Thierry Despont Paintings

1980s Chinese pair of oil on canvas bonsai paintings from a private collection. Dimensions each: 27.5 x 19cm.

A pair of mixed technique abstract Mid-Century Modern art paintings from Italy. This pair of tempera and paper on canvas has been painted by Italian Artist "Guglielminetti". These ha...

A large scale and very dynamic painting on canvas comprised of oil and pencil depicting an interior. The interior with chairs surrounding a table set for coffee to the right, two lamps and a vase atop a Pleyel piano...

Vintage set one-of-a-kind haute couture gouache fashion sketches by the Parisian Balmain Fashion House circa 1970. Fashion Designer Bio: Perre Alexandre Claudius Balmain (1914-1982) was a well-known designer from France and the founder of Balmain fashion house. He was and still is known for his elegance and sophistication. Balmain studied architecture at the École des Beaux-Arts, but he spent most of his time designing apparel. From 1934-1939 Balmain worked with Edward Molyneux (fashion designer) who offered him a trial. Balmain then worked after the War with Lucien Lelong and established his own fashion house that displayed bell-shaped and small waist skirts. This was a look that became famous later on through the brand Christian Dior. A family friend, Gertrude Stein wrote a commemorative piece on Balmain for Vogue magazine and following this an order was placed by the Duchess of Windsor. By 1951, Balmain opened various branches of his label across America to sell his prêt-a-porter collections. During this time, he popularized some unique trends such as stoles, evening wear and he made sheath dresses with jackets a fad in the fashion market. He was talented in creating both simple and extravagant clothes, all with the similar aesthetics of graceful and slender lines. Pierre Balmain also created fragrances. For his astounding creations and designs, he was nominated for Best Costume Designer by the Tony Award and Balmain received the Drama Desk Award for designing outstanding costumes for Happy New Year Broadway production in 1980. He designed costumes for Sophia Loren for The Millionaires, 1960 and Josephine Baker for her eponymous revue, 1964. He designed costumes for sixteen films and designed clothes for actresses Mae West and Vivien Leigh. His classic couture dresses are still chic and sought after among international movie stars and socialites such as Kristin Davis...

Each oil on panel depicting Santa Barbara seacoast. Giltwood frames and paintings under glass. Parshall was an American painter born in Buffalo and was based in Montecito since 1916....

Pair of exceptional antique English botany prints, hand colored in Italian burl olive wood and gold leaf frames. 4 additional smaller prints available, sold separately. Great wall d...

A beautiful, midcentury, large portrait of a lady, circa 1960. Charcoal on paper with a very decorative gold frame.

19th Century Italian Painting of The Virgin of the Fish done in the Purisimo Style. Revivalist piece of a Raphael Painting. The Virgin Mary & baby Jesus with Saint Jerome and Arc Angel...

An outstanding and grand scale oil on canvas painting of a nude male. Entitled "La Vittoria Della Verita' Sull'Insidia" - "The Victory Of Truth Over The Trap"..... Expertly executed ...

Very striking larger oil painting on canvas laid down on Masonite with gilt background depicting Buddha in a seated position on a giant lotus flower. The flower represents a symbol of fortune, meaning rising and blooming above the murk to achieve enlightenment. The painting is believed to be of Bhaajyaguru, the Buddha of healing and medicine, commonly referred to as the "Medicine Buddha...

Exceptional 19th century landscape painting by Important American artist William Keith. Titled "Harvest". Barbizon School oil on canvas painting featuring figures at harvest with cart and oxen. Amazing luminescent sky. Signed lower left corner "W. Keith '96". Retains original museum quality gilt frame. Canvas measure 30"H 50"W. Accompanied with period correct Stereograph black and white photograph depicting actual painting in a parlor with handwritten pencil title "Parlor, Berkeley, Cal. '97". This is a museum quality work of art. William Keith (1838-1911) William Keith became in the late 19th and early 20th centuries a leading Northern-California landscape artist. In fact, he was so well known that he is referred to as the "Dean of California painters" and "California's Old Master." Born in Aberdeenshire, Scotland, Keith came to New York with his family and, apprenticed to a wood engraver. In 1859, he moved to San Francisco where he worked for an engraver and later set up his own engraving business. Studying with Samuel Marsden Brookes in 1863, he determined to become a painter. He married artist Elizabeth Emerson and did watercolor painting with her guidance. In 1868, he became a full-time painter, and that same year was commissioned to paint scenes along the Columbia River including Mount Hood. By August 1869 he had sold enough paintings to finance an extended journey to the East Coast and Europe including Dusseldorf, Germany throughout most of 1870, studying with Albert Flamm. After a visit to Paris, he expressed great admiration for "the modern school of French landscape painting including the Barbizon School. During the winter of 1871-1872, the Keiths lived in Boston where they shared a studio with William Hahn. Keith's work received critical acclaim there and in New York at the National Academy of Design. In 1872, he returned to San Francisco. A friendship with naturalist John Muir exposed Keith to many remote places and in-depth knowledge of nature. During the 1870s, he painted several "epic" eight by ten-foot High Sierra views. He also visited Alaska, and his paintings of Alaska were exhibited upon his return to San Francisco in a show at the Bohemian Club, titled 'Dreams of Alaska'. Keith's Alaska works are significant because they are not close transcriptions of actual scenery, but rather are fantasies inspired by Alaska. They are important as they represent a major break from the documentary tradition in landscape painting of Alaska, as they show an interest in capturing its spirit versus just the topography. In 1891, he shared his studio for several weeks with East Coast Tonalist George Inness, Sr. [1825-1894]. Both men painted in a similar style and were followers of the mystical teachings of Swedenborg. Among the locations where Inness and Keith painted together were Monterey and Yosemite, and it was reported they discussed art from every possible angle. Under Inness' influence, Keith painted more than ever in a Barbizon-influenced vein with many sunset and twilight scenes. Keith’s first wife died in 1882, and in 1883, he married Mary McHenry, the first woman graduate of Hastings Law School. They soon went to Europe, and Keith studied portrait painting in Munich with consultations from J. Frank Currier...

Decorative pair of large scale chinoiserie decorated wall panels. Interesting Asian scenes with amazing layers of detail on these. Makes a beautiful statement!