Michael Ricardo Andreev Abstract Paintings

Donald Stacy "Landscape wit Boulder" c.1950s Gouache paint on paper 24"x18'" unframed Unsigned Came from artist's estate *Custom framing available for ad...

Thelma Corbin Moody Blue Mountains c. 1960's Gouache on Arches Paper 19 1/4" x 24 3/4", Unframed Unsigned Lovely, mid century gouache painting, b...

Edward Avedisian ( 1936-2007 ) Gouache or oil on paper, 3 guys around a car, hand signed in paint lower left, Measures 30"x 22.5" Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell Gallery in New York City. Edward Avedisian was known for his brightly colored, boldly composed canvases that combined Minimalism's rigor, Pop art exuberance and the saturated tones of Color Field painting. Roberta Smith of the NYT writes of Avedesian: "Edward Avedisian helped establish the hotly colored, but emotionally cool, abstract painting that succeeded Abstract Expressionism in the early 1960s. This young luminary harnessed elements of minimalism, pop, and color field painting to create prominent works of epic proportions that energized the New York art scene of the time." In 1996 Avedisian showed his paintings from the 1960s at the Mitchell Algus Gallery, then in SoHo. His last show, dominated by recent landscapes, was in 2003 at the Algus gallery, now in Chelsea. Selected Exhibitions: Op Art: The Responsive Eye, at the Museum of Modern Art, Whitney Museum’s Young America 1965 Expo 67, held in Montreal, Canada. Six Painters (along with Darby Bannard, Dan Christensen, Ron Davis...

An exquisite contemporary painting by Dutch artist, Hans Bouman. In this painting Bouman creates a captivating interplay of colors and forms that gives rise to an enigmatic abstract face that invites interpretation and contemplation. This captivating large-scale abstract painting is a harmonious blend of warm white, earthy tones, invigorating orange, and calming blue hues. Hans Bouman, born in the Netherlands in 1951, embarked on his artistic journey at the Amsterdam Graphic School and the Gerrit Rietveld Academy of Fine Arts. During the early 1980s, Paris became his haven of inspiration, where his debut in galleries marked the onset of an international presence that continues to flourish. Bouman's artistic evolution is characterized by cycles of creativity, but it is his larger-than-life hieratic heads that he is renown for. These remarkable pieces pay homage to influences as diverse as the Moai sculptures of Easter Island, the intricate masks of Africa...

Abstract Nature Painting "Andiamo" by Alex K. Mason Acrylic Gouache on Yupo mylar . Framed in white shadow box frame, 36"H x 36"W x 2.225"D. Greens, Yellows, Orange, Brown, 2019. It...

"Natura Locum", 2021 by Susan Hope Fogel Abstract Deconstructionist watercolor painting of figures strolling down the lane in Harlem Park 39.5 x 50 inches, archival watercolor and go...

Large Abstract Celestial Painting by Alex K. Mason. "Ultralight Beam". Acrylic, Gouache, Ink on Canvas, 48"H x 48"W x 3"D. Blues, Golds, Whites,...

VOID is a multilayered composition created with paper, painted tyvek and silkscreen cut-outs. The panel was initially created as part of the “Kudzu Season” series, exhibited in the C...

Serene 'River Pastel ' created with pastel on gessoed watercolor paper with gouache, and framed under Museum Plexiglass in warm silver, is created by American Artist Gail Chase Bien,...

Large Abstract Constellation Painting Alex K. Mason "Moonbow" Canvas Acrylic Gouache Ink, 48"H x 48"W x 3"D. Blues, Golds, White, 2021. This pai...

"Spring Beauties" is an abstract landscape featuring hues of green, purple and blue. This work is framed in a simple white frame behind Museum Glass measuring 28 by 36 inches. Carlyle is inspired by the works of Claude Monet, Edouard Vuillard, Henri Matisse, Walter Inglis Anderson, Charles Burchfield, Ellsworth Kelly, Alexander Calder and Mary Delany. This piece is part of a collaborative series by Carlyle and her husband Thad Lee. This body of work was made in tandem, through painting and photography, that explores their mutual delight in the natural world and within their own marriage. Carlyle Wolfe’s paintings & works on paper are about an awareness of the natural world—becoming progressively, cyclically more present to its rhythms, gaining deeper understanding of its design, & acquiring direct experiential knowledge of its mysterious beauty. For the last 15 years, Wolfe has been making contour line drawings of plants form observation. From her drawings, she isolates silhouettes into paper stencils which she uses to create oil paintings & works on paper – or cut out of metal to make sculptures. Her work is cumulative in nature – gradually marking time & seasonal change, unity & variety, individual & collective beauty. Wolfe grew up in Canton, Mississippi, & earned a BFA in painting from the University of Mississippi & an MFA in painting & drawing from Louisiana State University. She has also studied in Cortona, Italy, & at the University of Georgia. Wolfe has exhibited work throughout the South, including Spalding...

Masri Hayssam (Lebanese, born 1965) "Untangled" 2018 Acrylic paint, Oil paint, Canvas, Stretcher Bars The artist signed the bottom right of the painting. This powerful mixed-media a...