Ronald Brooks Kitaj Art
American, 1932-2007
Born in Cleveland, Ohio in 1932, R.B. (Ronald Brooks) Kitaj is considered a key figure in European and American contemporary painting. While his work has been considered controversial, he is regarded as a master draftsman with a commitment to figurative art. His highly personal paintings and drawings reflect his deep interest in history; cultural, social and political ideologies; and issues of identity.
Among his various honors are election to the American Academy of Arts and Letters in 1982, and election to the Royal Academy in 1985 (the first American since John Singer Sargent to receive this honor.)
Numerous retrospective exhibitions of his work include shows at the Hirshhorn Museum in Washington, D.C.; The Jewish Museum, Berlin; The Jewish Museum, London; and the Hamburger Kunsthalle in Germany.
Raised in Cleveland, Ohio, and Troy, New York, Kitaj joined the Merchant Marines in 1949.
In 1950, between sailings, he attended classes at the Cooper Union for the Advancement of Science and Art in New York. He went on to study drawing at the Academy of Fine Art in Vienna, Austria.
Kitaj moved to Oxford, England in 1957, and enrolled at The Ruskin School of Drawing and Fine Art, University of Oxford.
In 1959, Kitaj was accepted into Royal College of Art, London, where he befriended classmate David Hockney. Upon graduation from the RCA, Kitaj signed with Marlborough Fine Art, London, where he had his first solo exhibition in 1963. His art career began in earnest, and he found critical acclaim alongside commercial success.
A second solo show followed at Marlborough Gallery, New York, in 1965, and he sold “The Ohio Gang” to The Museum of Modern Art.
In 1969, Kitaj taught for a year at the University of California, Los Angeles.
In 1976, he coined the term “School of London” in an essay he wrote as curator of the polemical exhibition, “The Human Clay,” at the Hayward Gallery, London. The term, though loose, continues to define a group of stylistically diverse artists, including Kitaj, who were working in London at that time focusing on figural representation.
In 1981, he spent a year in Paris, France, where he focused on drawing and use of pastel.
In 1994, the Tate Gallery, London, organized a major retrospective of Kitaj’s work. Hostile and personal attacks from some critics led to what Kitaj referred to as the “Tate War.” The exhibition subsequently traveled to the Los Angeles County Museum of Art and the Metropolitan Museum of Art, New York.
Kitaj moved to Los Angeles, California, and continued to exhibit with Marlborough Fine Art and the Marlborough Gallery, New York.
In 2001 the National Gallery London organized a solo exhibition of paintings: “R.B. Kitaj In the Aura of Cezanne and Other Masters.” Kitaj focused on his “late style” in his Yellow Studio in Westwood and died in 2007.
His gift of his archive to the UCLA Library Special Collections was celebrated with exhibitions at the Skirball Cultural Center and UCLA’s Young Research Library.(Biography provided by Rosenbaum Contemporary)
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Period: 1960s
Artist: Ronald Brooks Kitaj
R.B. Kitaj "The Jerwish Question"
By Ronald Brooks Kitaj
Located in Surfside, FL
Initialled signed in pencil From R. B. Kitaj, In Our Time: Covers for a Small Library After the Life for the Most Part, screenprint 1969 edition of 150 photo screenprint. A cover of the infamous Henry Ford book from the Dearborn Independent "The Jewish Question".
Printed by Kelpra Studio, London, published by Marlborough AG, Schellenberg, Florida. The Jewish Museum. a cover related to Russian Soviet cinema and film.
Stylistically, these are hybrid works, influenced by Pop art and the modernist tradition of the Readymade, a work of art created when a mundane found object is named as an artwork and set in an art context. This avant-garde concept was originally invented by the Dada master Marcel Duchamp early in the twentieth century. In the 1960s it received renewed attention at a time when artistic norms were again being questioned. Reacting to Andy Warhol’s Pop imagery, Kitaj poignantly called his repurposed book covers “his soup can, his Liz Taylor.” The blatant use of images taken directly from commercial sources situates In Our Time as a precursor of appropriation art. In turning book covers into works of art, Kitaj is offering fragments of a history of knowledge, in which the content of each volume is at once mysterious and absent. Coming from this passionate bibliophile, the series is nothing less than an intellectual self-portrait.
R.B. Kitaj, in full Ronald Brooks Kitaj . Ron Kitaj...
Category
1960s Pop Art Ronald Brooks Kitaj Art
Materials
Screen
POGANY rare 17 color 1960s British Pop silkscreen signed numbered edition of 70
By Ronald Brooks Kitaj
Located in New York, NY
R.B. Kitaj
POGANY, 1966
17 colour Screenprint and Photo-screenprint
24 × 36 inches
Pencil signed and numbered from the Limited Edition of 70
Hand-signed by artist, Signed & numbered ...
Category
1960s Pop Art Ronald Brooks Kitaj Art
Materials
Screen, Pencil
R.B. Kitaj Screenprint Collage Hand Signed British Pop Art Film Still Camel
By Ronald Brooks Kitaj
Located in Surfside, FL
The Most Important Film Ever Made, 1972
Color screen print and collage, from the edition of 70.
15 x 17 in
38.1 x 43.2 cm
Published by the artist with Marlborough Graphics at the Kelpra studio in 1972. This work is also in the collections of TATE London and the Victoria & Albert Museum. the price reflects the fact that there is no backing page.
Stylistically, these are hybrid works, influenced by Pop art and the modernist tradition of the Readymade, a work of art created when a mundane found object is named as an artwork and set in an art context. This avant-garde concept was originally invented by the Dada master Marcel Duchamp early in the twentieth century. In the 1960s it received renewed attention at a time when artistic norms were again being questioned. Reacting to Andy Warhol’s Pop imagery, Kitaj poignantly called his repurposed lithograph and silkscreen book covers “his soup can, his Liz Taylor.” The blatant use of images taken directly from commercial sources situates In Our Time as a precursor of appropriation art. In turning book covers into works of art, Kitaj is offering fragments of a history of knowledge, in which the content of each volume is at once mysterious and absent. Coming from this passionate bibliophile, the series is nothing less than an intellectual self-portrait.
R.B. Kitaj, in full Ronald Brooks Kitaj . Ron Kitaj...
Category
1960s Pop Art Ronald Brooks Kitaj Art
Materials
Screen
The Flood of Laymen
By Ronald Brooks Kitaj
Located in New York, NY
screenprint, edition of 70
Category
1960s Pop Art Ronald Brooks Kitaj Art
Materials
Screen
The Desire for Lunch is a Bourgeois Obsessional Neurosis or Grey Schizoids
By Ronald Brooks Kitaj
Located in New York, NY
12 color screenprint, photo-screenprint on buff Hodomuragami paper
edition of 70
Category
1960s Pop Art Ronald Brooks Kitaj Art
Materials
Screen
Ed Dorn
By Ronald Brooks Kitaj
Located in New York, NY
color silkscreen, edition of 70
Category
1960s Pop Art Ronald Brooks Kitaj Art
Materials
Screen
Acheson Go Home
By Ronald Brooks Kitaj
Located in New York, NY
This piece is a color silkscreen, constructed from various pieces of propaganda that Kitaj encountered while studying in Vienna in 1951. It also includes photographs of Kitaj himself...
Category
1960s Ronald Brooks Kitaj Art
Materials
Screen
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Previously Available Items
R.B. Kitaj "The Jerwish Question"
By Ronald Brooks Kitaj
Located in Surfside, FL
Initialled signed in pencil From R. B. Kitaj, In Our Time: Covers for a Small Library After the Life for the Most Part, screenprint 1969 edition of 150 photo screenprint. A cover of the infamous Henry Ford book from the Dearborn Independent "The Jewish Question".
Printed by Kelpra Studio, London, published by Marlborough AG, Schellenberg, Florida. The Jewish Museum. a cover related to Russian Soviet cinema and film.
Stylistically, these are hybrid works, influenced by Pop art and the modernist tradition of the Readymade, a work of art created when a mundane found object is named as an artwork and set in an art context. This avant-garde concept was originally invented by the Dada master Marcel Duchamp early in the twentieth century. In the 1960s it received renewed attention at a time when artistic norms were again being questioned. Reacting to Andy Warhol’s Pop imagery, Kitaj poignantly called his repurposed book covers “his soup can, his Liz Taylor.” The blatant use of images taken directly from commercial sources situates In Our Time as a precursor of appropriation art. In turning book covers into works of art, Kitaj is offering fragments of a history of knowledge, in which the content of each volume is at once mysterious and absent. Coming from this passionate bibliophile, the series is nothing less than an intellectual self-portrait.
R.B. Kitaj, in full Ronald Brooks Kitaj . Ron Kitaj...
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1960s Pop Art Ronald Brooks Kitaj Art
R.B.Kitaj LA LUCHA DEL PUEBLO ESPANOL POR SU LIBERTAD
By Ronald Brooks Kitaj
Located in Surfside, FL
A Spanish Civil War book cover. Initialled signed in pencil From R. B. Kitaj, In Our Time: Covers for a Small Library After the Life for the Most Part, screenprint 1969 edition of 15...
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1960s Pop Art Ronald Brooks Kitaj Art
R.B. Kitaj Screenprint "Der Russische Revolutionsfilm" from: In Our Time
By Ronald Brooks Kitaj
Located in Surfside, FL
Initialled signed in pencil From R. B. Kitaj, In Our Time: Covers for a Small Library After the Life for the Most Part, screenprint 1969 edition of 150
.6 colour screenprint, photo screenprint.
Printed by Kelpra Studio, London, published by Marlborough AG, Schellenberg, Florida. The Jewish Museum. a cover related to Russian Soviet cinema and film.
Stylistically, these are hybrid works, influenced by Pop art and the modernist tradition of the Readymade, a work of art created when a mundane found object is named as an artwork and set in an art context. This avant-garde concept was originally invented by the Dada master Marcel Duchamp early in the twentieth century. In the 1960s it received renewed attention at a time when artistic norms were again being questioned. Reacting to Andy Warhol’s Pop imagery, Kitaj poignantly called his repurposed book covers “his soup can, his Liz Taylor.” The blatant use of images taken directly from commercial sources situates In Our Time as a precursor of appropriation art. In turning book covers into works of art, Kitaj is offering fragments of a history of knowledge, in which the content of each volume is at once mysterious and absent. Coming from this passionate bibliophile, the series is nothing less than an intellectual self-portrait.
R.B. Kitaj, in full Ronald Brooks Kitaj . Ron Kitaj...
Category
1960s Pop Art Ronald Brooks Kitaj Art
R.B. Kitaj "Die Donau" From In Our Time: Covers for a Small Library
By Ronald Brooks Kitaj
Located in Surfside, FL
Initialled signed in pencil From R. B. Kitaj, In Our Time: Covers for a Small Library After the Life for the Most Part, screenprint 1969 edition of 150. ...
Category
1960s Pop Art Ronald Brooks Kitaj Art
Ronald Brooks Kitaj art for sale on 1stDibs.
Find a wide variety of authentic Ronald Brooks Kitaj art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue, orange, purple and other colors. You can also browse by medium to find art by Ronald Brooks Kitaj in screen print, lithograph, charcoal and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Pop Art style. Not every interior allows for large Ronald Brooks Kitaj art, so small editions measuring 14 inches across are available. Customers who are interested in this artist might also find the work of John Grillo, Zane Fix, and Seymour Chwast. Ronald Brooks Kitaj art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $224 and tops out at $4,200, while the average work can sell for $1,450.