Max Weber Figurative Prints
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Artist: Max Weber
Max Weber, Figure
By Max Weber
Located in New York, NY
One of America's great modernist innovators, Max Weber carved Figure, 1919-20, on the end piece of a wooden cigar box. This Cubist image is composed o...
Category
Early 20th Century Modern Max Weber Figurative Prints
Materials
Woodcut
Max Weber Woodcut Print from "Primitives" Poetry Book Signed
By Max Weber
Located in Detroit, MI
ONE WEEK ONLY SALE
This woodcut print is an expressionist print on one of the poems from Max Weber's poetry collection "Primitives: Poems and Woodcuts". This work is signed in penci...
Category
1920s Expressionist Max Weber Figurative Prints
Materials
Woodcut
Mother Love (Madonna and Child) — American Expressionism
By Max Weber
Located in Myrtle Beach, SC
Max Weber, 'Mother Love' (Madonna and Child), woodcut, 1920, edition not stated, Rubenstein 35. Signed in pencil. A fine impression, on cream wove Japan paper, with full margins (1 5...
Category
1920s Expressionist Max Weber Figurative Prints
Materials
Woodcut
'Seated Figure' — American Expressionism
By Max Weber
Located in Myrtle Beach, SC
Max Weber, 'Seated Figure", woodcut, edition not stated, 1919-20, Rubenstein 17. Signed in pencil. A fine impression on cream Japan paper; the full sheet with margins (2 to 3 1/8 in...
Category
1920s Expressionist Max Weber Figurative Prints
Materials
Woodcut
'Feast of Passover' — American Expressionism
By Max Weber
Located in Myrtle Beach, SC
Max Weber, Untitled 'Feast of Passover', woodcut, 1920, edition proofs—this impression from the edition of 25 printed in 1956, Rubenstein 30. Signed in pencil...
Category
1920s Expressionist Max Weber Figurative Prints
Materials
Woodcut
Invocation
By Max Weber
Located in New York, NY
M a x W e b e r – – 1 8 8 1 – 1 9 6 1
Invocation- – 1919-20, Color Woodcut.
Rubenstein 27. Proofs only. Signed in pencil.
Image size 3 3/4 x 2 1/8 inches (124 x 54 mm); sheet size ...
Category
1910s Cubist Max Weber Figurative Prints
Materials
Woodcut
$13,500
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Pablo Picasso, The Flies, from Verve, Revue Artistique, 1951
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Located in Southampton, NY
This exquisite lithograph by Pablo Picasso (1881–1973), titled Les Mouches (The Flies), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 25–26, originates from the 1951 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Draeger freres, Maitres-Imprimeurs, Paris, October 25, 1951. This remarkable composition exemplifies Picasso’s dynamic postwar period in Vallauris, where he explored themes of mythology, vitality, and the human spirit through bold forms and radiant color. Les Mouches reflects Picasso’s fascination with symbolism and everyday life, transforming a simple subject into a poetic expression of rhythm, humor, and artistic freedom.
Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Draeger freres atelier, renowned for its collaborations with the leading modernists of the 20th century.
Artwork Details:
Artist: Pablo Picasso (1881–1973)
Title: Les Mouches (The Flies), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 25–26, 1951
Medium: Lithograph on velin du Marais paper
Dimensions: 14 x 10.5 inches
Inscription: Unsigned and unnumbered as issued
Date: 1951
Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris
Printer: Draeger freres, Maitres-Imprimeurs, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From Verve, Revue Artistique et Litteraire, Vol. VII, No. 25–26, published by Editions de la revue Verve, Paris, 1951
Notes:
Excerpted from the album (translated from French), This issue of Verve is entirely devoted to Picasso’s recent works (peintures, sculptures et ceramiques) made in Vallauris between 1949 and 1951. The cover and the frontispiece were specially composed by the artist for this work which was completed to print on the presses of the Maitres-Imprimeurs, Draeger freres on October 25, 1951.
About the Publication:
Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Conceived as a synthesis of art and literature, Verve brought together the greatest modern artists and writers of its time—Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, Fernand Leger, and others—alongside poets and philosophers such as Paul Eluard, Albert Camus, and Jean-Paul Sartre. Each issue was a work of art in itself, luxuriously printed by master lithographers such as Mourlot Freres and produced in collaboration with leading typographers and designers. Verve became a platform for avant-garde creativity, publishing original lithographs and essays that reflected the evolving spirit of modernism. Matisse collaborated closely with Teriade from the magazine’s inception, producing some of its most iconic issues, including those devoted to his paper cut-outs. The final Verve issue of 1958, which featured La Tristesse du Roi and the Nu Bleu series, stands as a testament to Matisse’s enduring genius and to the publication’s legacy as the definitive meeting of art, poetry, and printing craftsmanship in 20th-century France.
About the Artist:
Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso’s career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d’Alger (Version “O”) achieved a record-breaking sale of $179,365,000 at Christie’s, New York, on May 11, 2015, affirming Picasso’s enduring legacy as one of the most influential and valuable artists in history.
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By Georges Rouault
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Georges Rouault, French (1871–1958)
Date: 1936
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Pablo Picasso, The Artist and His Model, from The Human Comedy, 1954 (after)
By Pablo Picasso
Located in Southampton, NY
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Pablo Picasso, Unitled, from Helen at Archimedes, 1955 (after)
By Pablo Picasso
Located in Southampton, NY
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By Pablo Picasso
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Previously Available Items
Nude Woman with Arm Upraised — American Expressionism
By Max Weber
Located in Myrtle Beach, SC
Max Weber, 'Nude Woman with Arm Upraised', linoleum cut, 1930-32, edition proofs—this impression from the edition of 25 printed in 1956, Rubenstein 42. Signed in pencil. A fine impression, on cream Japan paper; the full sheet with wide margins (2 5/8 to 3 7/8 inches), in excellent condition. Image size 5 7/8 x 2 11/16 inches (149 x 68 mm); sheet size 12 1/2 x 9 inches (318 x 229 mm). Matted to museum standards, unframed. Scarce.
Printed, at the artist’s request, by Joseph Blumenthal, The Spiral Press, New York. Included in the suite 'FIVE PRINTS BY MAX WEBER' published by Erhard Weyhe, director, Weyhe Gallery Inc., the renowned New York gallery established in 1919 to specialize in fine prints.
Collections: Detroit Institute of Arts, Library of Congress, National Gallery of Art, Los Angeles County Museum of Art, Philadelphia Museum of Art.
ABOUT THE ARTIST
"To fill eternity with the ripest and the sanest expression of our consciousness is the essence as well as the purpose of life.” —Max Weber
Max Weber (1881-1961) was born in Bialystok, western Russia. When he was ten, his family came to America, settling in Brooklyn. While enrolled at nearby Pratt Institute from 1898 to 1900, he was a student of the modernist artist and influential teacher Arthur Wesley Dow who advocated for art as a means of self-expression rather than traditional ornament.
Weber became an art teacher, first in the public schools in Lynchburg, Virginia, and beginning in 1903 at the Minnesota Normal School in Duluth. Inspired by Dow’s experience, Weber longed to continue his studies in Europe, and after years of prudent saving, he traveled to Paris in 1905.
He became a devoted disciple of Paul Cézanne, met Guillaume Apollinaire, Robert Delaunay, Pablo Picasso, and Leo and Gertrude Stein, and became close friends with Henri Rousseau, later organizing the first exhibition of Rousseau’s work in the United States. A pupil of Matisse...
Category
1920s Expressionist Max Weber Figurative Prints
Materials
Woodcut
Primitive Figure — American Expressionism
By Max Weber
Located in Myrtle Beach, SC
Max Weber, Untitled 'Primitive Figure', woodcut, 1921-25, edition proofs—this impression from the edition of 25 printed in 1956, Rubenstein 40. Signed in pencil. A fine impression, on cream Japan paper; the full sheet with wide margins (1 1/8 to 3 inches), in excellent condition. This work features prominently in the artist's woodcut oeuvre in its relatively large scale: image size 9 15/16 x 3 1/16 inches (252 x 78 mm); sheet size 12 1/2 x 9 inches (318 x 229 mm). Scarce. Matted to museum standards, unframed.
Printed, at the artist’s request, by Joseph Blumenthal, The Spiral Press, New York. Included in the suite 'FIVE PRINTS BY MAX WEBER' published by Erhard Weyhe, director, Weyhe Gallery Inc., the renowned New York gallery established in 1919 to specialize in fine prints.
Collections: Art Institute of Chicago, Detroit Institute of Arts, National Gallery of Art, Museum of Modern Art, Philadelphia Museum of Art, Los Angeles County Museum of Art, Whitney Museum of American Art.
ABOUT MAX WEBER'S RELIEF PRINTS
"In summary, Weber’s relief prints cannot be called just primitives or cubist forms. No single stylistic term is a satisfactory label. Collectively they suggest some common denominators: independence from academic traditions, interest in the element of design rather optical realism, simplicity and unpretentiousness in execution, craftlike tradition underlying their formulation and the desire to eschew the exactitude and dryness of wood engraving for the imprecision and painterly of hand-blocked work. The work was not a conscious effort at naiveté or lack of sophistication; on the contrary it was an attempt to approach the origins of art.
"In an age which has seen the machine take the feeling of material from the hands of man, these relief prints describe a spirit of craftsmanship and an originality of abstract design that is unique to Max Weber’s artistic oeuvre, to American art, and to the tradition of relief printing."
— Daryl R. Rubenstein, 'Max Weber, A Catalogue Raisonné of His Graphic Work', The University of Chicago Press, 1980.
ABOUT THE ARTIST
"To fill eternity with the ripest and the sanest expression of our consciousness is the essence as well as the purpose of life.” —Max Weber
Max Weber (1881-1961) was born in Bialystok, western Russia. When he was ten, his family came to America, settling in Brooklyn. While enrolled at nearby Pratt Institute from 1898 to 1900, he was a student of the modernist artist and influential teacher Arthur Wesley Dow who advocated for art as a means of self-expression rather than traditional ornament.
Weber became an art teacher, first in the public schools in Lynchburg, Virginia, and beginning in 1903 at the Minnesota Normal School in Duluth. Inspired by Dow’s experience, Weber longed to continue his studies in Europe, and after years of prudent saving, he traveled to Paris in 1905.
He became a devoted disciple of Paul Cézanne, met Guillaume Apollinaire, Robert Delaunay, Pablo Picasso, and Leo and Gertrude Stein, and became close friends with Henri Rousseau, later organizing the first exhibition of Rousseau’s work in the United States. A pupil of Matisse...
Category
1920s Expressionist Max Weber Figurative Prints
Materials
Woodcut
Nude with Upraised Arms
By Max Weber
Located in Fairlawn, OH
Nude with Upraised Arms
Honeycomb-basswood relief print, 1919-1920
Unsigned as usual for this edition
From: Woodcuts and Linoleum Blocks by Max Weber (32 plates)
Unsigned individual ...
Category
1910s Cubist Max Weber Figurative Prints
Materials
Woodcut
Mother and Child
By Max Weber
Located in Fairlawn, OH
From: Woodcuts and Linoleum Blocks by Max Weber (32 plates)
Unsigned individual print(s),
The book signed in ink on the limitation page (a photocopy included with purchase)
Publisher: Weyhe Gallery, New York, 1956
Printer: The Spiral Press
Edition: 225
From: Woodcuts and Linoleum Blocks by Max Weber (32 plates)
Unsigned individual print(s),
The book signed in ink on the limitation page (a photocopy included with purchase)
Publisher: Weyhe Gallery, New York, 1956
Printer: The Spiral Press
Edition: 225
Note: Many of the images are influenced by Picasso, Matisse, Gauguin and other important European artists of the time. He was a friend and advocate of Henri Rousseau, along with Picasso. He exhibited at Stieglitz’s 291 Gallery. Weber’s work was admired and collected
by the famous photographers, Alvin Langdon...
Category
1910s American Modern Max Weber Figurative Prints
Materials
Woodcut
Head
By Max Weber
Located in Myrtle Beach, SC
Max Weber, 'Head', woodcut, 1919-1920, edition unknown, Rubenstein 21. Signed in pencil. A fine impression, on cream wove Japan paper, with wide margins (1 1/2 to 2 1/2 inches); slig...
Category
Early 20th Century Expressionist Max Weber Figurative Prints
Materials
Woodcut
Mother Love (Madonna and Child)
By Max Weber
Located in Myrtle Beach, SC
Max Weber, 'Mother Love' (Madonna and Child), woodcut, 1920, edition unknown, Rubenstein 35. Signed in pencil. A fine, well-inked impression, on cream wov...
Category
1920s Expressionist Max Weber Figurative Prints
Materials
Woodcut
Max Weber figurative prints for sale on 1stDibs.
Find a wide variety of authentic Max Weber figurative prints available for sale on 1stDibs. You can also browse by medium to find art by Max Weber in woodcut print and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Expressionist style. Not every interior allows for large Max Weber figurative prints, so small editions measuring 2 inches across are available. Customers who are interested in this artist might also find the work of Oskar Kokoschka, Emil Orlik, and Karl Schmidt-Rottluff. Max Weber figurative prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,680 and tops out at $13,500, while the average work can sell for $2,000.








