Trevor Young Art
American
Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, life on the road and 1960s West Coast art. His main subject is modernism’s footprint on the outposts of Americana, places typified by harsh artificial light and hard shadows on concrete. For Young, despite the contemporary art world’s preferences for irony, disjunction and tongue-in-cheek intellectual gamesmanship, painting is at its best when it attempts to offer an unpretentious accounting of where and how we live our day-to-day lives. The celebrations of urban sprawl offered by artists like Ed Ruscha, who famously took no-nonsense aerial photographs of 34 Los Angeles parking lots in 1967 and created sleek, stripped-down paintings of Standard Oil stations, are an obvious point of reference in Young’s work. But Young’s choices seem more personal than Ruscha’s and his technique is certainly more painterly. His images of gas stations are uneasy amalgamations, cobbled together from his memories of road trips, photographs and pure invention and rendered with a sense of atmosphere and drama seemingly at odds with his use of hard lines and simple geometric shapes. Young activates every square inch of his canvases, blocking in large passages of negative space with skeins of scruffy countervailing strokes. He is not a fussy painter, nor is he out to prove his mastery to an audience. Like Edward Hopper, Young tends to eschew a lot of paint’s seductive properties, preferring to create hard edges and large, gently undulating planes of subdued color. He draws the viewer into an unpopulated, uncluttered world with a clear horizon line, but one that is also filled with hiccups, discontinuities and compromises. For Young, the cold comfort offered by outposts of convenience like gas stations, airports, cheap hotel rooms is not so easily dismissed. Young shares the strange buoyant optimism of his hero, Jonathan Richman. Spending time with Young’s paintings, one can’t help but feel the echoes of that thrill.
to
3
1
2
10
Overall Width
to
Overall Height
to
16
9
4
3
11
8
7
4
4
4
4
3
3
2
2
2
2
2
1
1
1
1
1
1
16
16
13
12
4
16
8,923
2,810
2,504
1,339
16
Artist: Trevor Young
First Light
By Trevor Young
Located in Fairfield, CT
Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, life on the road, and 1960s West Coast art. His main subj...
Category
2010s American Realist Trevor Young Art
Materials
Oil, Panel
Passing Protrusion
By Trevor Young
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA -- Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, life on...
Category
21st Century and Contemporary American Realist Trevor Young Art
Materials
Canvas, Oil
Active Runway
By Trevor Young
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA --Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, life on ...
Category
21st Century and Contemporary American Realist Trevor Young Art
Materials
Oil, Panel
Roosevelt
By Trevor Young
Located in Fairfield, CT
Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, life on the road, and 1960s West Coast art. His main subj...
Category
2010s American Realist Trevor Young Art
Materials
Canvas, Oil
Red Hardbody
By Trevor Young
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA --Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, life on the road, and 1960s West Coast art. His main subject is modernism’s footprint on the outposts of Americana—places typified by harsh artificial light and hard shadows on concrete. The show makes clear that for Young, despite the contemporary art world’s preferences for irony, disjunction, and tongue-in-cheek intellectual gamesmanship, painting is at its best when it attempts to offer an unpretentious accounting of where and how we live our day-to-day lives.
The celebrations of urban sprawl offered by artists like Ed Ruscha—who famously took no-nonsense aerial photographs of thirty four LA parking lots in 1967, and created sleek, stripped down paintings of Standard Oil stations—are an obvious point of reference in Young’s work. But Young’s choices seem more personal than Ruscha’s, and his technique is certainly more painterly: His images of gas stations are uneasy amalgamations, cobbled together from his own memories of road trips, photographs, and pure invention, and rendered with a sense of atmosphere and drama seemingly at odds with his use of hard lines and simple geometric shapes.
Painters today tend to lean on pastiche, on art-historical mashups and code-switching. This typically results in images with no unified style and no concern for pictorial space, illusionistic or otherwise. For many contemporary painters, the picture plane is simply a flat, delimited arena in which different types of visual syntax collide, floating freely. This is a non-strategy in which artists make an end run around some of the thornier problems of composition, perception, and cognition.
Young bucks this trend. He activates every square inch of his canvases, blocking in large passages of negative space with skeins of scruffy countervailing strokes. He is not a fussy painter, nor is he out to prove his own mastery to an audience. Like Edward Hopper, Young tends to eschew a lot of paint’s seductive properties, preferring to create hard edges and large, gently undulating planes of subdued color.
He draws the viewer into an unpopulated, uncluttered world with a clear horizon line—but one that is also filled with hiccups, discontinuities, and compromises. In Service in the Rear, for example, a shelter for gas pumps in the foreground—closest to the viewer and, therefore, logically a dominant compositional element—is rendered as a hazy silhouette that flagrantly disobeys the rules of linear perspective. This is intentional: The structure is only important to Young in the way that it draws the viewer’s eye below and past it, to the glowing, low-slung building dominating the lefthand side of the picture. Thus Young shows his talent for creating visual tension and drama—and for sidestepping the viewer’s expectations.
Young understands that some might regard his brand of painting as obsolete. He also understands the troubled legacy of modernism, and what the triumph of universal technology has meant for cultures around the globe. Still, for Young, the cold comfort offered by outposts of convenience—gas stations, airports, cheap hotel rooms—is not so easily dismissed. Young shares the strange buoyant optimism of his hero, Jonathan Richman, who, in his early ‘70s proto-punk single, Roadrunner, exults in the simple act of driving past the Stop’n’Shop with the radio on...
Category
21st Century and Contemporary American Realist Trevor Young Art
Materials
Oil, Panel
$1,700
In the Park
By Trevor Young
Located in Fairfield, CT
Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, life on the road, and 1960s West Coast art. His main subj...
Category
2010s American Realist Trevor Young Art
Materials
Canvas, Oil
Red Borough
By Trevor Young
Located in Fairfield, CT
Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, life on the road, and 1960s West Coast art. His main subj...
Category
2010s American Realist Trevor Young Art
Materials
Canvas, Oil
Natural Body
By Trevor Young
Located in Fairfield, CT
Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, life on the road, and 1960s West Coast art. His main subj...
Category
2010s American Realist Trevor Young Art
Materials
Canvas, Oil
Yellow Grid
By Trevor Young
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA -- Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, lif...
Category
21st Century and Contemporary American Realist Trevor Young Art
Materials
Canvas, Oil
$8,500
Sodium Vapors
By Trevor Young
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA -- Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, lif...
Category
21st Century and Contemporary American Realist Trevor Young Art
Materials
Canvas, Oil
Meadowland Erections
By Trevor Young
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA -- Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, life on the road, and 1960s West Coast art...
Category
21st Century and Contemporary American Realist Trevor Young Art
Materials
Canvas, Oil
Placid Comeback
By Trevor Young
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA -- Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, life on...
Category
21st Century and Contemporary American Realist Trevor Young Art
Materials
Canvas, Oil
Departure Beat
By Trevor Young
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA -- Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, lif...
Category
21st Century and Contemporary American Realist Trevor Young Art
Materials
Canvas, Oil
End of Inning
By Trevor Young
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA -- Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, lif...
Category
21st Century and Contemporary American Realist Trevor Young Art
Materials
Canvas, Oil
Resting Fuselage
By Trevor Young
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA --Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, life on ...
Category
21st Century and Contemporary American Realist Trevor Young Art
Materials
Linen, Oil, Panel
Suspension
By Trevor Young
Located in Fairfield, CT
Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, life on the road, and 1960s West Coast art. His main subj...
Category
2010s American Realist Trevor Young Art
Materials
Canvas, Oil
Related Items
All Saints
By Ginny Williams
Located in Wenham, MA
This is an original oil painting on a linen panel. Mums, the traditional flower of All Saints Day in France, are pictured in a reflective silver cup. A jewel-like deep green-blue bac...
Category
21st Century and Contemporary American Realist Trevor Young Art
Materials
Panel, Oil
Oil Painting, Lawrence Kelsey, Central Park, Spring Afternoon
By Lawrence Kelsey
Located in White Plains, NY
'Central Park, Spring Afternoon' 2009 by American artist, Lawrence Kelsey. Oil on panel, 19.5 x 13.5 in. / Handmade gold frame: 24 x 18 in. Depicting a view of Central Park in New Yo...
Category
Early 2000s American Realist Trevor Young Art
Materials
Oil, Panel
$3,500
H 19.5 in W 13.5 in
Street of the Old Quarter British School signed Cade oil on canvas painting
Located in Barcelona, Barcelona
**Technical Sheet**
**Title:** "Street of the Old Quarter"
**Author:** British School, 19th Century
**Date:** 1892
**Technique:** Oil on canvas
**Dimensions:** 14.17 x 10.63 inc...
Category
1890s American Realist Trevor Young Art
Materials
Canvas, Oil
$829 Sale Price
41% Off
H 14.18 in W 10.63 in
Approach to Lee's Ferry
By Kim Whitesides
Located in Salt Lake City, UT
"Approach to Lee's Ferry" by Kim Whitesides, oil on canvas, 18 X 22 inches (Framed size: 21.5 x 25.5 inches)
Whitesides made an impact in the art community at a very young age. While working as an illustrator in New York City from the late 60s through the mid 80s, his paintings appeared in many publications, including Time Magazine, Rolling Stone and Playboy. He received numerous awards from The Art Directors Club of New York and The Society of Illustrators. It was at this time that Whitesides began a period of bold work with the airbrush that emphasized the simplified spaces and clean lines of art deco and art moderne, for which he gained a national reputation.
A native Utahn, Whitesides believes art is a language and an opportunity for his vision to inspire others. He continues to grow as an artist, as his art is constantly opening doors on new vistas...
Category
21st Century and Contemporary American Realist Trevor Young Art
Materials
Canvas, Oil
American School Portrait of a Child
Located in Astoria, NY
American School, Portrait of a Child with Red Tulip Flower, Oil on Canvas, circa 1900, illegibly signed "J. Hisnik(?)" and inscribed "N.Y." lower left, ebonized giltwood frame. Image...
Category
Late 19th Century American Realist Trevor Young Art
Materials
Canvas, Oil
Mid Century Figurative Portrait of a Boy with Toy Car
By Ralph Edward Joosten
Located in Soquel, CA
Realistic mid century portrait of a boy playing with an antique toy car by Ralph Joosten (American, 1928-2009). Signed "R. Joosten" in the lower left ...
Category
1960s American Realist Trevor Young Art
Materials
Canvas, Oil
$812 Sale Price
35% Off
H 24 in W 20 in D 0.75 in
"Nude with Light Blue" Oil Painting
By Jacob Dhein
Located in Denver, CO
Jacob Dhein's (US based) "Nude with Light Blue" is an oil painting that depicts a nude female figure with her black robe parted with a white patterned background
Bio/artist statement:
Jacob Dhein was interested in art as a child. Crayons and colored pencils were his tools of expression. He spent hours intricately crafting drawings of comic book heroes and animals. By the time he graduated from high school, one of his drawings was exhibited on the wall of a local bank. It wasn't until he was a sophomore at the University of Wisconsin-Oshkosh that he decided to take a drawing class. He found this so compelling that he continued with sculpture and painting. During this time he met several accomplished and influential artists who encouraged him to pursue a career in art. Tc Farley...
Category
2010s American Realist Trevor Young Art
Materials
Oil, Panel
Terminus no. 2
By Brooks Anderson
Located in Burlingame, CA
Breathtaking impressionistic ocean scene with large cumulus cloud rising where the mountains meet the ocean. Tranquil blue water with filtered early evening light captured on the canvas where time stands still. Ready to hang unframed with its edge painted in a reddish brown patina for which the artist is known. Artist signed, titled and dated. Condition is excellent / as new.
Brooks Anderson...
Category
21st Century and Contemporary American Realist Trevor Young Art
Materials
Oil, Panel
Moving Sky
By Willard Dixon
Located in Burlingame, CA
'Moving Sky' is 48 x 53 inches. The unique work bridges realism with surrealism. The painting is unframed and is ready to hang and enjoy over a lifetime. Signed and dated by the ar...
Category
21st Century and Contemporary American Realist Trevor Young Art
Materials
Canvas, Oil
Saint-Malo, Brittany
By William Stanley Haseltine
Located in New York, NY
The career of William Stanley Haseltine spans the entire second half of the nineteenth century. During these years he witnessed the growth and decline of American landscape painting, the new concept of plein-air painting practiced by the Barbizon artists, and the revolutionary techniques of the French Impressionists, all of which had profound effects on the development of painting in the western world. Haseltine remained open to these new developments, selecting aspects of each and assimilating them into his work. What remained constant was his love of nature and his skill at rendering exactly what he saw. His views, at once precise and poetic, are, in effect, portraits of the many places he visited and the landscapes he loved.
Haseltine was born in Philadelphia, the son of a prosperous businessman. In 1850, at the age of fifteen, he began his art studies with Paul Weber, a German artist who had settled in Philadelphia two years earlier. From Weber, Haseltine learned about Romanticism and the meticulous draftsmanship that characterized the German School. At the same time, Haseltine enrolled at the University of Pennsylvania, and took sketching trips around the Pennsylvania countryside, exploring areas along the Delaware and Susquehanna rivers. Following his sophomore year, Haseltine transferred to Harvard University.
After graduating from Harvard in 1854, Haseltine returned to Philadelphia and resumed his studies with Weber. Although Weber encouraged Haseltine to continue his training in Europe, the elder Haseltine was reluctant to encourage his son to pursue a career as an artist. During the next year, Haseltine took various sketching trips along the Hudson River and produced a number of pictures, some of which were exhibited at the Pennsylvania Academy of the Fine Arts in the spring of 1855. Ultimately, having convinced his father that he should be allowed to study in Europe, Haseltine accompanied Weber to Düsseldorf.
The Düsseldorf Academy was, during the 1850s, at the peak of its popularity among American artists. The Academy’s strict course of study emphasized the importance of accurate draftsmanship and a strong sense of professionalism. Landscape painting was the dominant department at the Düsseldorf Academy during this period, and the most famous landscape painter there was Andreas Achenbach, under whom Haseltine studied. Achenbach’s realistic style stressed close observation of form and detail, and reinforced much of what Haseltine had already learned. His Düsseldorf training remained an important influence on him for the rest of his life.
At Düsseldorf, Haseltine became friendly with other American artists studying there, especially Emanuel Leutze, Worthington Whittredge, and Albert Bierstadt. They were constant companions, and in the spring and summer months took sketching trips together. In the summer of 1856 the group took a tour of the Rhine, Ahr, and Nahe valleys, continuing through the Swiss alps and over the Saint Gotthard Pass into northern Italy. The following summer Haseltine, Whittredge, and the painter John Irving returned to Switzerland and Italy, and this time continued on to Rome.
Rome was a fertile ground for artists at mid-century. When Haseltine arrived in the fall of 1857, the American sculptors Harriet Hosmer, Chauncey B. Ives, Joseph Mozier, William Henry Rinehart...
Category
19th Century American Realist Trevor Young Art
Materials
Canvas, Oil
"Misty City", Oil Painting
By Christopher Clark
Located in Denver, CO
Christopher Clark's (US based) "Misty City" is an original, handmade oil painting that depicts orange and green hued clouds arching over a water and city lights
Bio/artist statement:
Christopher has been an artist since early childhood, when he would watch Bob Ross on PBS and mimic the famed oil painter’s art with crayons. He considers himself a self-educated artist, with his studies ranging from personal training with contemporary masters, to classical academic art technique, with much inspiration from 19th Century art and the Impressionist Movement. Christopher lived in Italy for a time, immersing himself in Italian culture and art, which continues to influence his painting. His fan base has grown considerably since his return to the US, gaining the attention of Lucasfilm and Marvel Fine Art, which both signed him as an officially licensed artist in 2016. Other clients include George Lucas, Major League Baseball, Louisville Slugger...
Category
2010s American Realist Trevor Young Art
Materials
Canvas, Oil, Panel
Mt. Etna from Taormina
By Thomas Fransioli
Located in New York, NY
Thomas Fransioli, born in 1906 in Seattle, Washington, trained as an architect at the University of Pennsylvania. He worked as an architect before his service in World War II. Largel...
Category
20th Century American Realist Trevor Young Art
Materials
Canvas, Oil
Previously Available Items
Flowing Away
By Trevor Young
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA --Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, life on ...
Category
21st Century and Contemporary American Realist Trevor Young Art
Materials
Oil, Panel
Trevor Young art for sale on 1stDibs.
Find a wide variety of authentic Trevor Young art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue and other colors. You can also browse by medium to find art by Trevor Young in oil paint, paint, fabric and more. Not every interior allows for large Trevor Young art, so small editions measuring 8 inches across are available. Customers who are interested in this artist might also find the work of Alex Roulette, Mark Harrison, and Anthony Ackrill. Trevor Young art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,400 and tops out at $10,900, while the average work can sell for $8,500.