Skip to main content

Sybil Andrews Art

British, 1898-1992

Sybil Andrews was an English-Canadian artist who specialized in printmaking and is best known for her reductionist linocuts. Born in 1898 in Bury St Edmunds, Andrews was unable to go straight to art school after her high school, as her family could not afford the tuition fees. Given the shortage of young men during the First World War, in 1916 she was apprenticed as a welder, working in the Bristol Welding Company’s airplane factory, helping in the development of the first all-metal airplane. During this period, she took an art correspondence course. After the war, Andrews returned to Bury St Edmunds, where she was employed as an art teacher at Portland House School. Between 1922–24, she attended the Heatherley School of Fine Art in London. Andrews continued to practice the art and met the architect Cyril Power, who became a mentor figure, and then her working partner until 1938. Between 1930–38, Andrews and Power shared a studio in Hammersmith. In 1933, Andrews and Cyril Power had an exhibition of their color monotypes and linocuts at the Redfern Gallery. Most of her monotypes were destroyed by a fire in an Ottawa gallery, in 1959 and they are therefore now seldom seen.

to
1
6
1
Overall Width
to
Overall Height
to
8
3
4
1
4
3
6
1
3
2
1
1
1
1
1
1
1
1
1
1
1
5
3
8
10,296
2,810
2,500
1,407
3
8
Artist: Sybil Andrews
'Hostellerie des Chiens du Guet' — British Impressionism
'Hostellerie des Chiens du Guet' — British Impressionism

'Hostellerie des Chiens du Guet' — British Impressionism

By Sybil Andrews

Located in Myrtle Beach, SC

Sybil Andrews, 'Hostellerie des Chiens du Guet', color monotype, c. 1925; edition 2, proof 1. Signed 'Sybil Andrews pinx et imp' and titled in pencil. A superb, painterly impression, with fresh colors, on heavy cream wove paper; the full sheet with margins (5/8 to 1 3/4 inches). Printed by the artist. The artist’s original archival mounting tape remains in the four sheet corners, recto (well away from the image), in excellent condition. Matted to museum standards, unframed. A unique impression. Image size 8 15/16 x 11 15/16 inches (227 x 303 mm); sheet size 12 1/4 x 15 1/2 inches (311 x 394 mm). ABOUT THIS WORK In addition to her almost 80 celebrated modernist color linocuts, Sybil Andrews also worked in the monotype technique. She typically produced two or three impressions (or pulls) from each hand-painted plate, each proof unique in its qualities of color values and vibrancy. In 1933, Sybil Andrews and Cyril Power had an exhibition of their color monotypes and linocuts at the Redfern Gallery. Most of Andrews' monotypes were destroyed by a fire in an Ottawa gallery in 1959, and they now rarely come to the market. ABOUT THE IMAGE The Hostellerie des Chiens du Guet is a small hotel at the edge of...

Category

1920s Post-Impressionist Sybil Andrews Art

Materials

Monotype

'Rue du Hallage - Rouen' — 1920s British Impressionism
'Rue du Hallage - Rouen' — 1920s British Impressionism

'Rue du Hallage - Rouen' — 1920s British Impressionism

By Sybil Andrews

Located in Myrtle Beach, SC

Sybil Andrews, 'Rue du Hallage - Rouen', color monotype, c. 1925, edition 3, proof 3. Signed 'Sybil Andrews pinx et imp' annotated 'No 3' and titled in pencil. Printed by the artist....

Category

1920s Post-Impressionist Sybil Andrews Art

Materials

Monotype

The New Cable British Modern Mid 20th Century Vorticist European Vorticism Woman
The New Cable British Modern Mid 20th Century Vorticist European Vorticism Woman

The New Cable British Modern Mid 20th Century Vorticist European Vorticism Woman

By Sybil Andrews

Located in New York, NY

The New Cable British Modern Mid 20th Century Vorticist European Vorticism Woman Sybil Andrews CPE (British/Canadian, 1898-1992) "The New Cable," 1931 12 x 16 1/2 inches Color linocut Signed, titled, inscribed 'Second State', and numbered 13/60 in pencil Framed: 19 x 24 inches Literature: Coppel Sa17 Illustrated on page 10 of the catalog The proposed edition of the first state of the Giant Cable was 50, but only 30 impressions were pulled. Andrews removed the blue background for the second state, which was published under the title The New Cable in an edition of 60. BIO Sybil Andrews was a printmaker, painter, graphic artist and educator who was born in Bury St. Edmonds, Suffolk, England. She moved to London (England) in 1922. In 1947, she emigrated to Campbell River (Vancouver Island) British Columbia, Canada, where she worked, taught and lived for the rest of her life. She died at a hospital in Victoria (B.C.) Her mediums were the colour linocut (1) (most famous), etching, posters, pastels, ink, watercolour, monoprint and oil. Her subjects were human activity (at work, sports, travel, etc.), figures, animals, genre, allegory, architecture and landscape. Her style was Art Deco (see AskART styles), Futurism, Cubism and Vorticism (2). Her work is identified by a simple format, clean lines, distortion, vivid colours, drama and rhythm. Quote: "The colour linocut was just the medium for me, being interested in dynamics and ideas and patterns... It is impossible to be fussy with lines, you have to simplify, you are forced to simplify your idea to its fundamentals." Andrews produced 76 linocuts in her life, of which 43 were made from 1929 to 1939, which is considered to be her best period. John Hassall's art correspondence course (1918) was the beginning of her formal art education. She went from there to Heatherley's School of Fine Art (London/1922) where she studied under Henry Massey (see AskART) and met artistic partner Cyril Power (see AskART). At the same time, she studied independently with sculptor Henri Glicenstein (see AskART) who taught her drypoint etching and to draw from life. She also attended the Grosvenor School of Modern Art (1925). Iain McNab (1890-1967) was Principal and Claude Flight (3) (see AskART) an instructor who had a great influence on her choice of linocut as a primary medium. Some of his other students and her associates were Edith Lawrence (1890-1973), Lill Tschudi (1911-2001), Eileen Mayo (see AskART) and William Greengrass (1896-1970). After emigrating to Canada she taught art continuously until a month before her death. She was elected a member of the Canadian Painters - Etchers Society (after 1976 the Print and Drawing Council of Canada) in 1951. She began exhibiting her work in 1921.In 1929 she was included in "The First Exhibition of British Linocuts...

Category

1930s Modern Sybil Andrews Art

Materials

Linocut

"Rush Hour" British Modern Mid 20th Century Vorticist European Vorticism Woman
"Rush Hour" British Modern Mid 20th Century Vorticist European Vorticism Woman

"Rush Hour" British Modern Mid 20th Century Vorticist European Vorticism Woman

By Sybil Andrews

Located in New York, NY

"Rush Hour" British Modern Mid 20th Century Vorticist European Vorticism Woman Sybil Andrews CPE (British/Canadian, 1898-1992) Rush Hour (Coppel SA 11) Linocut printed in Chinese orange, Chinese blue and black, 1930, on tissue thin oriental laid paper. Signed, titled and numbered 8/50 in pencil lower left, framed. Block 209 x 251mm (8 1/4 x 9 7/8in) Sheet 249 x 310mm (9 3/4 x 12 1/4in) Framed by Bark 14 1/2 x 16 inches BIO Sybil Andrews was a printmaker, painter, graphic artist and educator who was born in Bury St. Edmonds, Suffolk, England. She moved to London (England) in 1922. In 1947, she emigrated to Campbell River (Vancouver Island) British Columbia, Canada, where she worked, taught and lived for the rest of her life. She died at a hospital in Victoria (B.C.) Her mediums were the colour linocut (1) (most famous), etching, posters, pastels, ink, watercolour, monoprint and oil. Her subjects were human activity (at work, sports, travel, etc.), figures, animals, genre, allegory, architecture and landscape. Her style was Art Deco (see AskART styles), Futurism, Cubism and Vorticism (2). Her work is identified by a simple format, clean lines, distortion, vivid colours, drama and rhythm. Quote: "The colour linocut was just the medium for me, being interested in dynamics and ideas and patterns... It is impossible to be fussy with lines, you have to simplify, you are forced to simplify your idea to its fundamentals." Andrews produced 76 linocuts in her life, of which 43 were made from 1929 to 1939, which is considered to be her best period. John Hassall's art correspondence course (1918) was the beginning of her formal art education. She went from there to Heatherley's School of Fine Art (London/1922) where she studied under Henry Massey (see AskART) and met artistic partner Cyril Power (see AskART). At the same time, she studied independently with sculptor Henri Glicenstein (see AskART) who taught her drypoint etching and to draw from life. She also attended the Grosvenor School of Modern Art (1925). Iain McNab (1890-1967) was Principal and Claude Flight (3) (see AskART) an instructor who had a great influence on her choice of linocut as a primary medium. Some of his other students and her associates were Edith Lawrence (1890-1973), Lill Tschudi (1911-2001), Eileen Mayo (see AskART) and William Greengrass...

Category

1930s Modern Sybil Andrews Art

Materials

Linocut

Sails
Sails

Sails

By Sybil Andrews

Located in New York, NY

Sybil Andrews (1898-1992), Sails, linocut in colors, 1960, signed (twice), titled, and inscribed “TP” in pencil. Reference: White 50. In good condition, two sheets, each image 7 1/...

Category

1960s Futurist Sybil Andrews Art

Materials

Linocut

SLEDGEHAMMERS

SLEDGEHAMMERS

By Sybil Andrews

Located in Portland, ME

Andrews, Sybil (English/Canadian, 1898-1992), C. SA26. "SLEDGEHAMMERS", Color Linocut, 1933, ed. 60 plus 4 trial proofs, Ref. C. SA 26, 10-1/4 x 12-1/2, signed, titled and numbered 6...

Category

1930s Modern Sybil Andrews Art

Materials

Linocut

'Le Petit Bay, St. Malo' — 1920s British Impressionism
'Le Petit Bay, St. Malo' — 1920s British Impressionism

'Le Petit Bay, St. Malo' — 1920s British Impressionism

By Sybil Andrews

Located in Myrtle Beach, SC

Sybil Andrews, 'Le Petit Bay, St. Malo', color monotype, c. 1925; edition 3, print 2. Signed 'Sybil Andrews pinx et imp' annotated 'No 2' and titled in pencil. A superb, luminous imp...

Category

1920s Post-Impressionist Sybil Andrews Art

Materials

Monotype

Related Items
lithograph

Lucio Fontanalithograph, 1958

$500

H 12.49 in W 8.19 in

lithograph

By Lucio Fontana

Located in Henderson, NV

Medium: original lithograph. Printed in 1958 and published in Milan by Groupe Espace for Documenti d'Arte d'Oggi. Sheet size: 12 1/2 x 8 1/4 inches (317 x 208 mm). There is printed t...

Category

1950s Futurist Sybil Andrews Art

Materials

Lithograph

Brown Still Life from Chagall by Jacques Lassaigne
Brown Still Life from Chagall by Jacques Lassaigne

Brown Still Life from Chagall by Jacques Lassaigne

By Marc Chagall

Located in Washington, DC

Artist: Marc Chagall Medium: Lithograph Title: Brown Still Life Portfolio: Chagall by Jacques Lassaigne Year: 1957 Edition: 6,000 Framed Size: 13 3/4" x 15 1/2" Sheet Size: 9" x 7 3/...

Category

1950s Fauvist Sybil Andrews Art

Materials

Lithograph

Untitled 1988 Artist Proof

Untitled 1988 Artist Proof

By Carlos Alfonzo

Located in Miami, FL

Alfonzo's style developed significantly, and his career as an artist matured during a period in which neo-expressionist figurative art came to renewed global attention. As he was exp...

Category

1980s Sybil Andrews Art

Materials

Linocut

Femme assise au chignon

Pablo PicassoFemme assise au chignon, 1962

$125,000

H 24.75 in W 23.5 in

Femme assise au chignon

By Pablo Picasso

Located in New York, NY

ABLO PICASSO (1881-1973) Femme assise au chignon, 1962 Linocut printed in four colors on vélin d’Arches paper 24 3⁄4 x 17 1⁄2 inches ; 62.8 x 44.4 cm Numbered ‘11/50’ and signed ‘Pic...

Category

20th Century Modern Sybil Andrews Art

Materials

Linocut

Les Musiciennes – lithograph, hand-signed and numbered
Les Musiciennes – lithograph, hand-signed and numbered

Les Musiciennes – lithograph, hand-signed and numbered

By Le Corbusier

Located in Zurich, CH

Together with "Bouteilles" one of the largest and most sought after lithographs by Le Corbusier, printed by Mourlot on Arches after a collage by LC....

Category

Mid-20th Century Modern Sybil Andrews Art

Materials

Paper

lithograph

Lucio Fontanalithograph, 1958

$500

H 12.49 in W 8.47 in

lithograph

By Lucio Fontana

Located in Henderson, NV

Medium: original lithograph. Printed in 1958 and published in Milan by Groupe Espace for Documenti d'Arte d'Oggi. Sheet size: 12 1/2 x 8 1/2 inches (317 x 215 mm). There is printed t...

Category

1950s Futurist Sybil Andrews Art

Materials

Lithograph

La Dame à la Collerette (Portrait de Jacqueline à la fraise)

La Dame à la Collerette (Portrait de Jacqueline à la fraise)

By Pablo Picasso

Located in New York, NY

A superb impression of this color linoleum cut. Signed and numbered 29/50 in pencil by Picasso. Printed by Arnéra, Vallauris. Published by Galerie Louise Leiris, Paris. Catalogue r...

Category

1960s Modern Sybil Andrews Art

Materials

Color, Linocut

Henri Matisse Color Lithograph, 1958, Framed, "Lierre"
Henri Matisse Color Lithograph, 1958, Framed, "Lierre"

Henri Matisse Color Lithograph, 1958, Framed, "Lierre"

By (after) Henri Matisse

Located in Washington, DC

Artist: Henri Matisse (after) Medium: Original lithograph Title: Lierre Portfolio: The Last Works of Henri Matisse Year: 1958 Edition: 2000 Framed Size: 17" x 17" Sheet Size: 14" x 1...

Category

1950s Fauvist Sybil Andrews Art

Materials

Lithograph

Henri Matisse, Teeny, from XXe Siecle, 1959 (after)
Henri Matisse, Teeny, from XXe Siecle, 1959 (after)

Henri Matisse, Teeny, from XXe Siecle, 1959 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite linocut after Henri Matisse (1869–1954), titled Teeny (Teeny), from the album XXe Siecle, Nouvelle serie, XXIe Annee, No. 13, Noel 1959, originates from the 1959 edition published by Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1959. Teeny reflects Matisses continuing exploration of distilled form, graphic clarity, and expressive contour during his late career. Executed as a linocut on velin paper, this work measures 12.5 x 9.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Teeny (Teeny) Medium: Linocut on velin paper Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm) Inscription: Unsigned and unnumbered as issued Date: 1959 Publisher: Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Matisse, Henri, et al. Henri Matisse: Catalogue Raisonne de Loeuvre Grave Etabli Avec La Collaboration de Francoise Garnaud. C. Duthuit, 1983, illustration 723 Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, Nouvelle serie, XXIe Annee, No. 13, Noel 1959, published by Societe Internationale dArt XXe Siecle, Paris; printed by Mourlot Freres, Paris, 1959 About the Publication: Gualtieri di San Lazzaros XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs, linocuts, and woodcuts printed by the foremost ateliers of Paris, Milan, and New York, including Mourlot, Curwen, Atelier Lacouriere, and Amilcare Pizzi, creating a uniquely rich dialogue between text and image. The 1959 issue, XXIe Annee, No. 13, presented a remarkable selection of original prints that showcased the vitality of European modernism at mid century. Today, XXe Siecle remains an essential record of 20th century modernism, celebrated for its seamless integration of fine art, literature, and design. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later cut out compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy peers who, like him, sought to expand the expressive potential of color and composition. Matisses influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately 80.8 million USD, achieved in 2018 at Christies New York for Odalisque couchee aux magnolias (1923). Henri Matisse linocut...

Category

1950s Fauvist Sybil Andrews Art

Materials

Linocut

Skater In Motion II

(after) Henri MatisseSkater In Motion II, 1938

$853Sale Price|30% Off

H 15.99 in W 12.29 in

Skater In Motion II

By (after) Henri Matisse

Located in London, GB

Skater in Motion II, 1938 Original linocut on paper Artist's initial's inscribed in block From the portfolio, Verve, by Teriade 35.5 x 26 cm - sheet 40.6 x 31.2 cm - framed Unknown e...

Category

1930s Modern Sybil Andrews Art

Materials

Linocut

Kerry James Marshall - Keeping the Culture, silkscreen and linocut, Signed/N
Kerry James Marshall - Keeping the Culture, silkscreen and linocut, Signed/N

Kerry James Marshall - Keeping the Culture, silkscreen and linocut, Signed/N

By Kerry James Marshall

Located in New York, NY

Kerry James Marshall Keeping the Culture, 2011 Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges 20-1/4 x 30-1/4 inches Hand signed, titled and numbered 79/100 by Kerry James Marshall in graphite pencil on the front Published by Africa House International, Chicago Unframed In September, 2025, "Kerry James Marshall: The Histories" opened at the Royal Academy of Arts in London. This major exhibition was the largest presentation of Marshall's work in the United Kingdom and Europe, and featured more than 70 works by the the artist, including a large number of paintings and a selection of prints, drawings and sculptures. Highlights of the show include a new series of paintings that explore the transatlantic slave trade, along with Knowledge and Wonder, a mural commissioned in 1995 by the Chicago Public Library that is the largest painting Marshall has produced. The exhibition at the Royal Academy will then travel to the Kunsthaus Zurich and the Musee d'Art Modern in Paris. Kerry James Marshall's 2011 "Keeping the Culture" is based upon the artist's eponymous painting done the year earlier, which is featured in the Royal Academy Exhibition. In 2013, an original painting, upon which this work is based, sold at Christie's auction. Below is the Christie's Lot Essay for that painting: ..." Set in a revolutionary apartment in the cosmos, Kerry James Marshall's Keeping the Culture optimistically anticipates a future that pays homage to the past. Ushering in a new stage of the artist's output, Keeping the Culture shifts focus from the failed utopia of urban renewal and the commemoration of civil rights era heroes in favor of a more technically refined meditation on the preservation of the traditional and spiritual values that shaped a culture. Placed in an ultramodern environment, two siblings marvel at a projection of the earth--in which Marshall has aptly positioned the African continent toward the viewer-while their affectionate parents dance in the foreground. Overlooking the milky way, Marshall's space-age flat is decorated with earthly relics-wooden tribal sculptures...

Category

2010s Contemporary Sybil Andrews Art

Materials

Mixed Media, Pencil, Linocut, Screen

Lithograph Lady Rider Woman on a Horse Marie Laurencin French Post Impressionist
Lithograph Lady Rider Woman on a Horse Marie Laurencin French Post Impressionist

Lithograph Lady Rider Woman on a Horse Marie Laurencin French Post Impressionist

By Marie Laurencin

Located in Surfside, FL

Marie Laurencin (French, 1883-1956) Lithograph of a colored pencil drawing depicting a woman wearing a hat and riding horseback side saddle, Edition "37/115" to lower left and hand...

Category

Mid-20th Century Post-Impressionist Sybil Andrews Art

Materials

Lithograph

Previously Available Items
BRINGING IN THE BOAT - Early Working Proof of One Block
BRINGING IN THE BOAT - Early Working Proof of One Block

BRINGING IN THE BOAT - Early Working Proof of One Block

By Sybil Andrews

Located in Santa Monica, CA

SYBIL ANDREWS (1898 – 1992) BRINGING IN THE BOAT, 1933 (Coppel SA 24) Linocut, A rare proof impression of indigo block on newsprint, unsigned. 13” x 9 ½”. She...

Category

1930s Modern Sybil Andrews Art

Materials

Linocut

Bringing in the Boat
Bringing in the Boat

Bringing in the Boat

By Sybil Andrews

Located in Santa Monica, CA

SYBIL ANDREWS (1898 – 1992) BRINGING IN THE BOAT, 1933 (Coppel SA 24) Linocut, A proof impression of indigo block on newsprint, unsigned. An image o...

Category

1930s Modern Sybil Andrews Art

Materials

Linocut

Gypsies
Gypsies

Sybil AndrewsGypsies, 1939

Sold

H 10.625 in W 14 in

Gypsies

By Sybil Andrews

Located in Santa Monica, CA

SYBIL ANDREWS (1898 – 1992) GYPSIES 1939 (C.SA 43) Color linocut. Signed titled and annotated “TP2” (trial proof) aside from the Edition of 60 (+...

Category

1930s Synthetic Cubist Sybil Andrews Art

Materials

Color

Sybil Andrews art for sale on 1stDibs.

Find a wide variety of authentic Sybil Andrews art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of green, orange and other colors. You can also browse by medium to find art by Sybil Andrews in linocut, monotype and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Sybil Andrews art, so small editions measuring 9 inches across are available. Customers who are interested in this artist might also find the work of Ernest Fiene, Achille-Émile Othon Friesz, and Paul Cézanne. Sybil Andrews art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,800 and tops out at $59,000, while the average work can sell for $17,700.

Artists Similar to Sybil Andrews