Pavel Polanski Animal Paintings

The painting is done in oil on canvas using professional Winsor & Newton and Rembrandt paints. The surface is constructed through successive layers of greens, blues, and reds, with a...

The pronounced technique is the first thing that strikes you when viewing the works of Jan Grotenbreg (1946). It is innovative and unique. The result of...

Toni Franović was born in Zagreb on April 15th, 1964. He is a graduate of the Academy of Fine Arts in Zagreb, where he studied under professor Vasilije Jordan. In 1992/93 he joined t...

The pronounced technique is the first thing that strikes you when viewing the works of Jan Grotenbreg (1946). It is innovative and unique. The result of...

Magdalena Nałęcz (b. 1970) She graduated from the Academy of Fine Arts in Cracow in 1995. She received numerous scholarships and prizes: in 1997 the scholarship of the city of Cracow...

Contemporary acrylic on canvas figurative painting by Polish artist Magdalena Nalecz.Artwork depicts a bird with beads in its beak. The backroung is just plain canvas without the pai...

The pronounced technique is the first thing that strikes you when viewing the works of Jan Grotenbreg (1946). It is innovative and unique. The result of...

Enthralled with the lore and spirituality of American Indian cultures, his work often depicts these traditional subjects in nontraditional ways. Hawkins captures the raw sense of ele...

Formalism collides with a punk rock, folk art sensibility in his pop culture mash-ups that explore the liminal space between the natural and built environment. The animal kingdom acts as our proxy. His paintings are noticeably devoid of the human figure, replaced by a colorful bestiary cavorting in landscapes that echo speculative fiction...

Oil Painting / Text / Pastel Colors / Figurative Art / Outsider Art / Pop Art / Surrealism From Macauley Norman's solo exhibition, CRYPTIC CLUTTER, "Phantasm" is a figurative, pop surrealist painting made with oil, acrylic and graphite on canvas. The piece features beautifully rendered koi fish beside a rendering of the globe into a single, flat plane, beneath the impasto text reading "Phantasm" across the top of the painting. Across the bottom third of the painting's image is a green landscape with a glue sky, behind what appears to be a metal fence...

The pronounced technique is the first thing that strikes you when viewing the works of Jan Grotenbreg (1946). It is innovative and unique. The result of...

The pronounced technique is the first thing that strikes you when viewing the works of Jan Grotenbreg (1946). It is innovative and unique. The result of his idiosyncratic working method can be compared to Roman and Medieval murals, the so-called fresco in which people paint directly in wet lime. At the time, fresco technique was a decorative art form in Europe. However, it is not the decorative element that inspires and interests Jan, but the weathered appearance of the surviving fresco paintings. That is what he wanted to see in his own work. In 2000 he started experimenting with cement on linen. This technique is so special, because cement is a building material and does not stick to canvas. After many attempts, Grotenbreg has found a solution to this problem with modern binders. An impressive series of animal studies followed. Jan Grotenbreg only paints animals he has an affinity with. Animals such as the horse, the cow and the bull, as well as lesser-known animals such as the protected bird of prey, the black-capped vulture, the Egyptian Nile bird Ibis and the endangered house sparrow, have been laid down on linen by Grotenbreg in a layer of gray cement with acrylic paint in black-brown color nuances. The texture and composition of the applied cement is a very important part of his work. That's what makes it intriguing. The way in which the cement is applied determines the decisiveness of the work even more than the image. The animals, especially the sparrows, sometimes only cover a very small part of the canvas. It is clear that the emphasis is on technology. The charm of Jan Grotenbreg's work lies in the imitation of that weathering. But the animals portrayed also play a role in this and are not exempt from rendered weariness. They give a beautiful antique impression...