Michael Eisemann Still-life Prints

Matthew Brannon is best known for his letterpress and screen prints of incongruous combinations of images and text. These prints are rendered in a subtle, stripped-down aesthetic, ev...

Will Mentor received his BFA at the Rhode Island School of Design and arrived on the New York art scene in the early 1980’s, gaining instant success for what critics referred to as h...

Matthew Brannon is best known for his letterpress and screen prints of incongruous combinations of images and text. These prints are rendered in a subtle, stripped-down aesthetic, evoking mass production and marketing design. For a 2006 series of blue and black silkscreen prints, Brannon paired representations of potted plants with grim subtitles such as Sick Whore and How It All Ends, in keeping with his thematic interest in pathology and personal struggle. Brannon’s sculptures exhibit a similar pictorial simplicity, often executed in few colors and with meticulous attention to symmetry and balance. Like a stage set for the performance of a play set...

Jonas Wood, Large Shelf Still Life, 2017 Offset lithograph in colours on smooth wove paper 58.42 x 58.42 (23 x 23 in) Open edition Jonas Wood (b. 1977, Boston) makes paintings t...

Lithograph in colours on wove paper Unsigned AP aside from the main edition Signed and dated on the front Excellent. Minor printers’ imperfections throughout reverse of print visible...

Cristobal Toral (Spain, 1940) 'Bodegón', N/A lithograph on paper 21.3 x 17.8 in. (54 x 45 cm.) Edition of 225 ID: TOR1167-001-225 Hand-signed by author

In this framed wall sculpture, digital prints and hand-colored lithography on hand-cut tissue weight kozo and gampi paper are cut to mimic botanical shapes and pinned with entomology...

NICOLAS PARTY STILL LIFE (ROCKS), 2023 4 Colour offset print on thick matte paper. 30 × 30 cm Edition of 100 Produced by MUSEUM FRIEDER BURDA.

A colorful pop art drawing of a whimsical landscape scene featuring red flowers, green trees, yellow sun, and blue sky and clouds with cubist furniture on a front porch. Two flies converse over bentwood chairs drawn in black, red and white, in this whimsical work by famed New York artist Michael Hurson. Framed in white enamel. Paper 23.5 x 32.5 in. / 59.5 x 82.5 cm Frame 27 x 35 x 2 in. / 68.5 x 89 x 5 cm Two Flies on a Bentwood Chair by Michael Hurson. Lithograph on white paper with silkscreen on plexiglass, in a cream-colored lacquer frame. Edition 70: this impression 56/70. Signed by the artist with initials and numbered 56/70 in pencil lower right. Prepackaged and framed: ready to ship immediately, and ready to hang out of the box. This mixed-media lithograph with silkscreen portrays the colorful scene of a lush, sun-drenched front porch. Hurson's whimsical play on geometry and three-dimensionality is enhanced by the layers of plexiglass and paper upon which the image is printed. In the center of the composition, printed on the base layer of paper, a bright yellow sun sits atop a liquid, sky-blue background, and a jaunty, crayon-textured cloud. A porch door...

Capturing the light of Provincetown, Richard Baker's Tulips series suffuses the page with color and life.

Lithograph in colours, on Arches paper, with full margins Edition of 150 42.2 x 33 cm (16.6 x 12.9 in) Signed, numbered and dated on the front Mint. Artwork not inspected outside of ...

Soup Cans, 2005
 Offset lithograph on paper, mounted to aluminium Annotated with the artist's signature stamp, lower right on recto Presented in bespoke persp...