Louis Ribak “Metamorphosis” Mid‑Century Modern Abstract Gouache, Taos Artist
By Louis Ribak
Located in Denver, CO
This compelling mid‑century abstract gouache on paper painting by Louis Ribak exemplifies the pioneering spirit of American modernism rooted in the Taos art scene. Executed in gouach...
Gouache
$15,000
H 5.25 in W 8.25 in
Robert Natkin - unique early painting on historic Wells Street Gall. card Framed
By Robert Natkin
Located in New York, NY
Unique historic work Hand signed and dated on the front An exceptionally early gouache from 1957, executed on the verso of a Wells Street Gallery invitation card - one of the first c...
Watercolor, Gouache
$441Sale Price|20% Off
H 15.5 in W 22 in
Modern British 20th Century Colourful Abstract Painting - Geometric shapes
Located in Cirencester, Gloucestershire
Abstract Composition British School, monogrammed/ dated lower corner gouache painting on paper laid over card, unframed actual painting: 22 x 15.5 inches Superb - bold - and very co...
Gouache
$6,500
H 50 in W 50 in D 2 in
Specifically Nowhere, Yellow (Abstract Geometric Painting with Grids on Yellow)
By Donise English
Located in Hudson, NY
Large abstract geometric painting with intricate line work in pencil and gouache on a bright yellow background "Specifically, Nowhere (Yellow)" made by Hudson Valley artist, Donise English, in 2022 gouache, acrylic, pencil, and colored pencil on paper, mounted on panel 48 x 48 inches unframed, 50 x 50 inches with a dark brown stained wood floater frame Surface is protected with four coats of an archival UV protective varnish Signed, verso Excellent condition and ready to hang This large abstract geometric painting was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a bright yellow background overlaid with intricate line work in graphite and colored pencil. Thousands of hand drawn lines serve as a backdrop for a bold geometric form in a dusty violet and dark gray gridded pattern that references "an imagined city grid", says the artist. The painting on paper is mounted to wood panel and complemented with a dark stained wood floater frame. It's in excellent condition and ready to hang as is. The surface is protected with four coats of an archival UV protective varnish. More about the work: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...
Canvas, Gouache, Archival Paper, Color Pencil, Graphite
$406
H 25.75 in W 19 in
Mid Century French Abstract Botanical Expressionist Ink Painting
Located in Cirencester, Gloucestershire
Title: Mid Century French Abstract Botanical Expressionist Ink Painting Medium: Black ink/ gouache painting on paper, unframed French, circa 1950's Size: 25.75 inches x 19 (height x ...
Paper, Ink, Gouache
$18,000
H 27 in W 33 in D 1.5 in
Jack Youngerman, October 1, from Betty Parsons Gallery, India ink, Signed Framed
By Jack Youngerman
Located in New York, NY
Jack Youngerman October 1, from Betty Parsons Gallery, 1964 India ink on paper, with original Betty Parsons Gallery label Pencil signed and dated '64 on the front; also signed, title...
India Ink, Gouache
$5,000
H 28.5 in W 18.5 in
Untitled Geometric Abstraction - unique signed and inscribed work -framed
Located in New York, NY
Paul Pagk Untitled Geometric Abstraction, 1989 Gouache and watercolor on paper Signed, dated and inscribed "A Jacqueline". Frame included Excellent unique work on paper by contempora...
Watercolor, Gouache, Pencil, Graphite
$441Sale Price|20% Off
H 15.5 in W 22 in
Modern British 20th Century Colourful Abstract Painting - Geometric shapes
Located in Cirencester, Gloucestershire
Abstract Composition British School, monogrammed/ dated lower corner gouache painting on paper laid over card, unframed actual painting: 22 x 15.5 inches Superb - bold - and very co...
Gouache
$441Sale Price|20% Off
H 22 in W 15.5 in
Modern British 20th Century Colourful Abstract Painting - Geometric shapes
Located in Cirencester, Gloucestershire
Abstract Composition British School, monogrammed/ dated lower corner gouache painting on paper laid over card, unframed actual painting: 22 x 15.5 inches Superb - bold - and very co...
Gouache
$15,000
H 15 in W 15 in D 1.5 in
Study #26, 1960s Gouache painting Signed Framed Pace & Hudson Gallery provenance
By Jack Youngerman
Located in New York, NY
Jack Youngerman Untitled Study #26, 1967 Gouache painting on paper (with original JL Hudson and PACE Gallery labels) Hand signed and dated '67 on the front; J.L. Hudson Gallery Label on Verso. Unique Abstract Expressionist work on paper Frame included Framed Measurements: Framed: 15 inches by 15 inches by 1.5 inch Artwork: 7.75 inches by 7.5 inches Provenance From the estate of Anne Markley Spivak J. L. Hudson Gallery Label affixed to verso (back). The J.L. Hudson Gallery, Detroit, Michigan This 1967 unique, signed gouache painting by renowned abstract expressionist painter Jack Youngerman was acquired from the estate of Anne Markley Spivak. It is held in the original vintage metal frame with the original J.L. Hudson Gallery label, as well as the PACE gallery label on the verso The artwork has been newly loated and framed in a museum quality white wood frame; the original labels from the original back board have been affixed to the back to preserve provenance. Jack Youngerman Biography Jack Youngerman was born in St. Louis, Missouri on March 25, 1926. He moved to Louisville, Kentucky in 1929 and studied at the University of Missouri, Columbia from 1944 to 1946 under a wartime navy training program. He graduated from the University of North Carolina Chapel Hill in 1947 and, that same year, he returned to Missouri to finish his Bachelor’s degree in Journalism before moving to Paris on a G.I. scholarship. In Paris, Youngerman enrolled at the Ecole des Beaux-Arts, studying drawing with Jean Souverbie. He explored Paris, taking in the cathedrals, museums, and history in order to grasp a greater sense of art history. He also traveled to the Netherlands, Spain, Belgium, Italy, and Greece on fine art excursions. In 1948, Youngerman became friends with Ellsworth Kelly, Eduardo Paolozzi, and Cesar – fellow students at Ecole des Beaux-Arts. He married Delphine Seyrig in 1950, and later that year he had his first group exhibition at Galerie Maeght in Paris. He visited the studios of Constantín Brancusi and Jean Arp and became heavily influenced by the organic forms present in their work. He also met artist Alexander Calder through his father-in-law, Henri Seyrig, and experimental filmmaker and artist, Robert Breer...
Gouache
$2,500
H 38.5 in W 36 in D 1.5 in
Storm at Sea, 1960s Gouache and Oil Pastel Abstract Artwork, Framed
By Gloria Dudfield
Located in Arp, TX
Storm at Sea 1960s Gouache and Oil Pastel on paper 35.75"x33.25 float mount black wood frame measures 38.5"x1.5"x36" Unsigned Gloria (Fischer) Dudfield July 12, 1922 – May 27, 2015 ...
Paper, Oil Pastel, Gouache
$2,400
H 37 in W 29 in D 2 in
Blue Twisting Grid (Abstract Geometric Work on Paper, Custom Light Wood Frame)
By Donise English
Located in Hudson, NY
Abstract drawing on paper in light sky blue, black and white with custom light wood frame 'Blue Twisting Grid' by Donise English 30 x 22 inches unframed, 37 x 29 inches custom frame ...
Acrylic, Gouache, Archival Paper, Graphite
$490Sale Price|20% Off
H 10.75 in W 8.25 in
French Expressionist Abstract Original Painting Artists Studio Provenance
Located in Cirencester, Gloucestershire
Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 10.75 x 8.25 inches condition: very good and impressive provenance: all th...
Gouache
Burning Woods
By Louis Ribak
Located in Austin, TX
Oil on masonite. Signed lower right and on verso. 30 x 24 in. 31 x 25 in. (framed) Custom framed in maple. Louis Leon Ribak was born in the Russian empirical governorate of Grodno in 1902. A long-disputed region that is ethnically Lithuanian, at present day, Grodno is located in the western reaches of the Republic of Belarus, near the borders with Poland and Lithuania. At the age of ten, Ribak and his family immigrated to New York City. In 1922, he attended the Pennsylvania Academy of Fine Arts, followed by studies at the Art Students League (1923) and the Educational Alliance (1924). Ribak’s oeuvre can be largely delineated between two stylistic phases: social realism and abstraction, the former taking hold during the 1930s and 40s. During that period, he had several solo exhibitions at the A.C.A. Gallery in New York, while also regularly exhibiting with “An American Group Inc.” - a cohort of socially-conscious painters that included Stuart Davis, Reginald Marsh, Maurice Sterne, and Raphael Soyer. In 1933, Ribak assisted Diego Rivera on the mural for the lobby of Rockefeller Center, while also being employed by the Works Progress Administration (WPA) as a muralist. Louis Ribak met fellow artist Beatrice Mandelman at a dance sponsored by the Artists Union in New York. They were married in 1942, and shortly thereafter, he was drafted for military service in World War II. After his discharge from the service in 1942 due to difficulties with asthma, Mandelman and Ribak traveled west to visit his former mentor John Sloan in Santa Fe, NM. By this time, the couple had become disenchanted with the art scene in New York, and in light of the need to find a healthier climate for Ribak’s asthma - as well as reputed FBI surveillance based on political affiliations with Communist sympathizers - they decided to permanently relocate to the emerging artists’ colony of Taos, NM in 1944. This change of scenery ushered in the second phase of Ribak’s stylistic career, with his work shifting from social realism toward abstraction. He was captivated by the landscape and the diverse cultures of northern New Mexico, the influences of which began to appear in his work. Ribak founded the Taos Valley Art School in 1947, offering no ideology to his students; instead arguing that the adoption of a single approach would lead to academicism. Ribak was an integral force in the development of the Taos Moderns...
Masonite, Oil, Board
Sold
H 29.5 in W 39 in D 1.25 in
Apache Dinner at Dulcea, 1950s Casein Painting, Scene Around Campfire, Figures
By Louis Ribak
Located in Denver, CO
Casein on paper painting by Louis Leon Ribak (1902-1979) titled "Apache Dinner at Dulcea" depicting a Native American family gathered around a fire at nighttime. Painted in various s...
Paper, Casein
Gorge Figures 1967
By Louis Ribak
Located in Santa Fe, NM
Watercolor and india ink on handmade paper dimensions are framed size, frame has 1/4 gold leaf profile with wood sides black red yellow mid century modern Louis Leon Ribak was born in the Lithuanian province of Grodno Gubernia in 1902. When he was ten, he immigrated with his family to New York City. In 1922 he attended the Pennsylvania Academy of Fine Arts, in 1923 studied with John Sloan at the Art Students League and at the Educational Alliance in 1924. Sloan's influence guided Ribak's development. As an editor for the radical periodical, New Masses, Sloan encouraged Ribak to illustrate for the publication. In 1929, Ribak become a founding member of the John Reed Club, a group closely associated with New Masses. Ribak's work during the 1930s and early 1940s is dominated by social realism. His painting Coal Miners is in the permanent collection of the Jewish Museum, and Home Relief Station is in the permanent collection of the Whitney Museum of American Art. In the early 1930s Ribak had several one-man exhibitions at the A.C.A Gallery in New York and regularly exhibited with "An American Group Inc.", a group of socially conscious painters including Stuart Davis, Reginald Marsh, Maurice Sterne, Raphael Soyer, and others. In 1933 he assisted Diego Rivera on the mural for the lobby of Rockefeller Center, and in 1935 worked for the Works Progress Administration (WPA) as a muralist. Ribak participated annually in the Whitney Museum's Exhibition of Contemporary American Art from its inception in 1932 until he left New York in 1944. In 1934 Ribak's work was chosen for the Venice Biennial. Louis Ribak met Beatrice Mandelman at a dance sponsored by the Artists Union and in 1942 they married. That same year, he was drafted for military service, but 2 years later he was released from service due to asthma. In 1944 the couple traveled west to visit John Sloan in Santa Fe and shortly after, moved to Taos. The move was prompted in part by the need for a healthier climate for Ribak but also because they had become dissatisfied with the New York scene due to "dissention between Social Realists and Abstract Expressionists." In New Mexico Ribak's artistic style underwent a transformation from Social Realism towards abstraction. He was captivated by the landscape and the diverse cultures of northern New Mexico. In 1947 Ribak founded the Taos Valley Art School. He offered no ideology to his students, arguing that taking any single approach would lead to academicism. Ribak was an integral force in the development of the Taos Moderns...
India Ink, Watercolor, Handmade Paper
Yeibichai Dancer
By Louis Ribak
Located in Denver, CO
Illustrated: "Modernists in Taos: From Dasburg to Martin" by David L. Witt, Plate 48; Page 119 Provenance: Colorado National Bank (Later the US Bank Corporate Collection) Fra...
Oil