Louis Earnest Nadalini Paintings

This artwork "When the blue sky meets the blue sea" is a captivating example of abstract expressionism, where vibrant color and dynamic brushwork coalesce to evoke an emotive landsc...

Artist: George Cecil Carter (1908–1993) Medium: Oil on board Size: Image: 16 ⅞ x 9 ⅞ in Framed: 20 ⅝ x 13 ½ x 1 ⅞ in Style: Mid-Century Modern, Abstract Figurative This striking 1950s oil painting by celebrated Colorado abstract expressionist George Cecil Carter presents a modernist portrayal of a couple, believed to depict Alfred Stieglitz and Georgia O’Keeffe. Rendered in bold brushstrokes and a rich color palette, the piece showcases Carter’s unique ability to merge abstraction with figurative expression, creating a sense of movement and emotion. Housed in a custom frame, this original mid-century artwork is a must-have for collectors of modernist and abstract figurative art. Provenance: From a private collection in Denver, Colorado. About the Artist – George Cecil Carter Born in Oklahoma in 1908, Carter became a leading figure in Colorado’s abstract expressionist movement, working alongside artists like Al Wynne, Mary Chenoweth...

Abstract countryside landscape with colored plots worked in oil on linen canvas.. The construction takes precedence over the motif, the artist works on his composition until he finds...

Abstract Expressionist Composition by Marie Deloume (French born 1942) signed on back, inscribed verso with the artists Paris address oil painting on paper stuck on canvas, unframed ...

Beni E. Kosh/Charles Elmer Harris (American, 1917-1993) Untitled Oil on canvas board Estate stamped #611 verso 24 x 18 inches Charles Elmer Harris was born in 1917 in Cleveland, Oh...

This oil painting, titled "Canet Beach 0.1", is a vivid abstraction by French artist Natalya Mougenot, encapsulating the essence of movement and color. Created on heavyweight Fabrian...

Title: Seaside Serenade Minimalism, Art Deco, Abstract, Bold, Invest, Colorful, Joy This series connects to that around as well as that within. Solitude takes the viewer to that ...

Abstract Expressionist Composition by Marie Deloume (French born 1942) signed on back, inscribed verso oil painting on paper stuck on canvas, unframed canvas size: 34 x 42 inches con...

This contemporary seaside landscape, infused with the spirit of Impressionism and a hint of Expressionism, is part of my ongoing series celebrating the essence of summer. Titled "Dre...

An original oil and spray paint on paper by Denis Bowen who played an important role in the Post War British art movement. This simple yet stunning work dates to 1962. Signed and dated verso. Provenance. Northern collection. Condition. Oil and spray paint on paper. Image size 26 inches by 18 inches and in fine gallery condition. Housed in a simple black gallery frame in excellent condition, 28 inches by 20 inches. Denis Bowen (1921-2006) was a South African artist, gallery director and promoter of abstract and avant-garde art in Britain. He was founder of the New Vision Group and the New Vision Centre Gallery, both of which played an important role in the post-World War II British art scene. Denis Bowen was born on 5 April 1921 in Kimberley, South Africa. His father was Welsh and his mother English. After being orphaned at a young age, Bowen moved to England where he was raised by his aunt in Huddersfield. He enrolled at the Huddersfield School of Art in 1936. After serving in the Navy in World War II, Bowen resumed his art studies at the Royal College of Art in London in 1946. Between 1940 and 1986 Bowen taught art at numerous institutions including: the Kingston Institute of Art, Hammersmith School of Art, Birmingham School of Art, the Central School of Art and Design, the Royal College of Art and the University of British Columbia in Vancouver. In 1951 Bowen founded the New Vision Group, which initially emerged from meetings and displays that he organised with his students in 1951. In 1955, Bowen worked alongside Frank Avray Wilson and Halima Nalecz...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell

"Shattered" WPA Mid 20th Century Modernism American Scene Surrealism Figurative Estate stamp on the stretcher, verso. Provenance: Estate of the artist. 20 x 24 inches. BIO Leon Bibel continued painting through 1941 and resumed work in both painting and especially wood sculpture by 1960. He worked until his very last day in 1995. His last series of large wood sculptures were modeled on spice boxes, which were miniature buildings...