Morley Baer Black and White Photography

Stunning black & white landscape photograph with trees reflecting in water in the Sierra Nevada mountains by California artist Robert Werling. Signed on mat lower right: "Bob Werling." Presented in a silver metal frame. Image, 15"H x 19"W. Robert Werling was born in San Francisco, California in 1946 and realized an interest in art at an early age. While briefly attending a commercial art school, he found photography to be his medium and went on to obtain both a BA and an honorary MS from the Brooks Institute of Photography in Santa Barbara, CA. He also studied privately under Ansel Adams from 1966 to 1970 and Imogen Cunningham from 1969 to 1975. Through his affiliation with Adams, Werling came to know and work with other noted photographers. Brett Weston became his close friend and mentor and Marion Post Wolcott, relying on his darkroom expertise, entrusted her negatives to his printing genius. While creating an impressive number of his own fine art prints, Werling also lectured extensively and worked as an instructor for the Brooks Institute, the University of California, Santa Barbara, the Zone System Seminars and Workshops in the United States, and for the Werkschule fur Fotografie in Soltau, Germany. Werling has exhibited his photographs in over sixty one-man and group shows in both the United States and Europe. He was guest curator of photography for the Santa Barbara Museum of Art organizing VIVO, the Contemporary Japanese Photography and Brett Weston’s photographs...

Edition AP Hand printed by artist. Matted on archival board.

This black-and-white photograph, taken in 1952 in Paris along the Seine River, captures a tranquil and picturesque moment. In the foreground, a man wearing a light-colored straw hat ...

A gelatin silver estate print, 24" x 20" from the Freed archive, Rome, Italy, 2000 by Leonard Freed is a black and white contemporary photograph focused on an unexpected, poetic, and beautiful classical sculpture in the stairwell of a modest Roman dwelling. Leonard Freed discovered Little Italy in...

Trinity Church, Wall Street, 1995 by Leonard Freed is a 14" x 11" black and white, gelatin silver, vintage print. The urban landscape photograph captures Freed's interest in New York City architecture, a city he loved, as well as reveals the photographer's masterful techniques in using light...

This black and white photograph, taken in 1962 at the Coral Pink Sand Dunes, located on the Utah-Arizona border, captures a moment of solitude and contemplation. The image features a...

A unique original silver gelatin black and white photograph was shot by Press Agency Trampus. Paris, carriages, and cars, circa 1930. Features: Original silver gelatin print photogra...

New York, New York, 1981 by American photographer Leonard Freed. This is a 16" x 12" signed verso (on back), gelatin silver, also stamped verso, vintage print. The photograph captures men in suits...

1953: A view of neatly arranged office and apartment blocks along Park Avenue in New York City. Archival Fiber print Estate stamped and hand numbered edition of 150 with certificat...

Hand printed photograph by the artist. Over matted with archival mat. 16x20"

The photograph shot in England, Picnic with Birds, 2001 by Leonard Freed is a 5" x 7" gelatin silver photograph, stamped “vintage” by the Freed estate on ...

Shaker Interior, Sabbathday Lake, Maine Silver print, selenium toned, 1971 Signed in pencil lower right (see photo) Titled verso (see photo) Printed c. 1971 Condition: Excellent Image: 6 1/2 x 9 3/8 inches Frame: 14 x 17 inches Original Kulicke welded frame George A. Tice, born in Newark, New Jersey, United States, October 13, 1938, the son of a college-educated New Jerseyan, William S. Tice, and Margaret Robertson, a Traveller of Irish, Scottish, and Welsh stock with a fourth-grade education. George was raised by his mother, maintaining regular visiting contact with his father, whose influence and advice he valued highly. Education His first contact with photography was in the albums of family photographs belonging to his father, and this gave him the desire to create images of his own. George Tice began with a Kodak Brownie. In 1953, having bought a Kodak Pony, which gave him some control over exposure and focus, and a Kodak developing kit, he began to advance his craft. George Tice also joined the Carteret Camera Club. Tice's photographs of homeless men on the Bowery won second place in the black and white print competitions. George Tice decided at this point to make photography his career. In 1955 George Tice attended the Newark Vocational and Technical High School, where he briefly studied commercial photography under Harve Wobbe. When he turned sixteen, he quit school and took a job as a darkroom assistant for Classic Photo, a portrait studio in Newark. He also worked as a stock boy at Kreske's Department Store in Newark, then as an office boy in the circulation department of the Newark Evening News. In 1956 George Tice enlisted in the United States Navy, in which he rose to the rank of Photographer's Mate Third Class. After boot camp and two years at Naval Air Station Memphis, he was transferred to sea duty aboard the aircraft carrier, USS Wasp...