Rudolf Bauer Prints and Multiples

untitled (Woman with Hands on Hips) Lithograph on tan wove paper, c. 1910's Signed in pencil lower right and in the plate, lower right (see photo) Edition: c. 100 Condition: Excellent Image size: 11-1/4 x 4-1/2 inches Sheet size: 18 1/8 x 11 3/8 inches Provenance: Estate of the Artist Borghi & Company, New York Herb Lerner, Boca Raton, FL Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel...

In the Salon Lithograph on tan wove paper, c. 1910 Signed in pencil lower right; signed in the plate lower right (see photo) Annotated "No. 20" in pencil lower left (see photo) Condition: Excellent Image size: 13-7/8 x 10-1/2 inches Sheet size: 19 x 14 1/4 inches Provenance: Estate of the Artist Borghi & Co., New York Herb Lerner, Boca Raton, FL Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel...

Reclining Nude on Bed Lithograph, c. 1910 Signed in pencil lower right and in the plate, lower right Image size: 7-1/4 x 13" Sheet size: 12 1/2 x 19 inches Condition: very good Some aging to the tan paper Provenance: Estate of the Artist Borghi & Company, New York Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay...

A full frontal nude sits in a chair with head resting and upraised arms. Her large breasts and pubic hair are both visible. It is signed and numbered No. 3 in pencil. It is also s...

Rudolf Bauer depicts a dancing couple in another vignette of German society in the early 20th Century. Rudolf Bauer was born in 1889, in Lindenwald, Germany-Poland. The son of a wea...

Rudolf Bauer depicts a nude woman reclining on pillows in another vignette of German society in early 20th Century. Rudolf Bauer was born in 1889, in Lindenwald, Germany-Poland. The...

Rudolf Bauer depicts a woman adjusting one shoe in another vignette of German society in the early 20th Century. Rudolf Bauer was born in 1889, in Lindenwald, Germany-Poland. The so...

Rudolf Bauer depicts a confident young woman in a corset and garters seated with crossed legs in another vignette of German society in the early 20th Century...

Rudolf Bauer depicts a dancing couple in another vignette of German society in the early 20th Century. Rudolf Bauer was born in 1889, in Lindenwald, Germany-Poland. The son of a wealthy engineer, Bauer became an essential part of the avant-garde movement and the birth of non-objective art in the early 1920's. Bauer began his studies at the Academy of Fine Arts in Berlin in 1905, where he learned the fundamentals and produced beautifully stylized figurative drawings. In 1912, Bauer met Herwarth Walden, a promoter of the avant-garde movement and founder of Der Sturm Art Gallery. Bauer became a member of Der Sturm, and was represented in group exhibitions along with Kandinsky, Picasso, Chagall, Klee et al. By 1922, Bauer had participated in 80 Der Sturm exhibitions in Belgium, Denmark, Great Britain, Italy, et al. In 1917, Bauer had his first one-man show at Der Sturm Gallery, exhibiting 120 works. By 1921, with his many one-man and group exhibitions, and his significant publications of his theories on art, Bauer became Germany's leading abstract expressionist painter. In 1929, Bauer founded his own private museum, Das Geistreich-Bauer (The Realm of the Spirit). In 1933, Hitler became Chancellor of the German Republic and with that modern art was branded as "sub-human". Walden closed Der Sturm and fled Germany. The purge of modern artists and curators began, but at the same time Bauer was having his work exhibited at the new Museum of Modern Art in New York City. Despite Hitler's proclamations of the "degeneracy" of modern art, Bauer continued his mission, the free expression in art, writing dictums and creating art. Meanwhile, Solomon R. Guggenheim, the famous American philanthropist, had been acquiring Bauer's work; so many pieces in fact that that he could no long fit his work within the confines of his residential suite at the Plaza Hotel in New York. In 1936, Guggenheim decided to exhibit his entire collection of Bauer's work in one venue, at the Gibbes Memorial Art Gallery in Charleston, SC. Later that year, the famous Jeu de Paume, a division of the Louvre, in Paris, honored Bauer with a one-man exhibition. As a result of the show, the Louvre purchased one of Bauer's oil paintings. Upon his return from the show at Jeu de Paume, and despite the fact he was not Jewish, Bauer was arrested and sent to a concentration camp. Filippo Marinetti...

Rudolf Bauer depicts a confident young woman standing with her hand on her hip in another vignette of German society in the early 20th Century. Rudolf Bauer was born in 1889, in Lin...

Rudolf Bauer depicts a nude woman washing up at a basin in another vignette of German society in the early 20th Century. Rudolf Bauer was born in 1889, in Lindenwald, Germany-Poland...

Rudolf Bauer portrays a man and woman looking through binoculars skyward toward the stars. Rudolf Bauer was born in 1889, in Lindenwald, Germany-Poland. The son of a wealthy engineer, Bauer became an essential part of the avant-garde movement and the birth of non-objective art in the early 1920's. Bauer began his studies at the Academy of Fine Arts in Berlin in 1905 where he learned the fundamentals and produced beautifully stylized figurative drawings. In 1912, Bauer met Herwarth Walden, a promoter of the avant-garde movement and founder of Der Sturm Art Gallery. Bauer became a member of Der Sturm and was represented in group exhibitions along with Kandinsky, Picasso, Chagall, Klee et al. By 1922, Bauer had participated in 80 Der Sturm exhibitions in Belgium, Denmark, Great Britain, Italy, et al. In 1917, he had his first one-man show at Der Sturm Gallery, exhibiting 120 works. By 1921, with his many one-man and group exhibitions, and significant publications of his theories on art, Bauer became Germany's leading abstract expressionist painter. In 1929, he founded his own private museum, Das Geistreich-Bauer (The Realm of the Spirit). In 1933, Hitler became Chancellor of the German Republic and with that modern art was branded as "sub-human". Walden closed Der Sturm and fled Germany. The purge of modern artists and curators began, but at the same time Bauer was having his work exhibited at the new Museum of Modern Art in New York City. Despite Hitler's proclamations of the "degeneracy" of modern art, Bauer continued his mission, the free expression in art, writing dictums and creating art. Meanwhile, Solomon R. Guggenheim, the famous American philanthropist, had been acquiring Bauer's work; so many pieces in fact that that he could no long fit his work within the confines of his residential suite at the Plaza Hotel in New York. In 1936, Guggenheim decided to exhibit his entire collection of Bauer's work in one venue, at the Gibbes Memorial Art Gallery in Charleston, SC. Later that year, the famous Jeu de Paume, a division of the Louvre, in Paris, honored Bauer with a one-man exhibition. As a result of the show, the Louvre purchased one of Bauer's oil paintings. Upon his return from the show at Jeu de Paume, and despite the fact he was not Jewish, Bauer was arrested and sent to a concentration camp. Filippo Marinetti...