Skip to main content

Max Weber Figurative Prints

to
6
Overall Width
to
Overall Height
to
4
1
13
847
382
381
308
6
1
4
5
1
3
2
2
1
1
1
1
6
1
6
Artist: Max Weber
Max Weber Woodcut Print from "Primitives" Poetry Book Signed
By Max Weber
Located in Detroit, MI
ONE WEEK ONLY SALE This woodcut print is an expressionist print on one of the poems from Max Weber's poetry collection "Primitives: Poems and Woodcuts". This work is signed in penci...
Category

1920s Expressionist Max Weber Figurative Prints

Materials

Woodcut

Max Weber, Figure
By Max Weber
Located in New York, NY
One of America's great modernist innovators, Max Weber carved Figure, 1919-20, on the end piece of a wooden cigar box. This Cubist image is composed o...
Category

Early 20th Century Modern Max Weber Figurative Prints

Materials

Woodcut

Mother Love (Madonna and Child) — American Expressionism
By Max Weber
Located in Myrtle Beach, SC
Max Weber, 'Mother Love' (Madonna and Child), woodcut, 1920, edition not stated, Rubenstein 35. Signed in pencil. A fine impression, on cream wove Japan paper, with full margins (1 5...
Category

1920s Expressionist Max Weber Figurative Prints

Materials

Woodcut

'Seated Figure' — American Expressionism
By Max Weber
Located in Myrtle Beach, SC
Max Weber, 'Seated Figure", woodcut, edition not stated, 1919-20, Rubenstein 17. Signed in pencil. A fine impression on cream Japan paper; the full sheet with margins (2 to 3 1/8 in...
Category

1920s Expressionist Max Weber Figurative Prints

Materials

Woodcut

'Feast of Passover' — American Expressionism
By Max Weber
Located in Myrtle Beach, SC
Max Weber, Untitled 'Feast of Passover', woodcut, 1920, edition proofs—this impression from the edition of 25 printed in 1956, Rubenstein 30. Signed in pencil...
Category

1920s Expressionist Max Weber Figurative Prints

Materials

Woodcut

Invocation
By Max Weber
Located in New York, NY
M a x W e b e r – – 1 8 8 1 – 1 9 6 1 Invocation- – 1919-20, Color Woodcut. Rubenstein 27. Proofs only. Signed in pencil. Image size 3 3/4 x 2 1/8 inches (124 x 54 mm); sheet size ...
Category

1910s Cubist Max Weber Figurative Prints

Materials

Woodcut

Related Items
Dancing in the Dark
By Joan Snyder
Located in New York, NY
Joan Snyder has been called an autobiographical, even confessional artist, who draws from her experiences and surroundings to create her paintings. While her subjects vary widely, Sn...
Category

1980s Expressionist Max Weber Figurative Prints

Materials

Woodcut

Picasso "Toros & Toreros" Photolithography
By Pablo Picasso
Located in Cuauhtemoc, Ciudad de México
This framed Picasso print, is an offset lithographic book plate from a captivating book, entitled Toros y Toreros (Bulls and Bullfighters), which ...
Category

Mid-20th Century Cubist Max Weber Figurative Prints

Materials

Lithograph

Picasso "Toros & Toreros" Photolithography
Picasso "Toros & Toreros" Photolithography
$460 Sale Price
34% Off
H 22.44 in W 18.3 in D 0.78 in
Pablo Picasso, Profile and Head of a Woman, Ovid's Metamorphoses, 1970 (after)
By Pablo Picasso
Located in Southampton, NY
This exquisite lithograph after Pablo Picasso (1881–1973), titled Profil et tete de femme (Profile and Head of a Woman), originates from the rare 1970 folio Suite des reproductions des Eaux-fortes de Pablo Picasso pour illustrer les Metamorphoses d'Ovide. Published and printed by Production Edito-Service S.A., Le Grand-Saconnex, Canton of Geneve, in collaboration with Albert Skira, Geneve, this edition presents faithful reproductions of the original etchings created by Picasso in 1930–31 for the landmark illustrated book Les Metamorphoses d'Ovide. The composition exemplifies Picasso’s classical refinement and psychological sensitivity, capturing the female profile and visage with elegant contour, sculptural simplicity, and emotional depth. Executed on velin papier Verge fin blanc des papeteries de Bellerive, this lithograph measures 11.02 x 8.66 inches (28 x 22 cm) with an image size of 4.3 x 5.5 inches (10.9 x 14 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1970 publication format. This edition, produced under Albert Skira’s supervision, preserves the balance, tonal nuance, and line purity of the original copper etchings created by Picasso for the 1931 deluxe edition of Les Metamorphoses d'Ovide, one of the most celebrated artist’s books of the 20th century. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Profil et tete de femme (Profile and Head of a Woman), from Suite des reproductions des Eaux-fortes de Pablo Picasso pour illustrer les Metamorphoses d'Ovide, 1970 Medium: Lithograph on velin papier Verge fin blanc des papeteries de Bellerive Dimensions: Paper size 11.02 x 8.66 inches (28 x 22 cm); Image size 4.3 x 5.5 inches (10.9 x 14 cm) Inscription: Unsigned and unnumbered, as issued Date: 1970 (after the 1931 etchings) Publisher: Production Edito-Service S.A., Le Grand-Saconnex, Canton of Geneve Printer: Production Edito-Service S.A., in collaboration with Albert Skira, Geneve Condition: Well preserved, consistent with age and medium Provenance: From the 1970 folio Suite des reproductions des Eaux-fortes de Pablo Picasso pour illustrer les Metamorphoses d'Ovide, authorized by Albert Skira, Geneve Notes: Excerpted from the 1970 folio (translated from French): "The original edition of Les Metamorphoses d'Ovide, full text of the association, Guillaume Bude, established and translated by Georges Lafaye, is illustrated with XXX original etchings by Picasso. The draw, completed on October 25, 1931, in Paris, on the presses of Leon Pichon for typography, and by Louis Fort for the engravings, was limited to CXLV examples, all numbered in the press and signed by the artist. The edition included XXX examples on Japon blanc a la forme fabrique specialement par la manufacture imperiale, including V examples, numbered from I to V, each containing a sequel on Japon with remarks in bistre, a suite on Chine with remarks in black and an original drawing by the artist; XXV examples, numbered from VI to XXX, each containing a sequel on Japon with remarks in black; XCV examples, numbered from XXXI to CXXV, on verge de pur chiffon fabrique specialement a la main par les papeteries d'Arches; and CX non-commerce examples, numbered in Roman numerals from I to XX, reserved for the artist and collaborators. The coppers used to draw the illustrations were scratched by the artist in the presence of the publisher. This album has been presented to collectors and bibliophiles of the United States of America by Marie Harriman. This lithograph edition, 22 x 28 cm, was printed with Albert Skira's authorization on papier Verge fin blanc des papeteries de Bellerive." About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision and restless creativity reshaped the trajectory of modern art. Born in Málaga, Spain, Picasso demonstrated exceptional talent from an early age, studying at the Royal Academy of San Fernando before settling in Paris, the artistic epicenter of the early 20th century. There, his pioneering spirit gave rise to groundbreaking movements, most notably Cubism, developed alongside Georges Braque, which revolutionized visual representation by deconstructing form and perspective. Over his prolific seven-decade career, Picasso’s work evolved through distinct stylistic periods—the Blue, Rose, African, and Classical phases—culminating in a body of art that embraced experimentation, emotional depth, and innovation. His influence and dialogue with fellow visionaries Henri Matisse, Marc Chagall, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray shaped the foundation of modernism, while his legacy continues to resonate through the work of post-war and contemporary artists such as Banksy, Damien Hirst, Jeff Koons, Jackson Pollock, Andy Warhol, and Jasper Johns. Together, these artists collectively expanded the boundaries of art in the 20th and 21st centuries. Picasso’s staggering output of more than 20,000 works—spanning painting, sculpture, ceramics, drawing, and printmaking—embodies his belief that “art washes away from the soul the dust of everyday life.” His creations are housed in the world’s foremost museums, including the Musée Picasso in Paris, MoMA in New York, the Guggenheim, and the Tate in London. The highest price ever paid for a Picasso artwork is approximately $179.4 million USD at Christie’s New York in 2015 for Les Femmes d’Alger (Version O) (1955). Pablo Picasso lithograph, Profil et tete de femme Picasso, Profile and Head of a Woman Picasso...
Category

1970s Cubist Max Weber Figurative Prints

Materials

Lithograph

Wedding Party
Located in Buffalo, NY
An original mid century modern woodblock print. This work is hand signed illegibly and titled "Wedding Party".
Category

1960s Modern Max Weber Figurative Prints

Materials

Paper, Woodcut

Wedding Party
Wedding Party
$400 Sale Price
38% Off
H 16 in W 17 in
Large Cubist Modernist Color French Lithograph Zadkine Figures La Famille
By Ossip Zadkine
Located in Surfside, FL
Ossip Zadkine (French-Russian, 1890-1967), limited edition color lithograph on paper titled La Famille (The Family), depicting intertwined figures in a Cubist-inspired style. The pr...
Category

1960s Cubist Max Weber Figurative Prints

Materials

Lithograph

Plate 12
By Wassily Kandinsky
Located in Fairlawn, OH
Plate 12 From: 10 Origi, 1942 Signed in the block with the artist's initials lower left (printed) From: 10 Origin Not from the First edition 100, published by Allianz-Verlag, Zurich,...
Category

1970s Expressionist Max Weber Figurative Prints

Materials

Woodcut

Plate 12
Plate 12
$600
H 8.32 in W 6.63 in
La Danse des Faunes
By Pablo Picasso
Located in San Francisco, CA
Artist: Pablo Picasso (Spanish, 1881-1973) Title: La Danse Des Faunes Year: 1957 Medium: Original zinc plate two colors lithograph Edition: Unumbered of 1000 Paper: Arches Ima...
Category

Mid-20th Century Cubist Max Weber Figurative Prints

Materials

Lithograph

La Danse des Faunes
La Danse des Faunes
$2,500
H 26.5 in W 30.5 in D 1.75 in
Dancers, 1936 Woodcut by Georges Rouault
By Georges Rouault
Located in Long Island City, NY
Dancers Georges Rouault, French (1871–1958) Date: 1936 Woodcut, initialed in the stone Size: 3 x 2 in. (7.62 x 5.08 cm) Frame Size: 9.5 x 8.25 inches
Category

1930s Expressionist Max Weber Figurative Prints

Materials

Woodcut

Pablo Picasso, Unitled, from Helen at Archimedes, 1955 (after)
By Pablo Picasso
Located in Southampton, NY
This exquisite woodcut after Pablo Picasso (1881–1973) originates from the rare 1955 folio Helene chez Archimede (Helen at Archimedes), illustrations de Pablo Picasso. Published by N...
Category

1950s Cubist Max Weber Figurative Prints

Materials

Woodcut

La Grenouille (The Frog), from Buffon's l'Histoire Naturelle
By Pablo Picasso
Located in Washington, DC
Artist: Pablo Picasso Title: Le Grenouille (The Frog), from Buffon's l'Histoire Naturelle Medium: Original etching with sugar-lift aquatint and drypoint on Vidalon paper with Vollard...
Category

1940s Cubist Max Weber Figurative Prints

Materials

Drypoint, Etching, Aquatint

Pablo Picasso, Vertumnus Pursues Pomona with His Love, 1970 (after)
By Pablo Picasso
Located in Southampton, NY
This exquisite lithograph after Pablo Picasso (1881–1973), titled Vertumne poursuit Pomone de son amour (Vertumnus Pursues Pomona with His Love), originates from the rare 1970 folio ...
Category

1970s Cubist Max Weber Figurative Prints

Materials

Lithograph

Pablo Picasso, Heads, from Ovid's Metamorphoses, 1970 (after)
By Pablo Picasso
Located in Southampton, NY
This exquisite lithograph after Pablo Picasso (1881–1973), titled Tetes (Heads), originates from the rare 1970 folio Suite des reproductions des ...
Category

1970s Cubist Max Weber Figurative Prints

Materials

Lithograph

Previously Available Items
Nude Woman with Arm Upraised — American Expressionism
By Max Weber
Located in Myrtle Beach, SC
Max Weber, 'Nude Woman with Arm Upraised', linoleum cut, 1930-32, edition proofs—this impression from the edition of 25 printed in 1956, Rubenstein 42. Signed in pencil. A fine impression, on cream Japan paper; the full sheet with wide margins (2 5/8 to 3 7/8 inches), in excellent condition. Image size 5 7/8 x 2 11/16 inches (149 x 68 mm); sheet size 12 1/2 x 9 inches (318 x 229 mm). Matted to museum standards, unframed. Scarce. Printed, at the artist’s request, by Joseph Blumenthal, The Spiral Press, New York. Included in the suite 'FIVE PRINTS BY MAX WEBER' published by Erhard Weyhe, director, Weyhe Gallery Inc., the renowned New York gallery established in 1919 to specialize in fine prints. Collections: Detroit Institute of Arts, Library of Congress, National Gallery of Art, Los Angeles County Museum of Art, Philadelphia Museum of Art. ABOUT THE ARTIST "To fill eternity with the ripest and the sanest expression of our consciousness is the essence as well as the purpose of life.” —Max Weber Max Weber (1881-1961) was born in Bialystok, western Russia. When he was ten, his family came to America, settling in Brooklyn. While enrolled at nearby Pratt Institute from 1898 to 1900, he was a student of the modernist artist and influential teacher Arthur Wesley Dow who advocated for art as a means of self-expression rather than traditional ornament. Weber became an art teacher, first in the public schools in Lynchburg, Virginia, and beginning in 1903 at the Minnesota Normal School in Duluth. Inspired by Dow’s experience, Weber longed to continue his studies in Europe, and after years of prudent saving, he traveled to Paris in 1905. He became a devoted disciple of Paul Cézanne, met Guillaume Apollinaire, Robert Delaunay, Pablo Picasso, and Leo and Gertrude Stein, and became close friends with Henri Rousseau, later organizing the first exhibition of Rousseau’s work in the United States. A pupil of Matisse...
Category

1920s Expressionist Max Weber Figurative Prints

Materials

Woodcut

Primitive Figure — American Expressionism
By Max Weber
Located in Myrtle Beach, SC
Max Weber, Untitled 'Primitive Figure', woodcut, 1921-25, edition proofs—this impression from the edition of 25 printed in 1956, Rubenstein 40. Signed in pencil. A fine impression, on cream Japan paper; the full sheet with wide margins (1 1/8 to 3 inches), in excellent condition. This work features prominently in the artist's woodcut oeuvre in its relatively large scale: image size 9 15/16 x 3 1/16 inches (252 x 78 mm); sheet size 12 1/2 x 9 inches (318 x 229 mm). Scarce. Matted to museum standards, unframed. Printed, at the artist’s request, by Joseph Blumenthal, The Spiral Press, New York. Included in the suite 'FIVE PRINTS BY MAX WEBER' published by Erhard Weyhe, director, Weyhe Gallery Inc., the renowned New York gallery established in 1919 to specialize in fine prints. Collections: Art Institute of Chicago, Detroit Institute of Arts, National Gallery of Art, Museum of Modern Art, Philadelphia Museum of Art, Los Angeles County Museum of Art, Whitney Museum of American Art. ABOUT MAX WEBER'S RELIEF PRINTS "In summary, Weber’s relief prints cannot be called just primitives or cubist forms. No single stylistic term is a satisfactory label. Collectively they suggest some common denominators: independence from academic traditions, interest in the element of design rather optical realism, simplicity and unpretentiousness in execution, craftlike tradition underlying their formulation and the desire to eschew the exactitude and dryness of wood engraving for the imprecision and painterly of hand-blocked work. The work was not a conscious effort at naiveté or lack of sophistication; on the contrary it was an attempt to approach the origins of art. "In an age which has seen the machine take the feeling of material from the hands of man, these relief prints describe a spirit of craftsmanship and an originality of abstract design that is unique to Max Weber’s artistic oeuvre, to American art, and to the tradition of relief printing." — Daryl R. Rubenstein, 'Max Weber, A Catalogue Raisonné of His Graphic Work', The University of Chicago Press, 1980. ABOUT THE ARTIST "To fill eternity with the ripest and the sanest expression of our consciousness is the essence as well as the purpose of life.” —Max Weber Max Weber (1881-1961) was born in Bialystok, western Russia. When he was ten, his family came to America, settling in Brooklyn. While enrolled at nearby Pratt Institute from 1898 to 1900, he was a student of the modernist artist and influential teacher Arthur Wesley Dow who advocated for art as a means of self-expression rather than traditional ornament. Weber became an art teacher, first in the public schools in Lynchburg, Virginia, and beginning in 1903 at the Minnesota Normal School in Duluth. Inspired by Dow’s experience, Weber longed to continue his studies in Europe, and after years of prudent saving, he traveled to Paris in 1905. He became a devoted disciple of Paul Cézanne, met Guillaume Apollinaire, Robert Delaunay, Pablo Picasso, and Leo and Gertrude Stein, and became close friends with Henri Rousseau, later organizing the first exhibition of Rousseau’s work in the United States. A pupil of Matisse...
Category

1920s Expressionist Max Weber Figurative Prints

Materials

Woodcut

Nude with Upraised Arms
By Max Weber
Located in Fairlawn, OH
Nude with Upraised Arms Honeycomb-basswood relief print, 1919-1920 Unsigned as usual for this edition From: Woodcuts and Linoleum Blocks by Max Weber (32 plates) Unsigned individual ...
Category

1910s Cubist Max Weber Figurative Prints

Materials

Woodcut

Mother and Child
By Max Weber
Located in Fairlawn, OH
From: Woodcuts and Linoleum Blocks by Max Weber (32 plates) Unsigned individual print(s), The book signed in ink on the limitation page (a photocopy included with purchase) Publisher: Weyhe Gallery, New York, 1956 Printer: The Spiral Press Edition: 225 From: Woodcuts and Linoleum Blocks by Max Weber (32 plates) Unsigned individual print(s), The book signed in ink on the limitation page (a photocopy included with purchase) Publisher: Weyhe Gallery, New York, 1956 Printer: The Spiral Press Edition: 225 Note: Many of the images are influenced by Picasso, Matisse, Gauguin and other important European artists of the time. He was a friend and advocate of Henri Rousseau, along with Picasso. He exhibited at Stieglitz’s 291 Gallery. Weber’s work was admired and collected by the famous photographers, Alvin Langdon...
Category

1910s American Modern Max Weber Figurative Prints

Materials

Woodcut

Head
By Max Weber
Located in Myrtle Beach, SC
Max Weber, 'Head', woodcut, 1919-1920, edition unknown, Rubenstein 21. Signed in pencil. A fine impression, on cream wove Japan paper, with wide margins (1 1/2 to 2 1/2 inches); slig...
Category

Early 20th Century Expressionist Max Weber Figurative Prints

Materials

Woodcut

Head
Head
H 4.19 in W 1.94 in
Mother Love (Madonna and Child)
By Max Weber
Located in Myrtle Beach, SC
Max Weber, 'Mother Love' (Madonna and Child), woodcut, 1920, edition unknown, Rubenstein 35. Signed in pencil. A fine, well-inked impression, on cream wov...
Category

1920s Expressionist Max Weber Figurative Prints

Materials

Woodcut

Max Weber figurative prints for sale on 1stDibs.

Find a wide variety of authentic Max Weber figurative prints available for sale on 1stDibs. You can also browse by medium to find art by Max Weber in woodcut print and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Expressionist style. Not every interior allows for large Max Weber figurative prints, so small editions measuring 2 inches across are available. Customers who are interested in this artist might also find the work of Oskar Kokoschka, Emil Orlik, and Karl Schmidt-Rottluff. Max Weber figurative prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,680 and tops out at $13,500, while the average work can sell for $2,000.

Recently Viewed

View All