Stefanie Schneider Still-life Photography

Mindscreen 8 - 1999 58x56cm, Edition of 10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Not mounted. Signed on back with Certificate. Artist Inventory No. 2...

Winchester (Wastelands) - 2003 Edition of 5, 57x56cm, Analog C-Print, hand-printed and enlarged by the artist on Fuji Crystal Archive Paper, based on the Polaroid, certificate and signature label, Artist inventory Number 1237.04, Not mounted. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had regis- tered no seismic activity. Dust bowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pic- tures. Happiness brimmed in that wild terrain. Maybe things were begin- ning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abol- ish concepts that orient us, cause and effect, time, plot, and story line, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end-result, as posited in this book, will show how she bursts open our apparatus of perception and acknowl- edges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other- worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period...

'Rosegarden' - part 1, (Suburbia) - 2013 20x24cm, Edition of 10, Archival C-Print based on the Polaroid Certificate and signature label, artist inventory number: 403.11 Not mounted Stefanie Schneider...

Hallway III (Suburbia) - 2004, 20x24cm, Edition of 1/10, digital C-Print based on a Polaroid, Not mounted. Signature label and Certificate. Artist Inventory No. 430.01. This pro...

Green Pool II (Suburbia) - 2004, 50x60cm, Edition of 1/10, digital C-Print based on a Polaroid, Not mounted. Signature label with Certificate. Artist Inventory No. 2763.01 The p...

Shells (Wastelands) Edition 2/5, 57x56cm, 2003 Analog C-Print, hand-printed and enlarged by the artist on Fuji Crystal Archive Paper, based on a Polaroid, Artist inventory Number ...

Artificial Flowers II (Suburbia) 1999, 50x60cm, Edition of 1/10. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface, based on a Polaroid, signa...

Toy Boat (Malibu) Edition 2/5, 39x37cm, 2004 analog C-Print, hand-printed by the artist, printed on Fuji Crystal Archive Paper not mounted, Based on an expire...

Trade Wind (Sidewinder) 58x56 cm, 2005, Edition 1/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid. Sig...

Across (Strange Love), 2006 - 126x125cm Edition of 5. Analog C-Print printed on Fuji Archive Paper, hand-printed by the artist, based on a Polaroid. Signature label and certif...

Mindscreen 10 - 1999 58x56cm, Edition of 10. Analog C-Print, hand-printed by the artist, based on a Polaroid. Signature label and Certificate. artist Inventory No. 244.04. Not mou...

Today's Heros - close-up (Suburbia) - 2004, 28x37cm, Edition of 10, digital C-Print based on an expired Polaroid. Artist Inventory #20959. Signature label with Certificate, unmount...

Belleville (Paris ) - 1995 Edition of 5, 60x50cm including white borders. Analog C-Print, hand-printed by the artist and based on a Polaroid, Signature label and Certificate. ...

Nothing to Fear (The Girl behind the White Picket Fence) - 2013 39x49x5cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Archive Fuji Chrystal Paper, based on a Pola...

Cloudy Skies (29 Palms, CA) - 1999 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Certificate and signature label. Artist Inv.#21...

Orange Flowered Couch (29 Palms, CA) Edition 1/10, 20x20cm, 1999. Digital C-Print, based on an expired original Polaroid. Signature label and Certificat...

'Nude in Pink', (Strange Love) - 2010 48x47cm, Edition of 5, analog C-Print printed on Fuji Archive Paper, hand-printed by the artist based on the Polaroid, signature label and c...

Yellow Flower (The Last Picture Show) - 2005 128x125cm, Edition of 5, analog C-Print, based on the Polaroid, hand-printed by the artist on Fuji Crystal Archive Paper. (matte) Ar...