Max Weber Abstract Prints
to
3
2
1
2
1
Overall Height
to
Overall Width
to
1
3
1
14
541
428
200
179
2
1
Artist: Max Weber
American Modernist Cubist Lithograph Screenprint "Reclining Woman" Max Weber
By Max Weber
Located in Surfside, FL
Reclining Cubist Nude Woman
Max Weber (April 18, 1881 – October 4, 1961) was a Jewish-American painter and one of the first American Cubist painters who, in later life, turned to more figurative Jewish themes in his art. He is best known today for Chinese Restaurant (1915), in the collection of the Whitney Museum of American Art, "the finest canvas of his Cubist phase," in the words of art historian Avis Berman.
Born in the Polish city of Białystok, then part of the Russian Empire, Weber emigrated to the United States and settled in Brooklyn with his Orthodox Jewish parents at the age of ten. He studied art at the Pratt Institute in Brooklyn under Arthur Wesley Dow. Dow was a fortunate early influence on Weber as he was an "enlightened and vital teacher" in a time of conservative art instruction, a man who was interested in new approaches to creating art. Dow had met Paul Gauguin in Pont-Aven, was a devoted student of Japanese art, and defended the advanced modernist painting and sculpture he saw at the Armory Show in New York in 1913.
In 1905, after teaching in Virginia and Minnesota, Weber had saved enough money to travel to Europe, where he studied at the Académie Julian in Paris and acquainted himself with the work of such modernists as Henri Rousseau (who became a good friend), Henri Matisse, Pablo Picasso, and other members of the School of Paris. His friends among fellow Americans included some equally adventurous young painters, such as Abraham Walkowitz, H. Lyman Sayen, and Patrick Henry Bruce. Avant-garde France in the years immediately before World War I was fertile and welcoming territory for Weber, then in his early twenties. He arrived in Paris in time to see a major Cézanne exhibition, meet the poet Guillaume Apollinaire, frequent Gertrude Stein's salon, and enroll in classes in Matisse's private "Academie." Rousseau gave him some of his works; others, Weber purchased. He was responsible for Rousseau's first exhibition in the United States.
In 1909 he returned to New York and helped to introduce Cubism to America. He is now considered one of the most significant early American Cubists, but the reception his work received in New York at the time was profoundly discouraging. Critical response to his paintings in a 1911 show at the 291 gallery, run by Alfred Stieglitz, was an occasion for "one of the most merciless critical whippings that any artist has received in America." The reviews were "of an almost hysterical violence." He was attacked for his "brutal, vulgar, and unnecessary art license." Even a critic who usually tried to be sympathetic to new art, James Gibbons Huneker, protested that the artist's clever technique had left viewers with no real picture and made use of the adage, "The operation was successful, but the patient died."[8] As art historian Sam Hunter wrote, "Weber's wistful, tentative Cubism provided the philistine press with their first solid target prior to the Armory Show."
The Cellist...
Category
Mid-20th Century Cubist Max Weber Abstract Prints
Materials
Screen
Invocation
By Max Weber
Located in New York, NY
M a x W e b e r – – 1 8 8 1 – 1 9 6 1
Invocation- – 1919-20, Color Woodcut.
Rubenstein 27. Proofs only. Signed in pencil.
Image size 3 3/4 x 2 1/8 inches (124 x 54 mm); sheet size ...
Category
1910s Cubist Max Weber Abstract Prints
Materials
Woodcut
Max Weber, Figure
By Max Weber
Located in New York, NY
One of America's great modernist innovators, Max Weber carved Figure, 1919-20, on the end piece of a wooden cigar box. This Cubist image is composed o...
Category
Early 20th Century Modern Max Weber Abstract Prints
Materials
Woodcut
Related Items
Esui Libae
By Manuel Amorim
Located in Santa Fe, NM
Edition of 7
Category
21st Century and Contemporary Surrealist Max Weber Abstract Prints
Materials
Woodcut
Double
By Manuel Amorim
Located in Santa Fe, NM
Edition of 7
Category
21st Century and Contemporary Surrealist Max Weber Abstract Prints
Materials
Woodcut
Ernst Fuchs Sphinx Mystagoga Surreal Color Etching Vienna Fantastic Realism 1967
By Ernst Fuchs
Located in Meinisberg, CH
Ernst Fuchs
(Austrian, 1930 - 2015)
The Sphinx Mystagogo
Sheet Nr. 6 from the Folio “Die Sieben Bilder und Sprüche der Sphinx”, published in Autumn of 1967 by Galerie Sydow in Frankfurt, Germany.
• Aquatint Etching
• Ed. 79/99
• Sheet ca. 59 x 41.5 cm
• Plate signed
• Signed & numbered by the artist in pencil
Worldwide shipping is complimentary - There are no additional charges for handling & delivery.
Ernst Fuchs was an Austrian painter, draftsman, printmaker, sculptor, architect, stage designer, composer, poet, and one of the founders of the Vienna School of Fantastic Realism.
I discovered him through H.R. Giger ‘s work, who himself was greatly inspired by the creations of Fuchs and on several occasions exhibited his friend ‘s art in his museum, the Château St-Germain, Gruyères, Switzerland.
I actually own the original folio box...
Category
1960s Surrealist Max Weber Abstract Prints
Materials
Paper, Ink, Aquatint, Etching
Free Shipping
H 23.23 in W 16.34 in
Composition a la bouteille bleue
By (after) Fernand Léger
Located in Belgrade, MT
This print is part of my private collection. They were published in a numbered unsigned edition of 1000, and a signed edition of 200, printed by Serifraphie Fernand Leger, Paris and ...
Category
Mid-20th Century Cubist Max Weber Abstract Prints
Materials
Lithograph
Kandinsky, Berge, XXe Siècle (after)
By Wassily Kandinsky
Located in Auburn Hills, MI
Original Edition Woodcut on wove paper. Signed in the plate and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volume, XXe Siècle, vol. no. 66, 1...
Category
1960s Modern Max Weber Abstract Prints
Materials
Woodcut
De l'Origine des Espèces par Voie de Sélection Irrationelle: Buste de femme
By Man Ray
Located in New York, NY
A very good impression of this color lithograph. Signed and numbered 51/180 in pencil. Printed by Mourlot, Paris. Published by Leon Amiel, New York, and XXe Siècle, Paris. From the s...
Category
1970s Modern Max Weber Abstract Prints
Materials
Color, Lithograph
Keith Haring Theater der Welt Frankfurt (Keith Haring 1985)
By Keith Haring
Located in NEW YORK, NY
Keith Haring, Theater der Welt Lithograph, Frankfurt, Germany 1985:
Original 1st printing produced during Haring's lifetime. Bold, stand-out colors that make for brilliant, largely s...
Category
1980s Pop Art Max Weber Abstract Prints
Materials
Screen
Wedding Party
Located in Buffalo, NY
An original mid century modern woodblock print.
This work is hand signed illegibly and titled "Wedding Party".
Category
1960s Modern Max Weber Abstract Prints
Materials
Paper, Woodcut
"Fieldwork" Large 5+-Foot Original Woodcut on Paper by Roger Herman, Framed
By Roger Herman
Located in Encino, CA
"Fieldwork," an original woodcut on paper by Roger Herman, is a piece for the true collector. This spectacular woodcut cannot be properly communicated digitally – it is a far more impactful and meaningful experience in person. This work of art would definitely enhance most homes or professional settings, perfect for those who have an affinity for abstracts, Neo-Expressionism, modernist paintings, or postmodern art. This woodcut was printed by Hans-Fuss and published by the Graphic Arts Council at LACMA. Work is outfitted with custom, conservation frame.
Art historian Howard Singerman's words from the December 1982 ArtForum Magazine:
"...Herman's expressionistic style... with its roots in German Expressionism and the New York School, is previously painted. His mean colors, thick pigment, and quick strokes are not a direct record of emotion and activity, they are not painting outside language, but signs for that painting, for an emotion and an activity that are no longer available. The expressionist act is recast as romantic aspiration; in his inscription, Herman evokes painting's past and admits his need for its aura...
...Herman's distance even undermines the emblematic immediacy of his expressionism, which he uses to attain more distance still. Unlike the flattened, aggressive figures that push to, and threaten to push through, the surfaces of most new painting, Herman's figures are situated in middle ground and buried beneath the paint..."
Artist: ROGER HERMAN (1947-)
Title: FIELDWORK
Medium & Surface: ORIGINAL WOODCUT ON PAPER (framed)
Signed/Numbered: HAND-SIGNED, NUMBERED, AND TITLED BY ARTIST
Number: 36 of 75
Year Created: 1984
Country of Creation: UNITED STATES
Image Area Dimensions: 24 x 48 INCHES
Paper Dimensions: 38 x 62 INCHES
Frame Dimensions:* 41.25 x 65.25 x 1 INCHES
*This work of art is being sold framed. If you would like to change the frame to better match your style or environment, please contact us for Custom Archival Framing options.
Additional Info: HIGHLY COLLECTIBLE WORK BY ROGER HERMAN – PRINTED BY HANS-FUSS WITH BLIND STAMP LOWER RIGHT. PUBLISHED BY THE GRAPHIC ARTS COUNCIL AT LACMA. FEATURES CUSTOM CONSERVATION FRAME.
Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED
Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED
About the Artist: Roger Herman, a German painter and ceramic artist, has become well known for the broad range of styles encompassed within his work across multiple mediums.
Roger Herman was born in Germany in 1947, where he began his studies at the Kunstakademie in Karlsruhe. In 1976, he was offered a fellowship from the German Academic Exchange Service (DAAD), which took him across the world to San Francisco. It was here, in California, that his career began to flourish.
He started by creating paintings of phenomenal proportion, soon christened as the West Coast parallel of the 80s Neo-expressionist movement. It was highly referential work, drawing on his knowledge of art history, as well as his famed sense of humor. With loose, facile brushwork, his art is reminiscent of the figurative German painters who emerged in the 1970s—like Markus Lüpertz (who taught at the Kunstakademie), Rainer Fetting...
Category
1980s Neo-Expressionist Max Weber Abstract Prints
Materials
Woodcut
No Reserve
H 41.25 in W 65.25 in D 1 in
Les Deux Anges
By Marie Laurencin
Located in New York, NY
A very good impression of this lithograph with strong colors. Second state (of 2). Signed and numbered 19/160 in pencil, lower left.
Category
1940s Cubist Max Weber Abstract Prints
Materials
Color, Lithograph
L'Éventail rose
By Marie Laurencin
Located in New York, NY
A very good impression of this scarce color etching and drypoint. Fourth state (of 4). Signed and numbered 54/100 in pencil, lower margin.
Category
1920s Cubist Max Weber Abstract Prints
Materials
Color, Drypoint, Etching
Modern Cubist Abstract in Primary Colors, A/P by Juan Quevedo
Located in Soquel, CA
Modern Cubist Abstract in Primary Colors, A/P by Juan Quevedo
"Linias Emocionales", a bold and bright cubist abstract artist proof screen print by Juan...
Category
Early 2000s Cubist Max Weber Abstract Prints
Materials
Paper, Screen
H 20.25 in W 14.25 in D 1 in
Max Weber abstract prints for sale on 1stDibs.
Find a wide variety of authentic Max Weber abstract prints available for sale on 1stDibs. You can also browse by medium to find art by Max Weber in woodcut print, screen print and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Max Weber abstract prints, so small editions measuring 2 inches across are available. Customers who are interested in this artist might also find the work of Alexandra Nechita, Léopold Survage, and Ynez Johnston. Max Weber abstract prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,500 and tops out at $13,500, while the average work can sell for $2,000.