Tiffany Calvert Still-life Paintings
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Artist: Tiffany Calvert
#316
By Tiffany Calvert
Located in New Orleans, LA
This painting is based on Rachel Ruysch’s, Vase of Flowers, 1700. The painting contains an example of the Dutch tulip most prized during Tulipomania: Semp...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#444
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes.
Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark.
⎯⎯⎯⎯⎯
Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#286
By Tiffany Calvert
Located in New Orleans, LA
As an artist, TIFFANY CALVERT applies contemporary painting techniques to historical imagery. Her recent work uses the seventeenth-century Dutch floral still life as a springboard fo...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#392
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes.
Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark.
⎯⎯⎯⎯⎯
Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#327
By Tiffany Calvert
Located in New Orleans, LA
This painting is based on Rachel Ruysch’s, Vase of Flowers, 1700. The painting contains an example of the Dutch tulip most prized during Tulipomania: Semper Augustus...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#286
By Tiffany Calvert
Located in New Orleans, LA
As an artist, TIFFANY CALVERT applies contemporary painting techniques to historical imagery. Her recent work uses the seventeenth-century Dutch floral still life as a springboard fo...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#448
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes.
Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark.
⎯⎯⎯⎯⎯
Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#444
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes.
Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark.
⎯⎯⎯⎯⎯
Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#447
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes.
Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark.
⎯⎯⎯⎯⎯
Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#446
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes.
Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark.
⎯⎯⎯⎯⎯
Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#452
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes.
Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark.
⎯⎯⎯⎯⎯
Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#449
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes.
Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark.
⎯⎯⎯⎯⎯
Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#417
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes.
Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark.
⎯⎯⎯⎯⎯
Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#430
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes.
Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark.
⎯⎯⎯⎯⎯
Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#409
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes.
Dutch floral still life...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#440
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes.
Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark.
⎯⎯⎯⎯⎯
Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#412
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes.
Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark.
⎯⎯⎯⎯⎯
Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#328
By Tiffany Calvert
Located in New Orleans, LA
This painting is based on Rachel Ruysch’s, Vase of Flowers, 1700. The painting contains an example of the Dutch tulip most prized during Tulipomania: Semper Augustus...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#316
By Tiffany Calvert
Located in New Orleans, LA
This painting is based on Rachel Ruysch’s, Vase of Flowers, 1700. The painting contains an example of the Dutch tulip most prized during Tulipomania: Semp...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#414
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes.
Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark.
⎯⎯⎯⎯⎯
Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#402
By Tiffany Calvert
Located in New Orleans, LA
As an artist, TIFFANY CALVERT applies contemporary painting techniques to historical imagery. Her recent work uses the seventeenth-century Dutch floral still life as a springboard fo...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#325
By Tiffany Calvert
Located in New Orleans, LA
As an artist, TIFFANY CALVERT applies contemporary painting techniques to historical imagery. Her recent work uses the seventeenth-century Dutch floral still life as a springboard fo...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#341
By Tiffany Calvert
Located in New Orleans, LA
As an artist, TIFFANY CALVERT applies contemporary painting techniques to historical imagery. Her recent work uses the seventeenth-century Dutch floral still life as a springboard fo...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#375
By Tiffany Calvert
Located in New Orleans, LA
As an artist, TIFFANY CALVERT applies contemporary painting techniques to historical imagery. Her recent work uses the seventeenth-century Dutch floral still life as a springboard fo...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#408
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes.
Dutch floral still life...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#338
By Tiffany Calvert
Located in New Orleans, LA
This painting is based on Rachel Ruysch’s, Vase of Flowers, 1700. The painting contains an example of the Dutch tulip most prized during Tulipomania: Sem...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
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Hand signed lower right "DR Britton" with the edition number 11/100.
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Canvas size: 20"H x 16"W.
Don Britton is a contemporary representational landscape painter of the western US with focus on the southwest, the Pacific coast and the Sierras.
Recent Awards and Publications:
2019: Juror's Purchase Award, "Pacific Bluffs" at Art for Heaven's Sake Annual Art Festival, Redlands, CA
2016: First Place,"Land Put to A Higher Use", The 9th Annual Ralph Love Plein Air Competition in Temecula, CA
2014: "Canyon Clouds" and "Carmel Wetlands" were juried in to the Museum of the Art Institute Regional Show in San Diego
2012: "View from Mather Point" was selected for installation in the US Embassy in Sri Lanka.
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2010 - "Your Composition Should Evoke an Emotion" feature article in International Artist, pp 52-59, vol 70, 2010
2010 - "Morning Becomes the Valley" and "Lamoille Canyon" selected for installation in the US Embassy in Yemen
2010 - Grant from Nevada Arts Council
2008 - Grant from Nevada Arts Council
2007 - Paint America National Competition Top 50 Miniatures
2007 - First Place, Oil Painting, Carson Valley Art Association Annual Exhibit
Artist’s Statement:
I have been surrounded by artists virtually all my life. I received my first drawing instruction at the age of six from my father. We were living in New Mexico at the time and he was an avid amateur landscape painter there. Although I dabbled in painting off and on for years, my first career took a different path. Following a BA from the University of Colorado and a PhD from The Ohio State University I entered a career in neuroscience research. However, in 2004, I committed to painting full time and was almost immediately rewarded with the joy of recreating scenes I loved. I am indebted to numerous mentors along the way including Mark Tompkins, Skip Whitcomb, William Scott Jennings, Jim Wilcox...
Category
Early 2000s American Impressionist Tiffany Calvert Still-life Paintings
Materials
Canvas, Giclée, Oil
H 27.5 in W 23.5 in D 2 in
Anselm Kiefer, rare serigraph on paper
By Anselm Kiefer
Located in Saint Ouen, FR
This extremely rare work on paper by Anselm Kiefer is the one and only silkscreen and signed edition on paper Anselm Kiefer ever made. Printed on a prestigious BKF Rives Paper (fines...
Category
Early 2000s Contemporary Tiffany Calvert Still-life Paintings
Materials
Paper
Still-life with lilac
Located in Zofingen, AG
In this piece, I sought to capture the delicate dance of light and shadow, the gentle caress of the blossoms, and the tranquility that comes from nature's beauty. As I chose my palet...
Category
2010s Expressionist Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Cardboard, Giclée
Set 5 Antique French Engravings Ancient Roman Artefacts & Figures
By Antique French
Located in Cirencester, Gloucestershire
Set of 5 black and white engravings
French School, 19th century
each paper (unframed) : 9 x 12 inches
provenance: private collection
condition: good and sound condition, old foxing s...
Category
19th Century Rococo Tiffany Calvert Still-life Paintings
Materials
Engraving
Hand painted Canvas-Limited Edition#2/10-Sunshine Factory-British Awarded Artist
Located in London, GB
This is a Hand-painted Limited Canvas Edition, only 10 published; it is offered as an alternative to its original piece.
This stunning one-off edition is oil hand-painted by the art...
Category
2010s Abstract Tiffany Calvert Still-life Paintings
Materials
Gesso, Canvas, Acrylic, Archival Pigment, Oil, Giclée
H 23.63 in W 15.75 in D 0.6 in
Classic Botanical Cyanotype of Vintage Pressed Flowers, Artisan Made, Blue Tones
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype.
Details:
+ Title: Vintage Pressed Flowers Nº4
+ Year: 2022
+ Edition Size: 20
+ St...
Category
2010s Baroque Tiffany Calvert Still-life Paintings
Materials
Photographic Film, Emulsion, Watercolor, Archival Paper, Photographic Pa...
Nature Morte
By Maurice Savin
Located in Belgrade, MT
This colorful lithograph is part of my private collection since the 1970's. It is signed in the plate and also pencil signed on the print on the lower left corner.
Publisher: La Guil...
Category
Early 19th Century Abstract Impressionist Tiffany Calvert Still-life Paintings
Materials
Ceramic, Tapestry, Oil, Lithograph
Sugar
By Michael Moebius
Located in Los Angeles, CA
Michael Moebius
Sugar
Limited Edition Giclée Print on Canvas
30 x 40 inches
Limited edition of 250
Signed and numbered by artist
Unframed
Currently on display at Art Angels Gallery
...
Category
2010s Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Giclée
H12-6 Beautiful, Skillfully-Worded Archangelic Vapor Painting unique print
By Damien Hirst
Located in Bristol, GB
Giclée print on poly-cotton artist canvas mounted on birch plywood stretcher
Edition of 224
70 x 70 cm (27.6 x 27.6 in)
Signed on the front
Mint
Sold in the original HENI packaging
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Wood, Plywood, Cotton Canvas, Giclée
Purple Iris Still Life
By (after) Georgia O'Keeffe
Located in Houston, TX
Gorgeous still life lithograph of a a vibrant purple Iris made in the 1930's by artist unknown in the style of Georgia O'Keeffe.
Category
1930s Realist Tiffany Calvert Still-life Paintings
Materials
Lithograph
Postponed due to the pandemic! Pop Art, Street Art
By Jay-C
Located in München, BY
Edition 5
JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine British sense of humour,
he addresses stereotypes of modern society and his work, both playful and profound, stimulates us to question conventional social conceptions. JAY-C is a barometer responding to the world around us.
Having had his first solo exhibition in 2018, in the same year he did a collaboration with BoConcept on their iconic Imola chair...
Category
2010s Pop Art Tiffany Calvert Still-life Paintings
Materials
Mixed Media, Pigment, Archival Pigment
Still Life Flower Painting Art Textured Giclee on Canvas 45x45" Dream Nature
By Irena Orlov
Located in Sherman Oaks, CA
Still Life Flower Painting Art Textured Giclee on Canvas 45x45" Dream Nature
State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction
Each limited edit...
Category
2010s Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Varnish, Archival Ink, Acrylic, Digital, Inkjet, Giclée
H 45 in W 45 in D 1.5 in
Previously Available Items
#382
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes.
Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark.
⎯⎯⎯⎯⎯
Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#407
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes.
Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark.
⎯⎯⎯⎯⎯
Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#383
By Tiffany Calvert
Located in New Orleans, LA
As an artist, TIFFANY CALVERT applies contemporary painting techniques to historical imagery. Her recent work uses the seventeenth-century Dutch floral still life as a springboard fo...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#401
By Tiffany Calvert
Located in New Orleans, LA
As an artist, TIFFANY CALVERT applies contemporary painting techniques to historical imagery. Her recent work uses the seventeenth-century Dutch floral still life as a springboard fo...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#377
By Tiffany Calvert
Located in New Orleans, LA
As an artist, TIFFANY CALVERT applies contemporary painting techniques to historical imagery. Her recent work uses the seventeenth-century Dutch floral still life as a springboard fo...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#334
By Tiffany Calvert
Located in New Orleans, LA
As an artist, TIFFANY CALVERT applies contemporary painting techniques to historical imagery. Her recent work uses the seventeenth-century Dutch floral still life as a springboard fo...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#323
By Tiffany Calvert
Located in New Orleans, LA
As an artist, TIFFANY CALVERT applies contemporary painting techniques to historical imagery. Her recent work uses the seventeenth-century Dutch floral still life as a springboard fo...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#305
By Tiffany Calvert
Located in New Orleans, LA
Based on a painting by lesser known Dutch artist P.W. Windtraken [P. W. Windtraken (Dutch, active in Amsterdam 1687-1691), Bouquet of Flowers in a Glass Vase, about 1690, oil on canv...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
#296
By Tiffany Calvert
Located in New Orleans, LA
Based on a painting by lesser-known Dutch artist P.W. Windtraken [P. W. Windtraken (Dutch, active in Amsterdam 1687-1691), Bouquet of Flowers in a Glass Vase, about 1690, oil on canv...
Category
21st Century and Contemporary Contemporary Tiffany Calvert Still-life Paintings
Materials
Canvas, Oil, Inkjet
Tiffany Calvert still-life paintings for sale on 1stDibs.
Find a wide variety of authentic Tiffany Calvert still-life paintings available for sale on 1stDibs. You can also browse by medium to find art by Tiffany Calvert in canvas, digital print, fabric and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large Tiffany Calvert still-life paintings, so small editions measuring 11 inches across are available. Customers who are interested in this artist might also find the work of Kevin Sloan, Robert Minervini, and Josh Talbott. Tiffany Calvert still-life paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,500 and tops out at $15,500, while the average work can sell for $7,850.