Shepard Fairey Prints and Multiples

"RFK is a hero of mine for his positions on racial equality during the Civil Rights movement. His speech after Martin Luther King, Jr.’s assassination is one of the greatest speeches ever delivered. The opportunity to do this RFK mural at a high school that focuses on art and social justice is great for many reasons, especially because it demonstrates to the kids the power of large-scale artwork." -Shepard Fairey...

Screenprint in two colours with ash from Iraqi Kurdistan on paper
 Signed by the artist and numbered on verso
 106.5 x 74 cm
 Edition of 89 published by Migrate Art Shepard Fairey ...

"I've been a fan of Tom Petty since I first heard 'Refugee' and 'Don't Do Me Like That' on the radio as a nine-year-old kid. I was lucky enough to work with Tom on several projects b...

Shepard Fairey and Ernesto Yerena Power and Glory Skull Red Gold Black Large Format Edition Signed and Numbered by Shepard Fairey and Ernesto Yerena 30" x 40" Print Fine Art Silk Sc...

Shepard Fairey
 Rise from the Ashes (Red), 2020
 Screenprint in two colours with ash from Iraqi Kurdistan on paper
 Signed by the artist and numbered, on verso
 106.5 x 74 cm
 Editio...

YEAR 2020 CLASSIFICATION Limited edition MEDIUM TYPE Print MEDIUM/MATERIALS Crane's Lettra Ecru 110# Fine Art Paper DIMENSIONS 20 × 16 in 50.8 × 40.6 cm EDITIONS Edition 50 of 380 PROVENANCE Comes with Certificate of Authenticity from the Publishers. ADDITIONAL INFO Four-color letterpress with hand-deckled edges. Aardvark publishing chop in lower left corner. Proceeds went to ACLU Immigrant Rights' Initiative. Came with a COA: -Image size... SIGNATURE Four-color letterpress w/ hand-deckled edges. Aardvark publishing chop in lower left corner. Signed & Numbered by the Artist Shepard Fairey. SERIES Welcome Visitor

I started my sticker campaign in 1989 and I continue to value the power of a small but mighty source of disruption and expression. When I was younger and had few resources my strateg...

'Arab Woman Gold' by Shepard Fairey, 2007 18 x 24 inches (45 x 61 cm) Screen Print on Fine Art Paper. Limited edition of 300 (AP) Hand-signed and dat...

The “Welcome Visitor” diptych is a thought-provoking exploration of the contradictions inherent in America's tourism industry and its immigration policies. Through this striking artwork, Shepard Fairey delves into the uncomfortable collision of economic opportunism and xenophobia. The piece reflects on the historical context of America as a melting pot, symbolized by the Ellis Island narrative and the hope of embracing diversity. However, it also draws attention to the contemporary climate of fear and scapegoating faced by Latino and Muslim communities. The diptych specifically highlights past events like the immigration ban and internment of Japanese individuals, including Japanese-American citizens during World War II, when unfounded fear led to prejudiced policies against them. Shepard Fairey skillfully uses this historical reference to shed light on the irrational and disproportionate fear. By contrasting the past with the present, Fairey aims to inspire contemplation and empathy, urging viewers to consider the humanity and dignity of all people as a paramount factor in shaping immigration and tourism policies. Shepard Fairey is a renowned contemporary artist and graphic designer whose work often explores political and social themes. Born on February 15, 1970, in Charleston, South Carolina, Fairey gained widespread recognition for his iconic "Hope" poster created during Barack Obama's 2008 presidential campaign. His art has since become synonymous with activism and social commentary. Fairey's unique style combines elements of street art, pop culture, and political messaging, earning him a prominent place in the world of contemporary art. In addition to his prolific career as a visual artist, Shepard Fairey co-founded the design studio Studio Number One and the art collective BLK/MRKT Inc. He has exhibited his work in galleries and museums around the globe, leaving a lasting impact on the art world and beyond. Fairey's art continues to inspire dialogue and challenge societal norms, urging viewers to question and engage with the issues he addresses. Shepard Fairey's art is influenced by various sources, including street art, punk rock aesthetics, propaganda imagery, and political movements. He credits the DIY ethos of punk culture and the rebellious spirit of street art for shaping his artistic vision. Fairey's fascination with propaganda and political art from historical movements, such as Soviet Constructivism and Chinese Cultural Revolution...

Original Illustration based on photograph by Kevin Cummins. Signed by Shepard Fairey and Kevin Cummins. A portion of the proceeds went to CALM (Campaign Against Living Miserably). "...

Shepard Fairey Muhammad Ali "Heavyweight Ideals" Shepard Fairey Screenprint Contemporary Art, 2023 Fine Art Thick Cream Speckletone Paper Silkscreen Print with Gold Metallic Inks 24 ...

Screen print on cream Speckle Tone paper. Signed by Shepard Fairey and Craig Stecyk III. Edition 142 of 300. 18 x 24 inches Published by Obey Giant Reference Photo by: C.R.Stec...

3 color Letterpress on 100% cotton lettre paper, 110# with deckled edges. Signed and numbered edition of 235/450. OBEY publishing chop on lower left corner. 10 inches x 13 inches

I've collaborated with Henry many times in the past and of course, I'm constantly in awe and impressed by him. Just as much as I love Henry's musical contributions, he is the hardest...

Manufacturer: Obey Giant Edition Details: Year: 2023 Class: Art Print Status: Official Run: 68/550 Technique: Screen Print Paper: Fine Art Thick Cream Speckletone Size: 36 X 24 Mark...

TITLE: Wide Awakes Campaign 2020 Shepard Fairey Stay Woke Print Street Art YEAR: 2020 Silkscreen on Fine Art paper with Gold Metallic Inks DIMENSIONS: 2...

"A metaphor for the environmental peril we have created and the struggles future generations will face just to navigate climate-related problems like super storms, drought, famine, p...

This letterpress set in collaboration with photographer Dennis Morris commemorates the 40th anniversary of Bob Marley’s passing. The series represents the amazing breadth of Marley’s...

Artists: Shepard Fairey: Bands: David Byrne Talking Heads Edition Details: Year: 2024 Class: Art Print Status: Official Edition 153/550 Technique: Screen Print with Gold Metallic I...

I’ve enjoyed bringing some of the spray paint textures from my fine art into my screen prints. I like the subtle color shifts and ethereal gradients that can be achieved with spray p...

Silkscreen / Feminist Art and Contemporary Feminist / Pop and Contemporary Pop / Graffiti and Street Art / Cultural Commentary DIMENSIONS 24 × 18 in 61 × 45.7 cm EDITIONS Edition 476/600 "I grew up at a time when women's rights were on the rise...

Condition: Print has been stored flat since purchase. Print has four sharp corners. Signature Hand-signed by artist, Print is signed and numbered in pencil by the Artist, Shepard Fa...

Joy Division Ian Curtis Heart and Soul. Screen print on thick cream Speckletone paper From a 2023 collaboration between Shepard Fairey and photographer Kevin Cummins. Artist Proof...

Be Reasonable, Shepard Fairey x Jamie Reid. 18 inches by 24 inches on white Speckle Tone paper. Numbered Edition of 222/375. Signed by Shepard Fairey. "The Sex Pistols changed my life. When I was a 14-year-old skateboarder...

Obey Deco Flower (Blue, Black, Red). Screenprint on thick cream Speckle Tone Paper. 18 x 24 inches. Signed by Shepard Fairey. Numbered edition of 144/300. "The Obey Deco Flower is inspired by Constructivism...

I think this text in this Conformity Factory print speaks for itself, but I’d add that we all need to ask the question: who are the overlords of the conf...

A print by Shepard Fairey. “Big Brother City” is a contemporary, popular culture offset print on paper in black, red, and white by American street artist Shepard Fairey. The artwork ...

TITLE Shepard Fairey Mother Nature on the Run Neil Young Tour Print Letterpress YEAR 2020 CLASSIFICATION Limited edition MEDIUM TYPE Print MEDIUM/MATERIALS Cream Cotton, Hand-Deckled Edges INVENTORY ID N/A CATEGORIES Silkscreen / Embossed Paper / Pop and Contemporary Pop / Graffiti and Street Art...

Keith Haring (Red). Screen print on paper. Hand signed lower right by Shepard Fairey. AP, apart from the edition of 450. Artwork size 24 x 18 inches. Frame size 29 x 23 inches. ...

"Inspired by Art Deco design and Dark Wave album art. The image has a few avenues for interpretation. I primarily see it as a tribute to idealists who protect the environment, cultiv...

"Based on the Peace Dove, a motif I’ve used in several iterations over the years, because as an icon, the dove is internationally recognized as a symbol of peace, making it ideal as ...

This Wetland Powers print examines the repercussions of a Supreme Court largely in the pockets of big oil. Government is supposed to create the greatest good f...

Sold exclusively at Beyond The Streets New York, in-Store only. "The Cut it Up - Do it Yourself print is an iteration of my Obey Icon Face inspired by my history of using an X-acto k...

Black Flag Legend and Punk Icon Henry Rollins 50 Birthday Shepard Fairey 18 x 24″ Screen Print, Signed. Artist proof, apart from the standard edition of ...

"Marley was sometimes fiery, sometimes joyful, sometimes contemplative, but always visionary and poetic. I love this intimate, thoughtful moment Dennis captured and I’m honored to tr...

Manufacturer Obey Giant Edition Details: Year: 2020 Class: Fine Art Print Status: Official Released: 02/12/20 Run: 314/550 Technique: Screen Print Paper: Thick Fine Art Cream Speckle...

Obey Paint it Black 2, From Series of 3 - Shepard Fairey Contemporary Art Print. 18 x 24 inch dimensions. AP (Artist Proof)apart from the standard editi...

The Mojo poster was part of VIP ticket packages for the tour. Artists: Shepard Fairey Bands: Tom Petty & The Heartbreakers Edition Details Year: 2010 Class: Fine Art Print Status: Official Tour Print Run: 175/250 Paper: Holographic Fine Art Foil Paper Size: 18 X 24 Markings: Numbered by the artist in black felt marker. Print measures 18X24 and is in perfect condition with no visible flaws. Any questions please let us know. Thank you Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One...

A portion of the proceeds from this print will go to a, yet to be determined, common sense gun law advocacy group. We need to put pressure on the politicians! -Shepard Fairey This GOD SAVES & SATAN INVESTS print was inspired by the multiple school and mass shootings that have occurred in recent months. As many of you know from my 2nd Amendment...

"Inspired by the aesthetics of 'live fast - die young' rock 'n' roll, is a critique of some harmful habits we are addicted to. Not just the harmful effects of burning fossil fuels, b...

Manufacturer: Obey Giant Edition Details: Year: 2021 Run: 151 out of 300 Technique: Screen Print Paper: 80lb Cream French Speckletone Size: 18 X 24 Markings: Signed & Numbered Publis...

Edition Details: Year: 2017 Class: Letterpress Art Print Released: 10/10/17 Run: 219/450 Technique: Letterpress Paper: Cream cotton paper Size: 10 X 13 Markings: Signed & Numbered

Manufacturer: Obey Giant Edition Details: Year: 2019 Class: Fine Art Print Status: Official Released: 01/08/19 Run: 417/450 Technique: Letterpress Paper: Cream Cotton Size: 10 X 13 M...

"Inspired by Art Deco design and Dark Wave album art. The image has a few avenues for interpretation. I primarily see it as a tribute to idealists who protect the environment, cultiv...

The Ideal Power print was inspired by the need to address gender inequality regarding both wages and basic respect. I believe power should come from the quality and merit of one’s wo...

Interpol NYC Calling on True White Speckle Tone paper. 18 x 24 inches. Signed by Shepard Fairey. Numbered edition 550. - Shepard Fairey Obey C...

"References the language used by the powerful fuel industry lobby to soften political and public resistance to fracking. Fracking is a form of gas extraction which beyond the carbon ...

I have been a fan of the Ramones since I got into punk rock in 1984. The Ramones always impressed me with their style, blending a sense of humor with aggression and pop melody. I did...

Signed to lower right Edition 227/450 Published by Obey Giant, Los Angeles "The Drink Crude Oil print uses torn ad posters as a metaphor for the competing f...

Manufacturer: Obey Giant Edition Details: Year: 2019 Class: Art Print Status: Official Released: 01/08/19 Run: 417/450 Technique: Letterpress Paper: Cream Cotton Size: 10 X 13 Markin...

"Based on one of my art pieces focused on peace and harmony included in my exhibition at the Straat Museum in Amsterdam. I have replicated many of the textures of the original art pi...

Shepard Fairey's "Mayday" - A Narrative of Distress and Hope Edition 439/1000 Signed and dated to lower right Step into the vibrant world of contemporary art with Shepard Fairey's ...

"Fan the Flames is about the unfortunate truth that unchecked capitalism and a livable planet will soon be incompatible. Capitalism is predicated on exp...

Obey Holiday 2016. 18 x 24 inches. Screen Print. Signed by Shepard Fairey. Edition of 575. "I make a holiday print every year as a gift for friends and supporters, which is usually ...

This Peace and Freedom print is a new take on symbols and themes that have been consistent in my art for several years. The text and imagery speak for themselves, but basically, the ...

"Peace Guard 2 Stencil (Lisbon). 18 x 24 inches. Screen print on fine art cream speckletone paper. Signed by Shepard Fairey. Edition of 200/450." "For Peace Guard 2 I used the motif of the flower in the gun, a peace symbol inspired by war protesters putting flowers in the barrels of the National Guard...

Manufacturer: Obey Giant Edition Details: Year: 2014 Class: Art Print Status: Official Released: 08/12/14 Run: 184/450 Technique: Screen Print Size: 18 X 24 Markings: Signed & Number...

"The Wall Street Public Enemy print is a critique of the culture of greed and manipulation seen on Wall Street and in the banking system. Lack of oversight from the government that i...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

"For Peace Guard 2 I used the motif of the flower in the gun, a peace symbol inspired by war protesters putting flowers in the barrels of the National Guard...