Unknown Abstract Prints

Silkscreen on paper. with some sort of experimental poured stuff on it. there is some loss to the margin but the image is strong. edition 2/6. During the 1930s, Lawrence Edward Kupfe...

Black and white minimal monotype print of an abstracted female torso. The work is signed and titled by the artist in pencil along the front lower margin. Currently hung in a black fr...

Image dimensions: 38 x 46.5 cm. Abstract Composition is an original color lithograph on paper realized around the 1970's. Signed in pencil on lower right margin. Signature not comp...

Abstract limited edition lithograph by artist Ed Moses. Excellent piece for art collectors or NEW art collectors. It is hand signed by the artist. Note: It will require a slight...

Stewart - Prince Charles Edward. Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of de...

This is a cast metal sculpture of a woman and child, mother and baby in a rocking chair. It has a patina on a white metal. Not sure if it is steel or aluminum. It is and older vintage piece and has wear to patina where it sits and rocks on table. It is not signed or numbered and there is no foundry mark. Hence it is being sold as being after or in the manner of Henry Moore. Henry Spencer Moore (1898 – 1986) Moore was born in Castleford, the son of a coal miner. He became well-known through his carved marble and larger-scale abstract cast bronze sculptures, and was instrumental in introducing a particular form of modernism to the United Kingdom later endowing the Henry Moore Foundation, which continues to support education and promotion of the arts. After the Great War, Moore received an ex-serviceman's grant to continue his education and in 1919 he became a student at the Leeds School of Art (now Leeds College of Art), which set up a sculpture studio especially for him. At the college, he met Barbara Hepworth, a fellow student who would also become a well-known British sculptor, and began a friendship and gentle professional rivalry that lasted for many years. In Leeds, Moore also had access to the modernist works in the collection of Sir Michael Sadler, the University Vice-Chancellor, which had a pronounced effect on his development. In 1921, Moore won a scholarship to study at the Royal College of Art in London, along with Hepworth and other Yorkshire contemporaries. While in London, Moore extended his knowledge of primitive art and sculpture, studying the ethnographic collections at the Victoria and Albert Museum and the British Museum. Moore's familiarity with primitivism and the influence of sculptors such as Constantin Brâncuși, Jacob Epstein, Henri Gaudier-Brzeska and Frank Dobson led him to the method of direct carving, in which imperfections in the material and marks left by tools became part of the finished sculpture. After Moore married, the couple moved to a studio in Hampstead at 11a Parkhill Road NW3, joining a small colony of avant-garde artists who were taking root there. Shortly afterward, Hepworth and her second husband Ben Nicholson moved into a studio around the corner from Moore, while Naum Gabo, Roland Penrose, Cecil Stephenson and the art critic Herbert Read also lived in the area (Read referred to the area as "a nest of gentle artists"). This led to a rapid cross-fertilization of ideas that Read would publicise, helping to raise Moore's public profile. The area was also a stopping-off point for many refugee artists, architects and designers from continental Europe en route to America—some of whom would later commission works from Moore. In 1932, after six year's teaching at the Royal College, Moore took up a post as the Head of the Department of Sculpture at the Chelsea School of Art. Artistically, Moore, Hepworth and other members of The Seven and Five Society would develop steadily more abstract work, partly influenced by their frequent trips to Paris and their contact with leading progressive artists, notably Pablo Picasso, Georges Braque, Jean Arp and Alberto Giacometti. Moore flirted with Surrealism, joining Paul Nash's modern art movement "Unit One", in 1933. In 1934, Moore visited Spain; he visited the cave of Altamira (which he described as the "Royal Academy of Cave Painting"), Madrid, Toledo and Pamplona. Moore made his first visit to America when a retrospective exhibition of his work opened at the Museum of Modern Art in New York City.[28] Before the war, Moore had been approached by educator Henry Morris, who was trying to reform education with his concept of the Village College. Morris had engaged Walter Gropius as the architect for his second village college at Impington near Cambridge, and he wanted Moore to design a major public sculpture for the site. In the 1950s, Moore began to receive increasingly significant commissions. He exhibited Reclining Figure: Festival at the Festival of Britain in 1951, and in 1958 produced a large marble reclining figure for the UNESCO building in Paris. With many more public works of art, the scale of Moore's sculptures grew significantly and he started to employ an increasing number of assistants to work with him at Much Hadham, including Anthony Caro and Richard Wentworth. Moore produced at least three significant examples of architectural sculpture during his career. In 1928, despite his own self-described "extreme reservations", he accepted his first public commission for West Wind for the London Underground Building at 55 Broadway in London, joining the company of Jacob Epstein and Eric Gill. At an introductory speech in New York City for an exhibition of one of the finest modernist sculptors, Alberto Giacometti, Sartre spoke of "The beginning and the end of history...

This lithograph is part of my private collection. The artist name could not be translated, so artist is unknown. It has beautiful fall colors, with a boy of water in the background. ...

Contemporary School, Blurred Fruit, Chromogenic Print in Colors on Acrylic panel, sky blue ground with pale central image of fruit, apparently unsigned, unframed. 40" H x 29.75" W. P...

Original American Airlines Hawaii Vintage Poster - Authentic 1960s Travel Memorabilia. Archival linen backed in very good condition, A-. N...

Patterns and Decorations of the Italian Renaissance is a beautiful cromolitograph realized after motifs by Modes & Mendels in the Central Librar...

Poster of 4 festival Music Mtodziezowej is original lithography print realized in 1973. Signed on the plate along the right margin: Khuczykouski 73. Good conditions with aged lower...

Etching on paper realized in 1748. Very good condition except for some minor foxing. Includes a wooden frame cm. 27.5x41.5

Decorative motifs of the French Renaissance is a vintage chromolithograph realized by an anonymous artist of the early 20th Century. Good conditions. The artwork represents Decorat...

MacDonald of the Isles and Slate (Tartan) Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a she...

Beautiful Lithograph unframed si2gned and numbered 3/18 circa 1980' s in the style of Victor Vasarely very nice condition. Signed by Chester Solomon , title Cubist Extensions #2.

Decorative Motifs of the Italian Renaissance is an original print by an anonymous artist. Chromolithograph. Good conditions. The artwork represents Decorative motifs of the Italia...

Obra sobre papel

Artist: Leonid Title: Untitled - Blue Ombre Year: circa 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 100, AP Image Size: 23 x 23 inches S...

Abstract monotype in tones of blue and yellow, 2005. Dated lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Arc...

Composition is an original lithograph realized by an anonymous artist in the mid of 20th Century. Good conditions. The artwork is depicted in a well-balanced composition.

Armando 18.09.1929 Amsterdam Zurück Giclee on heavy, hand-made cotton paper Year: 2016 Hand-signed and labelled Edition: e.a. Condition: In good condition Dimensions: 50.0 x 50.0 on 63.0 x 61.0 cm ARMANDO (Amsterdam 1929 - Potsdam 2018) Sculptor, Writer, Film and documentary maker, Violinist Education: Armando studied art history in Amsterdam for a number of years. He lived in Amstelveen and worked in Amsterdam. Armando (Amsterdam 1929) is one of the most important post-war Dutch artists and he is appreciated nationally and internationally. His work, based on his personal experience of the Second World War in Amersfoort, deals with existential and universal themes that he describes in terms of power and powerlessness, perpetrators and victims, memory, transience and melancholy. Fascination for violence and evil determines his work from the outset. Amazed by the treacherous beauty of this violence, Armando uniquely elaborates his theme in every discipline that he practices. Driven by the desire for insight into evil and for the mastery of the techniques to shape his theme, he explores the possibilities of every medium to the extreme. Armando's work comprises series of monumental paintings, pasty and worked through in black and white with here and there traces of color, subtle, poetic drawings and graphics. From 1989 onwards sculptures appear that seem to be shaped and bent by forces of nature. Armando's prose and poetry have their own place. In a very specific language, the unspeakable, surrounded by a lot of white, is expressed. Documentaries in which both perpetrators and victims have the floor, films, theater and theater performances complete an oeuvre of which both visual and literary work have been awarded several times. As a violinist of the Armando Quartet, Armando expresses the feeling of melancholy and melancholy that has a place in all his work, in music. Exhibitions and prices: 1984 - The Multatuli Prize for those in power, reports from Berlin and Tuscany. 1985 - The first Jacobus van Looy...

Composition is a beautiful original lithography artwork realized by an Anonymous Artist of the XX century. In good conditions. The artwork represents an abstract composition throu...

From the estate of Jerry Opper and Ruth Opper Abstract Line Print c.1950's Stone Lithograph on Paper 25" x 19.5" Unframed Estate stamp lower left Came from ...

Composition is an original print in lithograph on paper realized by an anonymous artist of the mid-20th Century. In very good conditions. The artwork is created through confident s...

Composition is an original lithograph artwork on cardboard, realized in the late 20th Century. Hand-signed on the lower right. Numbered on the lower left, Edition II/XX. The stat...

Abstract composition is an original modern artwork realized by Artist of the mid-20th century. Mixed colored drawing on paper. Hand signed on the lower margin. Includes frame.

Composition is an original artwork realized by an unknown artist of the late 20th Century. Lithograph on ivory paper. Good conditions. Illegible signature in pencil on the lower r...

The title of this square lithograph is "Crash," a reflection of the chaotic and dynamic energy captured within the artwork. The striking contrast between the bold blue edgy 3D triang...

5138 Large colorful Abstract Modernist colored lithograph signed numbered 15/75 published 1970 Framed image size 23x23" Excellent modernist composition

Blue Ombre Leonid Date: circa 1980 Screenprint, signed and numbered in pencil Edition of 100, AP Image Size: 23 x 23 inches Size: 29 x 29 in. (73.66 x 73.66...

Unknown Artist - Abstracted Screen, Medium: Lithograph, Image Size: 12 x 12.5 inches, Size: 15 x 16 in. (38.1 x 40.64 cm), Description: Signed "Kathy Salleut" in pencil lower right

Unsigned. On laid paper.

Signed in graphite and numbered '36/50' in the lower left. Presented in a contemporary wooden frame. On paper.

Detroit car lovers will find this work by a young Detroit artist-- unique and collectible. It is a signed print stretched on canvas that measures 20 x 24....

From an important Dallas Texas estate. This artwork is an assemblage of countless hand cut and painted paper triangles arranged to create a captivating geometric depth of field. Th...

.Decorative motifs of the Chinese Renaissance is an original print by an anonymous artist. Chromolithograph. Good conditions. The artwork represents Decorative motifs of the Chine...

Composition is an original contemporary artwork realized in 1950 ca. monogrammed in pencil "F" and attributed to Johann Fruhmann. Original Colored lithograph on paper. Hand-signed...

Earth tones, an abstract lithograph by an unknown artist (American, 20th Century). Presented in a metal frame. Signed indistinctly and dated "92" lower right. Titled lower middle and...

An original mid century modern woodblock print. This work is hand signed illegibly and titled "Wedding Party".

Poster Pericoli is an original offset poster about an exhibition of Tullio Pericoli in the famous Marino gallery at Rome in Navona's Square. The picture is in very good conditions o...

Dancing figure in the darkness is an original lithograph on white paper realized by an Anonymous artist in the 1960s. In very good conditions. The artwork is created beautifully t...

Don Quixote is a lithograph print on paper realized in the 1970s by an Unknown artist. Hand-signed on the lower in pencil, illegible. Artist's proof. Good conditions. The artwork...

Manifest Galerie Jacques Péron is an original colored lithograph on wove paper realized for an exhibition of Various Artists in 1960s. The artwork is signed and dated. Good Condi...

Decorative motifs of the German Renaissance is an original print by an anonymous artist. Chromolithograph. Good conditions. The artwork represents Decorative motifs of the German ...

Sheila Maki , the artist, is Canadian and died in Toronto, Ontario. She enjoyed the challenge of creating original prints through varied processes such as etching and silk-screening...

Vintage poster in offset and lithograph. 1970s. Good conditions bu aged. This Artwork is depicted skilfully in a well-balanced Composition with strong strokes.

Henryk VI na Lowach vintage poster is an offset print on paper realized by Polish Artist in 1974. Original colored offset. Good condition and aged. Print: Polish Artist The artw...

Pink and purple abstract modern lithograph edition 16 / 100. The work features colorful geometric shapes that have been detailed with a hatch texture. Signed, titled, and editioned b...

Composition is an original artwork realized by an artist of the late 20th century. Lithograph on ivory paper. Good conditions. Illegible signature in pencil on the lower right mar...

"Abstract II" is a Framed and Matted Mixed Media Print with Gold-Leaf. The artist signature is illegible. It measures 40.5 x 34.5 inches. The date of creation is unknown but is belie...

Original World Cup USA ’94, Coca Cola sponsored vintage poster. Archival linen backed in A- condition, ready to frame. This World Cup ’94 poster is very rarely seen or available....

A vibrant abstract piece in blue, black and white depicting Tummel Bridge. Label verso with title and artist inscribed. Presented in a black frame. On paper.

This lithograph titled "Shades of Der Strand features an interesting interplay of colors and shapes, drawing the eye in to explore every detail of this intricate artwork. The undula...

Tourist Advertising of Kraków - Poster is an original offset poster print. The artwork was realized to promote Polish turism. Good conditions except for some foldings.

'Abstraction 1' Enamel on copper plate by Irwin Whitaker, Walnut frame , 1960s Oklahoma-born artist who was prolific in California, Taos and Austin. We have a number of his works ava...

Genre: Israeli Batia Adith Subject: Biblical Medium: Print Surface: Paper Dimensions w/Frame: 30 1/2" x 21 1/2"

Muted colors make this abstract special. It is a limited edition titled and signed by artist D.McBride. As always, reasonable prices for framing are available.

Figure in Yellow is a screen print on paper realized by an unknown artist in the 1970s. Hand-signed, illegible, and numbered, edition of 100 prints. ...

Jean Degottex, Vintage Poster Exhibition is offset print realized in occasion of exhibition held in Meo Gallery in 2010. Good conditions.

"Abstract I" is a Framed and Matted Mixed Media Print with Gold-Leaf. The artist signature is illegible. It measures 40.5 x 34.5 inches. The date of creation is unknown but is believ...