Toshi Yoshida Art

Japanese woodblock print (etching) of a landscape by Toshi Yoshida 11" x 15" - Page Size 17 x 21.25 - Frame Size

Yoshida, Toshi. A PINE TREE OF THE FRIENDLY GARDEN. Color woodblock print, 1980. Signed in Pencil in Japanese. Commissioned by the Franklin Mint, and printed and published by the Yo...

A woodblock print etching of a Japanese farm by Toshi Yoshida 11" x 15"

Toshi Yoshida's Materia is a stunning mid-century color woodblock print. Hand-signed, dated, and numbered 8/30 by the artist in 1962. Thisimpressive pie...

Toshi Yoshida, 'Transcendance', color woodblock print, 1968, edition 120. Signed, dated, titled, and numbered '71/120' in pencil. A fine, richly-inked impression, with fresh colors, on cream-wove Japan paper; the full sheet with margins (9/16 to 1 inch); slight toning on the top and right sheet edges, well away from the image, otherwise in very good condition. Image size 19 5/8 x 14 1/2 inches; sheet size 21 1/4 x 16 1/16 inches (double Oban). Archivally sleeved, unmatted. Exhibited: 'Color in Relief: Wood Block Prints from Origins to Abstraction', Georgetown University Library, 2016. Collection: Georgetown University Library. ABOUT THE ARTIST Yoshida Toshi (1911-1995) began training at the age of 14 under his father, Yoshida Hiroshi, one of the most acclaimed artists of the Japanese 20th-century printmaking revival movement shin-hanga (’new prints’ created in the traditional collaborative system of Japanese printmaking). He studied from 1932 to 1935 at the Taiheiyo-Gakai (Pacific Painting Association), co-founded by his father. Before the Pacific War, Toshi traveled widely with his father in Asia, Europe, Egypt, and the United States. Later he continued his worldwide travels, especially in Mexico, the United States, Canada, and Africa. Following his father’s death in 1950, Toshi began his very personal exploration of abstraction, joining the sôsaku-hanga movement (’creative prints’ wherein the artist is creator, carver, and printer). During this richly creative period (1954 to 1973), Toshi created over three hundred nonobjective designs. In the early 1960s, Toshi returned to large-scale figurative work, concentrating on scenes of African wildlife in its natural habitat, and in 1984 he published the first of many illustrated children's books on African wildlife (Dobutsu Ehon Shirizu), which he continued to produce until the early 1990s. In 1966 he published a book with the artist Yuki Rei...

Toshi Yoshida, 'Transcendance', color woodblock print, 1968, edition 120. Signed, dated, titled, and numbered '117/120' in pencil. A fine, richly-inked impression, with fresh colors, on cream wove Japan paper; the full sheet with margins (9/16 to 1 inch); slight toning on the top and right sheet edges, well away from the image, otherwise in very good condition. Image size 19 5/8 x 14 1/2 inches; sheet size 21 3/8 x 16 1/16 inches (double Oban). Archivally sleeved, unmatted. Exhibited: 'Color in Relief: Wood Block Prints from Origins to Abstraction', Georgetown University Library, 2016. Collection: Georgetown University Library. ABOUT THE ARTIST Yoshida Toshi (1911-1995) began training at age 14 under his father Yoshida Hiroshi, one of the most acclaimed artists of the Japanese 20th-century printmaking revival movement shin-hanga (’new prints’ created in the traditional collaborative system of Japanese printmaking). He studied from 1932 to 1935 at the Taiheiyo-Gakai (Pacific Painting Association), which was co-founded by his father. Before the Pacific War, Toshi traveled widely with his father in Asia, Europe, Egypt, and the United States. Later he continued his worldwide travels, especially in Mexico, the United States, Canada, and Africa. Following his father’s death in 1950, Toshi began his very personal exploration of abstraction, joining the sôsaku-hanga movement (’creative prints’ wherein the artist is creator, carver, and printer). During this richly creative period (1954 to 1973), Toshi created over three hundred nonobjective designs. In the early 1960s, Toshi returned to large-scale figurative work, concentrating on scenes of African wildlife in its natural habitat, and in 1984 he published the first of many illustrated children's books on African wildlife (Dobutsu Ehon Shirizu), which he continued to produce until the early 1990s. In 1966 he published a book with the artist Yuki Rei...

Signed in pencil Stamp title lower left of image Image: 6 15/16 x 4 3/4" Note: Madurai is an ancient city on the Vaigai River in the South Indian state of Tamil Nadu. Its skyline ...