (figurative, pregnant, life drawing, black and white, mirror)
By Susan Kiefer
Located in Kansas City, MO
Susan Kiefer
Goddess
Charcoal, pastel and reflective mylar on paper
Year: 2000
Size: 30x25x0.35in
Signed, dated and inscribed by hand
COA provided
Ref.: 924802-1660
Framed drawing o...
Category
2010s Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Paper, Charcoal, Pastel
H 30 in W 25 in D 0.35 in
A.121-013- abstract geometric black and white ink drawing on mylar
By Patrick Carrara
Located in New York, NY
abstract geometric black and white ink drawing on mylar framed in white frame
For over twenty years now Patrick Carrara has lived in Brooklyn, where he has maintained a studio and s...
Category
21st Century and Contemporary Abstract Geometric Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Archival Ink
A. 161-014- abstract geometric black and white ink drawing on mylar
By Patrick Carrara
Located in New York, NY
Abstract geometric black and white ink drawing on mylar framed in white wood frame with UV Plexiglass.
For over twenty years now Patrick Carrara has lived in Brooklyn, where he has m...
Category
21st Century and Contemporary Abstract Geometric Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Archival Ink
Water No. 2, after Tom
By Zachari Logan
Located in New York, NY
This drawing by Zachari Logan is offered by CLAMP in New York City.
Category
2010s Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Color Pencil
'Untitled (02), ' Ink on Mylar, Abstract, Contemporary Art
Located in Los Angeles, US
Felice Grodin
'Untitled (02),' 2023
Ink on Mylar
18 x 24 inches
━━━
(This piece is part of the exhibition titled 'Work' on LADIES' ROOM)
In encountering the discursive history of “work” in artmaking, all of the objects assembled in WORK variously venerate labor as an essential element. WORK features 10 artists whose laborious methodologies demonstrate an indisputable meticulousness and care for their media. Selected for their quasi-obsessive dedication to their practice, each of the artists in WORK assiduously and repeatedly cut, draw, carve, sculpt, stitch, and weave their materials into complex configurations.
- BIOGRAPHY -
Felice Grodin is a visual artist based in Miami Beach, FL. She holds a Bachelor of Architecture from Tulane University, and a Master of Architecture with Distinction from Harvard University. Her solo and duo exhibitions include Diana Lowenstein Gallery, Pérez Art Museum Miami (PAMM), Museum of Contemporary Art Miami, ArtCenter South Florida, Locust Projects, RED-EYE Magazine...
Category
21st Century and Contemporary Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Materials
Mylar, Ink
Previously Available Items
Low Front II
By Laura Tanner Graham
Located in New Orleans, LA
medium: ink on hand-cut mylar
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with au...
Category
21st Century and Contemporary Contemporary Laura Tanner Graham Drawings and Watercolor Paintings
Laura Tanner Graham drawings and watercolor paintings for sale on 1stDibs.
Find a wide variety of authentic Laura Tanner Graham drawings and watercolor paintings available for sale on 1stDibs. You can also browse by medium to find art by Laura Tanner Graham in ink, mylar, plastic and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large Laura Tanner Graham drawings and watercolor paintings, so small editions measuring 10 inches across are available. Customers who are interested in this artist might also find the work of Idoline Duke, Monica Zeringue, and Jesse Lambert. Laura Tanner Graham drawings and watercolor paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,250 and tops out at $32,500, while the average work can sell for $7,500.