Sol LeWitt Art

Richard Tuttle (American, born 1941) Homesick as a Nail, 1998 Medium: Set of 1 drypoint etching on wove paper and 1 silkscreen, printed in five colors on acetate on both sides, with ...

Josef Albers (1888-1976) is affiliated with numerous movements that defined art history in the 20th century. Art Historians credit Albers for fusing elements of American and European...

Red, Blue, and Gray Robert Goodnough, American (1917–2010) Date: 1974 Screenprint, signed and numbered in pencil Edition of 200 Image Size: 38.5 x 23.5 inches Size: 40 x 25 in. (101....

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Edition of 15

Artist: Nassos Daphnis, Greek (1914 - 2010) Title: SS 17-78 Year: 1978 Medium: Silkscreen, Signed and numbered in pencil Edition: 120, AP 25 Image: 27 x 27 inches Size: 35 in. ...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Josef Albers Homage to the Square - SET OF FIVE 1983 Color silkscreen(s) on semi gloss stock Size: 7.4 × 7.2 on 9.6 × 9.0 inches (each) Framed: 12.8 x 12.8 x 0.5 inches (each) Unsign...

Genre: Other Subject: Architecture Medium: Print Surface: Paper Country: Germany Dimensions: 19 3/4" x 15 3/4" Dimensions w/Frame: 22 3/4" x 19" Gerhard Merz Venedig 1997 1998 From the portfolio Sequences printed on Magnani rag paper. print 50 x 40 cm (19¾ x 15¾"), signed and numbered. Edition of 60. Gerhard Merz, born 1947 in Mammendorf near Munich, lives and works in Berlin and Pescia, Italy. Gerhard Merz, who has occasionally been labeled a modern classicist, uses the elements of art - measurement, form and light - in a careful reconsideration of modernism. These three prints document the idea, the architectural plan, and the realized art space at the German Pavillion of the Venice Biennale 1997: brick walls, plaster and fluorescent light - clarity and blankness. »The beautiful is mute and blank.« Gerhard Merz (born 25 May 1947 in Mammendorf , Kreis Fürstenfeldbruck ) is a German artist. From 1969 to 1973, he studied at the Academy of Fine Arts Munich and became a student in the masterclass of Rudi Tröger . Between 1964 and 1969, inspired by Francis Bacon and Uwe Lausen, expressive pictures emerged and subsequently metal sculptures. Since the beginning of the 1970s, he has been increasingly successful with spatial installations in which he drew references to the history of literature and art, as well as to political history, as well as the development of large-format, monochrome images with lines of pencil strokes. In the building of the Federal Foreign Office in Bonn, he designed a wall through a large polychromatic mosaic. Starting in 1977, he was represented at Documenta in Kassel four times in a row. In 1983 he was awarded the Arnold-Bode-Prize of the documenta – City of Kassel . In 1991 he received a reputation as a professor at the Kunstakademie Düsseldorf . In 1998/1999 he was commissioned to design the rooms within the framework of the old building renovation of the Federal Foreign Office in Berlin in a joint project with the architect Hans Kollhoff...

Josef Albers (after) Homage to the Square: Grisaille and Patina (from "Albers") Screenprint in brilliant Colors on strong wove paper double folded, 1971 Image 6.25 x 6.25 inches Shee...

The "Word" series is defined by a 5 x 5 grid with 25 points or dots representing each letter of the alphabet, five across and five down with y and z combined in the lower right hand ...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...