Luke Smalley Portrait Photography

Museum quality fine art print of Cai by photographer Markus Klinko in 2000 in New York. This print is available in the following sizes, signed and numbered by Markus Klinko 24" high...

Museum quality fine art print of Dita Von Teese by photographer Markus Klinko in 2013 in Los Angeles. This print is available in the following sizes, signed and numbered by Markus K...

Museum quality fine art print of AURIELEE SUMMERS, THE BATH by photographer Markus Klinko in 2013 in Los Angeles. This print is available in the following sizes, signed and numbered...

Silver Bra (29 Palms, CA) - 1999 Edition of 10, 58x56cm, analog C-Print, hand-printed by the artist, printed on Fuji Crystal Archive Paper based on the Polaroid, matte surface Art...

'Tales of Bitter Doom #14' by Carmen De Vos, Edition of 7, 30x30cm, 2018 digital c-print, based on a Polaroid mounted on Dibond - gloss coating, hand sign...

Museum quality fine art print of LIZ, AT THE W CAUSING TROUBLE by photographer Markus Klinko in 2013 in Hollywood, Los Angeles. This print is available in the following sizes, signe...

Male Nude (29 Palms, CA) - 1999 65x60cm, Edition 4/10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Mounted on Aluminum with matte UV-Protection with white '...

Jungle Boy (Back in the 80's) - 1999 48x46cm, Edition of 10. Analog C-Print, hand-printed by the artist, based on a Polaroid. Certificate and Signature label. Artist Inventory ...

Day and Night - 2017 Edition of 7 plus 2 Artist Proofs. 48x46cm Archival C-print, based on a Polaroid. Signed on the back and with certificate. Artist...

David Drebin Taxi Lovers, Hong Kong, 2009

Born to be Wild - 2014 30x30cm, Edition 3/10. Archival color print on Pearl photo paper, based on the Polaroid. Signed on the back. Not mounted. Whether in color and black and white, van Driessche’s photos marry the atmospheric qualities of integral and instant pack films with the sensuality of his models. The effect is often painterly, intimate, delicate. The softness and vulnerability of the nude feminine form is often juxtaposed with untamed landscapes or graphic urban architecture. Other photos in the series read like fine art paintings, with luminous colors and classic compositions. Van Driessche has traveled all over the world, taking photos wherever he goes. These days, he often schedules photo shoots with models when he travels, working with both professionals and amateurs. Despite being a perfectionist in his photography, van Driessche likes the unpredictable nature of expired film. He embraces its inherent perfections. He says it is thrilling when an instant photo develops before your eyes, and it happens to be exactly what you were hoping for. And equally frustrating when, for whatever reason, the photo just doesn’t work. He says that you have to be very sure of everything, the composition, the lighting, the poses, before pushing the button. Instant photography requires more thought and more patience than other forms of photography, but the rewards are worth the effort. His work has been widely featured, having appeared in Dreck Magazine, Tata Magazine, 100 Volume 1, Latent Magazine, Hylas Magazine, and Fine Art Photo Magazine. He has been interviewed by the on-line magazines Whataroll and Kaltblut and he recently participated in a group exhibition at the Brick Lane Gallery in London in March 2017. Van Driessche cites these photographers as his influences: Anton Corbjin, for his square format and black and white images; Helmut Newton for his nudes; Stephanie Schneider...

Guests at the Villa Nirvana, owned by Oscar Obregon, in Las Brisas, Acapulco, Mexico, February 1972. Complimentary dealer shipping to your framer, worldwide. Undercurrent Projects ...