Max Weber Figurative Prints
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Artist: Max Weber
Max Weber Woodcut Print from "Primitives" Poetry Book Signed
By Max Weber
Located in Detroit, MI
ONE WEEK ONLY SALE
This woodcut print is an expressionist print on one of the poems from Max Weber's poetry collection "Primitives: Poems and Woodcuts". This work is signed in penci...
Category
1920s Expressionist Max Weber Figurative Prints
Materials
Woodcut
Invocation
By Max Weber
Located in New York, NY
M a x W e b e r – – 1 8 8 1 – 1 9 6 1
Invocation- – 1919-20, Color Woodcut.
Rubenstein 27. Proofs only. Signed in pencil.
Image size 3 3/4 x 2 1/8 inches (124 x 54 mm); sheet size ...
Category
1910s Cubist Max Weber Figurative Prints
Materials
Woodcut
'Feast of Passover' — American Expressionism
By Max Weber
Located in Myrtle Beach, SC
Max Weber, Untitled 'Feast of Passover', woodcut, 1920, edition proofs—this impression from the edition of 25 printed in 1956, Rubenstein 30. Signed in pencil...
Category
1920s Expressionist Max Weber Figurative Prints
Materials
Woodcut
Max Weber, Figure
By Max Weber
Located in New York, NY
One of America's great modernist innovators, Max Weber carved Figure, 1919-20, on the end piece of a wooden cigar box. This Cubist image is composed o...
Category
Early 20th Century Modern Max Weber Figurative Prints
Materials
Woodcut
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"Schwartzer Fleck" original woodcut
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Located in Henderson, NV
Medium: original woodcut. Catalogue reference Roethel 145. Printed in Paris in 1938 for the art revue XXe Siecle (issue number 3). Image size: 7 x 8 1/2 inches (170 x 218 mm). Sheet ...
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Wedding Party
Located in Buffalo, NY
An original mid century modern woodblock print.
This work is hand signed illegibly and titled "Wedding Party".
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"Landschaft mit Frauen" original woodcut
By Aloys Wach
Located in Henderson, NV
Medium: original woodcut. The title means "Landscape with Women". Printed in 1920 for the German Expressionist art revue Das Kunstblatt, publi...
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"Fieldwork" Large 5+-Foot Original Woodcut on Paper by Roger Herman, Framed
By Roger Herman
Located in Encino, CA
"Fieldwork," an original woodcut on paper by Roger Herman, is a piece for the true collector. This spectacular woodcut cannot be properly communicated digitally – it is a far more impactful and meaningful experience in person. This work of art would definitely enhance most homes or professional settings, perfect for those who have an affinity for abstracts, Neo-Expressionism, modernist paintings, or postmodern art. This woodcut was printed by Hans-Fuss and published by the Graphic Arts Council at LACMA. Work is outfitted with custom, conservation frame.
Art historian Howard Singerman's words from the December 1982 ArtForum Magazine:
"...Herman's expressionistic style... with its roots in German Expressionism and the New York School, is previously painted. His mean colors, thick pigment, and quick strokes are not a direct record of emotion and activity, they are not painting outside language, but signs for that painting, for an emotion and an activity that are no longer available. The expressionist act is recast as romantic aspiration; in his inscription, Herman evokes painting's past and admits his need for its aura...
...Herman's distance even undermines the emblematic immediacy of his expressionism, which he uses to attain more distance still. Unlike the flattened, aggressive figures that push to, and threaten to push through, the surfaces of most new painting, Herman's figures are situated in middle ground and buried beneath the paint..."
Artist: ROGER HERMAN (1947-)
Title: FIELDWORK
Medium & Surface: ORIGINAL WOODCUT ON PAPER (framed)
Signed/Numbered: HAND-SIGNED, NUMBERED, AND TITLED BY ARTIST
Number: 36 of 75
Year Created: 1984
Country of Creation: UNITED STATES
Image Area Dimensions: 24 x 48 INCHES
Paper Dimensions: 38 x 62 INCHES
Frame Dimensions:* 41.25 x 65.25 x 1 INCHES
*This work of art is being sold framed. If you would like to change the frame to better match your style or environment, please contact us for Custom Archival Framing options.
Additional Info: HIGHLY COLLECTIBLE WORK BY ROGER HERMAN – PRINTED BY HANS-FUSS WITH BLIND STAMP LOWER RIGHT. PUBLISHED BY THE GRAPHIC ARTS COUNCIL AT LACMA. FEATURES CUSTOM CONSERVATION FRAME.
Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED
Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED
About the Artist: Roger Herman, a German painter and ceramic artist, has become well known for the broad range of styles encompassed within his work across multiple mediums.
Roger Herman was born in Germany in 1947, where he began his studies at the Kunstakademie in Karlsruhe. In 1976, he was offered a fellowship from the German Academic Exchange Service (DAAD), which took him across the world to San Francisco. It was here, in California, that his career began to flourish.
He started by creating paintings of phenomenal proportion, soon christened as the West Coast parallel of the 80s Neo-expressionist movement. It was highly referential work, drawing on his knowledge of art history, as well as his famed sense of humor. With loose, facile brushwork, his art is reminiscent of the figurative German painters who emerged in the 1970s—like Markus Lüpertz (who taught at the Kunstakademie), Rainer Fetting...
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No Reserve
H 41.25 in W 65.25 in D 1 in
"Der Hirte" original woodcut
Located in Henderson, NV
Medium: original color woodcut. Catalogue reference JH 771. Published in 1919 for Genius. Image size: 9 1/2 x 7 inches (240 x 178mm), on wove paper with full margins. This print is f...
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1920s Expressionist Max Weber Figurative Prints
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Les Deux Anges
By Marie Laurencin
Located in New York, NY
A very good impression of this lithograph with strong colors. Second state (of 2). Signed and numbered 19/160 in pencil, lower left.
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1940s Cubist Max Weber Figurative Prints
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L'Éventail rose
By Marie Laurencin
Located in New York, NY
A very good impression of this scarce color etching and drypoint. Fourth state (of 4). Signed and numbered 54/100 in pencil, lower margin.
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Previously Available Items
Nude Woman with Arm Upraised — American Expressionism
By Max Weber
Located in Myrtle Beach, SC
Max Weber, 'Nude Woman with Arm Upraised', linoleum cut, 1930-32, edition proofs—this impression from the edition of 25 printed in 1956, Rubenstein 42. Signed in pencil. A fine impression, on cream Japan paper; the full sheet with wide margins (2 5/8 to 3 7/8 inches), in excellent condition. Image size 5 7/8 x 2 11/16 inches (149 x 68 mm); sheet size 12 1/2 x 9 inches (318 x 229 mm). Matted to museum standards, unframed. Scarce.
Printed, at the artist’s request, by Joseph Blumenthal, The Spiral Press, New York. Included in the suite 'FIVE PRINTS BY MAX WEBER' published by Erhard Weyhe, director, Weyhe Gallery Inc., the renowned New York gallery established in 1919 to specialize in fine prints.
Collections: Detroit Institute of Arts, Library of Congress, National Gallery of Art, Los Angeles County Museum of Art, Philadelphia Museum of Art.
ABOUT THE ARTIST
"To fill eternity with the ripest and the sanest expression of our consciousness is the essence as well as the purpose of life.” —Max Weber
Max Weber (1881-1961) was born in Bialystok, western Russia. When he was ten, his family came to America, settling in Brooklyn. While enrolled at nearby Pratt Institute from 1898 to 1900, he was a student of the modernist artist and influential teacher Arthur Wesley Dow who advocated for art as a means of self-expression rather than traditional ornament.
Weber became an art teacher, first in the public schools in Lynchburg, Virginia, and beginning in 1903 at the Minnesota Normal School in Duluth. Inspired by Dow’s experience, Weber longed to continue his studies in Europe, and after years of prudent saving, he traveled to Paris in 1905.
He became a devoted disciple of Paul Cézanne, met Guillaume Apollinaire, Robert Delaunay, Pablo Picasso, and Leo and Gertrude Stein, and became close friends with Henri Rousseau, later organizing the first exhibition of Rousseau’s work in the United States. A pupil of Matisse...
Category
1920s Expressionist Max Weber Figurative Prints
Materials
Woodcut
Primitive Figure — American Expressionism
By Max Weber
Located in Myrtle Beach, SC
Max Weber, Untitled 'Primitive Figure', woodcut, 1921-25, edition proofs—this impression from the edition of 25 printed in 1956, Rubenstein 40. Signed in pencil. A fine impression, on cream Japan paper; the full sheet with wide margins (1 1/8 to 3 inches), in excellent condition. This work features prominently in the artist's woodcut oeuvre in its relatively large scale: image size 9 15/16 x 3 1/16 inches (252 x 78 mm); sheet size 12 1/2 x 9 inches (318 x 229 mm). Scarce. Matted to museum standards, unframed.
Printed, at the artist’s request, by Joseph Blumenthal, The Spiral Press, New York. Included in the suite 'FIVE PRINTS BY MAX WEBER' published by Erhard Weyhe, director, Weyhe Gallery Inc., the renowned New York gallery established in 1919 to specialize in fine prints.
Collections: Art Institute of Chicago, Detroit Institute of Arts, National Gallery of Art, Museum of Modern Art, Philadelphia Museum of Art, Los Angeles County Museum of Art, Whitney Museum of American Art.
ABOUT MAX WEBER'S RELIEF PRINTS
"In summary, Weber’s relief prints cannot be called just primitives or cubist forms. No single stylistic term is a satisfactory label. Collectively they suggest some common denominators: independence from academic traditions, interest in the element of design rather optical realism, simplicity and unpretentiousness in execution, craftlike tradition underlying their formulation and the desire to eschew the exactitude and dryness of wood engraving for the imprecision and painterly of hand-blocked work. The work was not a conscious effort at naiveté or lack of sophistication; on the contrary it was an attempt to approach the origins of art.
"In an age which has seen the machine take the feeling of material from the hands of man, these relief prints describe a spirit of craftsmanship and an originality of abstract design that is unique to Max Weber’s artistic oeuvre, to American art, and to the tradition of relief printing."
— Daryl R. Rubenstein, 'Max Weber, A Catalogue Raisonné of His Graphic Work', The University of Chicago Press, 1980.
ABOUT THE ARTIST
"To fill eternity with the ripest and the sanest expression of our consciousness is the essence as well as the purpose of life.” —Max Weber
Max Weber (1881-1961) was born in Bialystok, western Russia. When he was ten, his family came to America, settling in Brooklyn. While enrolled at nearby Pratt Institute from 1898 to 1900, he was a student of the modernist artist and influential teacher Arthur Wesley Dow who advocated for art as a means of self-expression rather than traditional ornament.
Weber became an art teacher, first in the public schools in Lynchburg, Virginia, and beginning in 1903 at the Minnesota Normal School in Duluth. Inspired by Dow’s experience, Weber longed to continue his studies in Europe, and after years of prudent saving, he traveled to Paris in 1905.
He became a devoted disciple of Paul Cézanne, met Guillaume Apollinaire, Robert Delaunay, Pablo Picasso, and Leo and Gertrude Stein, and became close friends with Henri Rousseau, later organizing the first exhibition of Rousseau’s work in the United States. A pupil of Matisse...
Category
1920s Expressionist Max Weber Figurative Prints
Materials
Woodcut
Nude with Upraised Arms
By Max Weber
Located in Fairlawn, OH
Nude with Upraised Arms
Honeycomb-basswood relief print, 1919-1920
Unsigned as usual for this edition
From: Woodcuts and Linoleum Blocks by Max Weber (32 plates)
Unsigned individual ...
Category
1910s Cubist Max Weber Figurative Prints
Materials
Woodcut
Mother and Child
By Max Weber
Located in Fairlawn, OH
From: Woodcuts and Linoleum Blocks by Max Weber (32 plates)
Unsigned individual print(s),
The book signed in ink on the limitation page (a photocopy included with purchase)
Publisher: Weyhe Gallery, New York, 1956
Printer: The Spiral Press
Edition: 225
From: Woodcuts and Linoleum Blocks by Max Weber (32 plates)
Unsigned individual print(s),
The book signed in ink on the limitation page (a photocopy included with purchase)
Publisher: Weyhe Gallery, New York, 1956
Printer: The Spiral Press
Edition: 225
Note: Many of the images are influenced by Picasso, Matisse, Gauguin and other important European artists of the time. He was a friend and advocate of Henri Rousseau, along with Picasso. He exhibited at Stieglitz’s 291 Gallery. Weber’s work was admired and collected
by the famous photographers, Alvin Langdon...
Category
1910s American Modern Max Weber Figurative Prints
Materials
Woodcut
Head
By Max Weber
Located in Myrtle Beach, SC
Max Weber, 'Head', woodcut, 1919-1920, edition unknown, Rubenstein 21. Signed in pencil. A fine impression, on cream wove Japan paper, with wide margins (1 1/2 to 2 1/2 inches); slig...
Category
Early 20th Century Expressionist Max Weber Figurative Prints
Materials
Woodcut
Mother Love (Madonna and Child)
By Max Weber
Located in Myrtle Beach, SC
Max Weber, 'Mother Love' (Madonna and Child), woodcut, 1920, edition unknown, Rubenstein 35. Signed in pencil. A fine, well-inked impression, on cream wov...
Category
1920s Expressionist Max Weber Figurative Prints
Materials
Woodcut
Max Weber figurative prints for sale on 1stDibs.
Find a wide variety of authentic Max Weber figurative prints available for sale on 1stDibs. You can also browse by medium to find art by Max Weber in woodcut print and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Expressionist style. Not every interior allows for large Max Weber figurative prints, so small editions measuring 2 inches across are available. Customers who are interested in this artist might also find the work of Oskar Kokoschka, Emil Orlik, and Karl Schmidt-Rottluff. Max Weber figurative prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,680 and tops out at $13,500, while the average work can sell for $2,000.