Samantha Buller Landscape Paintings

Theodore Earl Butler Farmhouses in Autumn, Giverny Signed "T.E. Butler" lower right Oil on canvas 21 1/4 x 25 1/2 inches Provenance The artist. Estate of the above. By descent throu...

Pittoni came from a family of painters and architects. He received lessons from his uncle Francesco Pittoni in Venice and later from Antonio Balestra....

Cloudy landscape. Oil sketch on cardboard. Unsigned. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...

This is a beautifully framed contemporary floral still-life oil painting of pink and white peonies in a sterling vase in a traditional style by Pennsylvania artist Sharon Henderson. ...

Henry Charles Hannig (1883 - 1948) The Green Parasol Oil on canvas mounted on board 6 x 7 3/4 inches Provenance: R.H. Love Galleries, Chicago, Illinois Private Collection, Lake Orion, Michigan Hannig, born in Hirschberg, Germany on 27 February 1883, came to America with his parents at the age of seven. He attended school in the southwest suburbs before the family settled in Chicago. Young Henry enrolled in the Chicago Academy of Fine Arts where Lawton Parker became his mentor. He made ends meet by working in industrial design and illustration. By 1908 he was a pupil in the School of the Art Institute of Chicago where students followed the traditional European drawing curriculum, beginning with the copying of master engravings and drawing after plaster casts, then concentrating on the nude figure. Students worked toward the goal of winning various academic prizes. One of Hannig's fellow students was Louis Ritman...

David Grossman's (US based) "Evening View to the South West" is an original, handmade oil painting that depicts a wide open plain of the West with fields of...

"Shore Birds" by Gerald Purdy, oil on panel, 11 1/2 X 14 inches (framed size: 17 X 21 1/2 inches), $2,800. "I chose narrative art from the menu and have ...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo creates dynamic compositions of people and places that communicate a rich commentary on the world around him. Depicting trees from personal encounters, Surdo’s latest body of work entitled “Tree Spirits” takes us on a foray into the forest, where leaves, branches and burls express something deeply personal. Applying his mastery of figurative realism to the natural world, he experiments with form and texture to uncover the intangible spirits of trees. Entitled “Birch,” this small-scale oil painting depicts a young birch sapling against an olive wood board. Restricting the composition to only a portion of the trunk, Surdo focuses on qualities that make the tree memorable - its narrow trunk...

Circle Wouwerman, Horseman by a Tent, Riders Playing Cards (?), Old Master Dutch Art, Travellers or Riders resting by a tent and gambling

Still life. 1964. Oil on cardboard, 61x78 cm

Down River from the Pont Vecchio Bridge is part of newly released small works from V....Vaughan's collection of recent travels in Italy and France. V....Vaughan painted each of these on location "en plein air" It has an Impressionistic Style as seen in many of Virginia Vaughan's paintings. The Ponte Vecchio is said to have existed since Roman times. The bridge was then only made of wood and after the flooding of the bridge in 1333, the Ponte Vecchio was rebuilt in stone in 1345. The bridge consists of three arches, of which the middle one is the largest at thirty meters in length. V....Vaughan s know for her animal, Texas missions...

A celebration of charm and cultural richness, Joie de Vivre by Ginny Williams brings together objects of beauty and a striking European Goldfinch, perched with poise and personality. Painted in oil on a 16 x 16-inch panel, this still life exudes warmth, elegance, and a touch of whimsy. The bird’s vivid red face, golden wing bars, and black markings are hallmarks of the beloved goldfinch—often associated with vitality, joy, and spiritual endurance in European art history. With its palette of soft neutrals, classic chinoiserie blue-and-white ceramics, and a bold red, white, and blue fan motif, Joie de Vivre feels both traditional and refreshingly modern. The title, meaning “joy of living,” perfectly encapsulates the mood: uplifting, timeless, and thoughtfully composed. Ideal for collectors of symbolic still life, bird lovers, or designers seeking a small yet story-rich piece, this original painting adds layers of narrative and charm to any space. Offered by Huff Harrington, Joie de Vivre is a radiant moment of visual poetry. We were immediately drawn to the thoughtfully painted work, the clever titles and the rich, deep hues. And when we got to know the artist, we were equally charmed by her delightful wit, her sensibilities as an artist, her depth of knowledge and her modesty. This one’s got it all and we are honored to represent her. GC Williams has a BA in art history and began her artistic career as a self-taught artist. She subsequently studied at several classical ateliers including 4 years at the Academy of Realist Art, Boston. Influenced heavily by her studies of and love for the art of the northern European Renaissance, she creates still life paintings that employ chiaroscuro and symbolism to point beyond themselves to more enduring truths. Just as the still life masters of long ago used everyday objects to convey timeless messages pertinent to the culture of the day, Williams’ works often have underlying symbolism in the placement and combination of objects she chooses to paint. With tight renderings and playfulness she attempts to draw the viewer beyond an initial appreciation of a pretty picture into a deeper engagement and understanding of the language of the still life. Ginny Williams painting European Goldfinch art red and yellow bird painting...