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Margot Glass Art

American
Margot Glass grew up in New York City, and studied art at The Art Students' League, Brown University, Rhode Island School of Design, and Fashion Institute of Technology. Her work explores the ephemeral through still life, nature, and botany. Glass’s work has been widely exhibited in the United States and internationally and is in private and public collections including the Hunt Institute for Botanical Documentation at Carnegie Mellon, Pittsburgh, PA, Midwest Museum of American Art, Elkhart, IN. She currently lives and works in Western Massachusetts.
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Artist: Margot Glass
Dealer: Garvey|Simon
Wild Geranium 1, gold acrylic ink botanical still life drawing
By Margot Glass
Located in New York, NY
Margot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...
Category

2010s American Realist Margot Glass Art

Materials

Paper, Ink

Chicory 2, gold ink botanical still life drawing
By Margot Glass
Located in New York, NY
Margot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...
Category

2010s American Realist Margot Glass Art

Materials

Ink, Wood Panel

Light Envelope with Tape, realist watercolor and pencil still life, 2016
By Margot Glass
Located in New York, NY
Margot Glass explores the fragility of communication, and people’s natural drive to find narrative in even the most ordinary of objects. In her Envelopes series, Glass works in water...
Category

2010s Contemporary Margot Glass Art

Materials

Watercolor, Illustration Board

Large Thistle 1, contemporary realist botanical still life drawing
By Margot Glass
Located in New York, NY
Margot Glass reimagines color and tone, using luminescent ink to translate vivid shades into bursts of white-gold. Ever-interested in fragility and ephemerality, Glass lingers over t...
Category

2010s American Realist Margot Glass Art

Materials

Paper, Ink

Two Dandelions, gold ink botanical still life drawing
By Margot Glass
Located in New York, NY
Margot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...
Category

2010s American Realist Margot Glass Art

Materials

Ink, Wood Panel

Anemone 1, contemporary realist botanical still life drawing
By Margot Glass
Located in New York, NY
Margot Glass reimagines color with her newest specimen, anemones, using luminescent ink to translate vivid shades into bursts of white-gold. Ever-interested in fragility and ephemera...
Category

2010s American Realist Margot Glass Art

Materials

Paper, Ink

Anemone 2, contemporary realist botanical still life drawing
By Margot Glass
Located in New York, NY
Margot Glass reimagines color with her newest specimen, anemones, using luminescent ink to translate vivid shades into bursts of white-gold. Ever-interested in fragility and ephemera...
Category

2010s American Realist Margot Glass Art

Materials

Paper, Ink

Two Dandelions with Bud, gold acrylic ink botanical still life on panel
By Margot Glass
Located in New York, NY
Margot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...
Category

2010s Realist Margot Glass Art

Materials

Ink, Wood Panel

Chicory 1, gold ink botanical still life drawing
By Margot Glass
Located in New York, NY
Margot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...
Category

2010s American Realist Margot Glass Art

Materials

Ink, Wood Panel

Orange Envelope, Watercolor and pencil realist still life, 2016
By Margot Glass
Located in New York, NY
Margot Glass explores the fragility of communication, and people’s natural drive to find narrative in even the most ordinary of objects. In her Envelopes series, Glass works in water...
Category

2010s Contemporary Margot Glass Art

Materials

Watercolor, Illustration Board, Pencil

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Lighthearted Illustration of Outdoor Pursuits This one being a Skiing scene, a boy and a girl on skis. signed W. Steig Provenance: from Mrs. Joseph B. Ryan, Commissioned by Joe Ryan for the bar at his ski resort, Mount Tremblant Lodge, in 1938. Mont Tremblant, P.Q., Canada Watercolor and ink on illustration board, sights sizes 8 1/2 x 16 1/2 in., framed. In 1938 Joe Ryan, described as a millionaire from Philadelphia, bushwhacked his way to the summit of Mont Tremblant and was inspired to create a world class ski resort at the site. In 1939 he opened the Mont Tremblant Lodge, which remains part of the Pedestrian Village today. This original illustration is on Whatman Illustration board. the board measures 14 X 22 inches. label from McClees Galleries, Philadelphia, on the frame backing paper. William Steig, 1907 – 2003 was an American cartoonist, sculptor, and, in his later life, an illustrator and writer of children's books. Best known for the picture books Sylvester and the Magic Pebble, Abel's Island, and Doctor De Soto, he was also the creator of Shrek!, which inspired the film series of the same name. He was the U.S. nominee for both of the biennial, international Hans Christian Andersen Awards, as a children's book illustrator in 1982 and a writer in 1988. Steig was born in Brooklyn, New York in 1907, and grew up in the Bronx. His parents were Polish-Jewish immigrants from Austria, both socialists. His father, Joseph Steig, was a house painter, and his mother, Laura Ebel Steig, was a seamstress who encouraged his artistic leanings. As a child, he dabbled in painting and was an avid reader of literature. Among other works, he was said to have been especially fascinated by Pinocchio.He graduated from Townsend Harris High School at 15 but never completed college, though he attended three, spending two years at City College of New York, three years at the National Academy of Design and a mere five days at the Yale School of Fine Arts before dropping out of each. Hailed as the "King of Cartoons" Steig began drawing illustrations and cartoons for The New Yorker in 1930, producing more than 2,600 drawings and 117 covers for the magazine. Steig, later, when he was 61, began writing children's books. In 1968, he wrote his first children's book. He excelled here as well, and his third book, Sylvester and the Magic Pebble (1969), won the Caldecott Medal. He went on to write more than 30 children's books, including the Doctor DeSoto series, and he continued to write into his nineties. Among his other well-known works, the picture book Shrek! (1990) formed the basis for the DreamWorks Animation film Shrek (2001). After the release of Shrek 2 in 2004, Steig became the first sole-creator of an animated movie franchise that went on to generate over $1 billion from theatrical and ancillary markets after only one sequel. Along with Maurice Sendak, Saul Steinberg, Ludwig Bemelmans and Laurent de Brunhofff his is one of those rare cartoonist whose works form part of our collective cultural heritage. In 1984, Steig's film adaptation of Doctor DeSoto directed by Michael Sporn was nominated for the Academy Award for Best Animated Short Film. As one of the most admired cartoonists of all time, Steig spent seven decades drawing for the New Yorker magazine. He touched generations of readers with his tongue–in–cheek pen–and–ink drawings, which often expressed states of mind like shame, embarrassment or anger. Later in life, Steig turned to children's books, working as both a writer and illustrator. Steig's children's books were also wildly popular because of the crazy, complicated language he used—words like lunatic, palsied, sequestration, and cleave. Kids love the sound of those words even if they do not quite understand the meaning. Steig's descriptions were also clever. He once described a beached whale as "breaded with sand." Throughout the course of his career, Steig compiled his cartoons and drawings into books. Some of them were published first in the New Yorker. Others were deemed too dark to be printed there. Most of these collections centered on the cold, dark psychoanalytical truth about relationships. They featured husbands and wives fighting and parents snapping at their kids. His first adult book, Man About Town, was published in 1932, followed by About People, published in 1939, which focused on social outsiders. Sick of Each Other, published in 2000, included a drawing depicting a wife holding her husband at gunpoint, saying, "Say you adore me." According to the Los Angeles Times, fellow New Yorker artist Edward Sorel...
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1930s American Modern Margot Glass Art

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Previously Available Items
Three Dandelions, 2023, Black walnut ink botanical still life drawing
By Margot Glass
Located in New York, NY
Margot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...
Category

2010s American Realist Margot Glass Art

Materials

Cotton, Walnut, Paper, Ink

Three Dandelions with Bud, 2023, Black walnut ink botanical still life drawing
By Margot Glass
Located in New York, NY
Margot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...
Category

2010s American Realist Margot Glass Art

Materials

Cotton, Walnut, Paper, Ink

Small Thistle, goldpoint botanical still life drawing
By Margot Glass
Located in New York, NY
Margot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...
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2010s American Realist Margot Glass Art

Materials

Gold

Dandelion with Two Buds, gold ink botanical still life drawing
By Margot Glass
Located in New York, NY
Margot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...
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2010s American Realist Margot Glass Art

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Ink, Wood Panel

Clover (purple), patterned floral still life drawing
By Margot Glass
Located in New York, NY
Margot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...
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2010s American Realist Margot Glass Art

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Paper, Ink, Gouache, Graphite

Wild Geranium 2, gold acrylic ink botanical still life drawing
By Margot Glass
Located in New York, NY
Margot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...
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2010s American Realist Margot Glass Art

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Paper, Ink

Large Dandelion 5, large realist acrylic ink still life drawing
By Margot Glass
Located in New York, NY
Margot Glass reimagines color with her large-scale dandelions, using luminescent ink to translate vivid shades into bursts of white-gold. Ever-interested in fragility and ephemeralit...
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2010s American Realist Margot Glass Art

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Paper, Ink

Large Dandelion 4, large realist acrylic ink still life drawing
By Margot Glass
Located in New York, NY
Margot Glass reimagines color with her large-scale dandelions, using luminescent ink to translate vivid shades into bursts of white-gold. Ever-interested in fragility and ephemeralit...
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2010s American Realist Margot Glass Art

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Paper, Ink

Large Dandelion 3, black and gold realist floral still life
By Margot Glass
Located in New York, NY
Weeds or wonders? Margot Glass’ latest goldpoint drawings of campions, thistles, plantains, and dandelions suggest the latter. Glass pushes her capricious medium to explore volume an...
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2010s American Realist Margot Glass Art

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Thistle 4, realist botanical still life drawing, goldpoint
By Margot Glass
Located in New York, NY
Weeds or wonders? Margot Glass’ latest goldpoint drawings of campions, thistles, plantains, and dandelions suggest the latter. Glass pushes her capricious medium to explore volume an...
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2010s American Realist Margot Glass Art

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Gold

Safety Envelope with Window, contemporary realist watercolor still life
By Margot Glass
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Margot Glass' miniature watercolor and graphite envelopes are reminiscent of love notes and pen pals. Her array of diminutive, jewel-toned envelopes remind us of the delicacy and poe...
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2010s American Realist Margot Glass Art

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Watercolor, Board, Graphite

Envelope #1, contemporary realist silverpoint still life drawing
By Margot Glass
Located in New York, NY
Margot Glass' miniature watercolor and graphite envelopes are reminiscent of love notes and pen pals. Her array of diminutive, jewel-toned envelopes remind us of the delicacy and poe...
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2010s American Realist Margot Glass Art

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Silver

Margot Glass art for sale on 1stDibs.

Find a wide variety of authentic Margot Glass art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue, purple, orange and other colors. You can also browse by medium to find art by Margot Glass in board, paint, pencil and more. Not every interior allows for large Margot Glass art, so small editions measuring 5 inches across are available. Customers who are interested in this artist might also find the work of Dwight Smith, Deborah Eddy, and Dina Brodsky. Margot Glass art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $720 and tops out at $5,500, while the average work can sell for $2,100.

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