Russell Crotty Art

Coloured Print of Photorealist Painting of Gleneagles Golf Course in Scotland by 20th Century Scottish Artist, Graeme Baxter, entitled 'The Gleneagles Hotel, Monarch's Course'. Art measures 14 x 10 inches Frame measures 19 x 15 inches Coloured Print on High Quality Paper Signed on the Front Glazed & Mounted Good Condition Frame (commensurate with age) Graeme Baxter is the official artist to some of the world's most important golf tournaments, such as The Ryder Cup...

"Wanderer's Pizza" is an original paper, enamel, pastel, inkjet prints, chain, wire, and tubing artwork by Drew Leshko measuring approx. 11.5"h x 7.25"w x 0.75"d. Drew Leshko is a P...

"Workstation 17", 2023 (Gestural Abstract Oil Painting on Canvas Paper) by Jenny Nelson 24 x 18 inches The abstract painter Jenny Nelson is a master at communicating story through...

"Tires" is an original paper, enamel, pastel, inkjet prints, chain, wire, and tubing sculpture by Drew Leshko measuring approx. 11.5"h x 8.5"w x 0.75d. Drew Leshko is a Philadelphia...

"Discount Cigarettes" is an original paper, enamel, pastel, inkjet prints, chain, wire, and tubing artwork by Drew Leshko measuring approx. 15"h x 10"w x 0.75"d. Drew Leshko is a Ph...

‘Star Lake Autumn’ is an artist’s proof giclée print on watercolor paper, signed and dated by the artist in the lower right. Taking influence from the Fauves and artists associated w...

"Munchie's" is an original paper, enamel, pastel, inkjet prints, chain, wire, and tubing artwork by Drew Leshko measuring approx. 11"h x 10.5"w x 0.75"d. Drew Leshko is a Philadelph...

Angela brings vibrant immediacy to her figurative paintings. She uses a depth of colour and bright outlines of her figures to emphasize shape and contours. In all her works Angela gi...

Irises by Texas artist Julie England is an Ink and Watercolor, Oil on Yupo paper. The size of Irises is Image 26” x 40” Framed 31 ¼” x 45 ¼” Art is...

David Barnett's "Homage to Schomer Lichtner: The Merrymakers" is an original mixed media artwork, signed by the artist in the lower left. The artwork itself becomes a collaboration b...

"Famous Artist Series: Homage to David Hockney - Sun & Water Spots on My Glasses by the Pool, miniature variation" is a mixed media watercolor and ink landscape painting of a yellow sky with tall green palm trees, red, orange, and yellow flower garden. As part of the artist's 'Famous Artist Series,' Barnett pays homage to David Hockney, who is known for his depictions of pools. This artwork was inspired by a trip to Los Angeles, California, and the view from David's hotel room overlooking the pool at the Hollywood Roosevelt Hotel...

Signed lower left, 'Marguerite Bordet' (French, 1909-2014) and painted circa 1940. Additionally signed, verso, titled, 'La Vanite' and inscribed with artist's Paris address in the 16th arrondissement. From an early age, Marguerite Bordet avidly pursued both drawing and painting. In the late 1930's and early '40s, she attended the Académie de la Grande Chaumière in Paris where she studied with the sculptor, Antoniucci Volti (Italian, 1915-1989). After several years, and feeling increasingly disconnected with the academic atmosphere of the Salon, she left to develop her independent artistic style. Bordet's first public exhibition took place at the Galerie Claude (1947) and, for the next forty years, she continued to exhibit widely with success, both throughout France and internationally, including in Cairo (1955), Geneva (1960) and the United States (1966). A 1962 exhibition of her work showed a thematic rejection of the Academy's influence and the artist's shift to a more personal and spiritually driven style. Bordet continued to take frequent study trips to Italy, especially to Florence, where she was inspired by the Renaissance Masters. She also visited England (1975-76) where the works of J.M.W.Turner and John Martin at the Tate Museum had a pronounced impact on her development. In an interview with Hervé Serane, Marguerite Bordet described her artistic process in these words: "I start my painting with spots. Sometimes I cover it completely and everything is dark. But then it's stronger than me, I can't bear that there isn't an opening. Immediately, I place a Light. I need the shadow to bring out the Light. So I start with the shadow to create this Light. I cannot define why I need this Light so much. It's stronger than me. It's something that dominates me without my being able to explain it intellectually. It is for me an absolute necessity to seek the Light in the darkness.. You have to open like you open a window. You have to reveal. I remove the stains that obscure my painting to find the luminous background of the canvas.... I only paint with transparent colors and I apply several layers of glaze to preserve this light." Partial Exhibition Record: 1947 Paris, Galerie Claude 1951 Paris, Galerie Breteau - Cairo, Galerie Adam - Alexandria, l'Atelier 1954 Paris, Galerie Simone Bdinier 1955 Cairo, l'Atelier 1959 Paris, Galerie A. Weil 1960 Geneva, Galerie Motte 1962 Paris, Marignan Gallery 1964 Paris, Ror Volmar Gallery 1966 San Rafael (U.SA) International Museum 1966 Cagnes-sur-Mer, Castle Gallery...