Melinda Matyas Prints and Multiples

Wave I by Christian Stoll a mesmerizing photographic rendering of blue acquatic surface 58 x 58 inches (147 x 147cm) edition of 7 signed 48 x 48 inches (122 x 122cm) edition of 7 s...

From a series of large scale abstract photographs of muted color monochromatic water surfaces SEASCAPE IV by Frank Schott available in two edition sizes ...

monumental scale abstract b&w photograph of mesmerizing monochromatic black white water surface with "frameless" glass face mounting SEASCAPE V by Frank Schott 87.5" x 70" / 222 x 177.8cm signed edition of 7 photograph with acrylic glass mounting "Modern Gallery Frameless", a contemporary alternative to classic framing: photo print is mounted onto aluminum composite for archival support and stability, then sealed behind a protective layer of high quality acrylic glass with polished edges all around. A recessed aluminum back frame adds additional stability, allows instant hanging and provides a floating artwork appearance. Work ships from renown museum framing facility in Germany, the only production facility offering glass face mounting at this artwork scale. archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, Ed Rusha...

Tracey Emin I Could Feel You, 2015 Archival quality giclée print on Purcell Ultrasmooth Fine Art Paper 300 GSM 9 1/2 × 12 inches Plate signed Unframed Rare archival quality, giclée reproduction of Tracey Emin's original gouache I Could Feel You, which is in the permanent modern art collection of the Tate. This was printed back in 2015 in an undisclosed limited edition, and is now long sold out. More details about the original 2014 work are on the Tate Gallery's website as follows: Emin, whose work is often candidly autobiographical, scrutinises her relationship with her own body, using drawing...

"Beach House" Photography 27" x 36" inch Edition 4/7 by Brendan North Available sizes: Edition of 7: 18" x 24" inch Edition of 7: 27" x 36" inch Edition of 3: 45" x 60" inch ABOU...

Giclée on Somerset Photosatin paper with deckled edges Edition of 100 53.3 x 43 cm (21.1 x 17 in) Signed and numbered Mint, as issued. Sold with accompanying book 

"Drift 8" Landscape Photography 30" x 20" Edition of 10 by Rowan Daly Digital print on Ultra Smooth Fine Art Paper Unframed - ships rolled in a tube DRIFT Behind the scenes of ...

Available Sizes: 37.5 x 30 in Edition of 15 50 x 40 in Edition of 10 60 x 48 in Edition of 5 Over 40,000 years ago, we began to depict animals in cave drawings. Throughout history, ...

Diasec-mounted Giclée print on aluminium composite panel, based on the eponymous painting from Richter’s ‘Cage Paintings’ (2006) series Edition of 200 Num...

Laminated Giclée print on aluminium composite, screen printed with glitter Edition of 2,814 39.3 x 39.3 in Signed on a label affixed to the back Mint, as issued. Minor imperfections ...

"Beverly Hills Hotel" Photography 23" x 32" inch Edition of 10 by Oleg Char Medium: Hahnemühle Baryta Paper Not framed. Ships in a tube. Other sizes avail...

"Drift 10" Landscape Photography 20" x 30" Edition 1/10 by Rowan Daly Digital print on Ultra Smooth Fine Art Paper Unframed - ships rolled in a tube DRIFT Behind the scenes of ...