Unknown Figurative Prints

Original Soccer vintage sports poster. Linen backed in very good condition, ready to frame. Printed by Ortega Company in Valencia. This type of untitled vintage poster was commonly printed and the date of an upcoming game and team would be added at the bottom of the poster. Soccer games were played quite often, allowing the local team to advertise their events without reprinting a new poster for each game or event. This poster was printed as a full lithograph, so it was expensive to produce. There is no specific designation of which two teams are being shown here in this antique poster The poster has a nickname of ‘heads-up,” as two of the players are in the air as they position themselves to control the soccer ball. Valencia two main clubs, FC València and Levante UD, attract hordes of fans to their matches. Both clubs play in the First Division of La Liga...

Original France travel by bicycle (and French bread) vintage serigraph poster, excellent condition, ready to frame. These images are of the exact rare poster you will receive. Ar...

Original Santa Fe The Chief Way vintage railroad travel poster. Archival linen backed in very fine condition, ready to frame. Most of the Santa Fe Railway posters feature American Indians, but this poster features the big boss, The Chief! The poster has about a 1" white border around the entire image, the linen backing is not counted in the poster's measurement. Several of the trains were named "Chief" which includes the San Francisco Chief, Texan Chief, Kansas City Chief...

The Godfather Part II - Original 1974 Lobby Card #9 Vintage 1974 The Godfather Part II Lobby Card: The early life and career of Vito Corleone in 192...

A charming 18th-century engraving depicting the religious scene of Rebecca at The Well. Inscribed in plate. Presented in a gilt frame. On paper.

Original “The 3rd Man”, 1949, linen-backed vintage one-sheet movie poster "The 3rd Man". NSS: # 49/452. Excellent condition with restored original fold m...

Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable ...

Black and white minimal monotype print of an abstracted female torso. The work is signed and titled by the artist in pencil along the front lower margin. Currently hung in a black fr...

Original vintage French poster: Mi Careme de Nantes carnaval poster. Printer: Jagueneau - Nantes, France. Over 50 years old, Linen ...

Original Swedish movie poster, The Sea Master. (Herre på Skutan).. Archival linen backed in good condition, ready to frame. The USA silent movie was produced in 1917 but released in ...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Original James Dean, Rebel without a Cause vintage Swiss movie poster. Linen backed ready to frame. Grade A excellent condition. Size: 50" tall by 36" wide. Own a piece of mo...

Kate II - Oversize limited edition - Kate Moss Beautiful archival pigment print of the supermodel and fashion icon by the London based contemporary pop art image creator and artist...

Assicurazioni Generali Vintage Poster is an original offset advertising print on cardboard by an anonymous artist of the xx century. There is The state of preservation of the artwor...

Andy Warhol Marilyn Monroe Tate Exhibition 1971 Original Vintage Poster measures 20×30" inches / 51 x 76 cm Original vintage advertising poster for a Warhol pop art exhibition at ...

Image dimensions: 20,5 x 15,5 cm A Little Duckling is an adorable lithograph printed on poussins rigid paper. Signed on plate: G. Süs. Original Title: Das Erste Sturihad. Good con...

Original The Rocky Horror Picture Show vintage movie poster, professionally linen backed with original fold marks restored, The Rocky Horror Picture Show. A different set of jaws. ...

William Henry Simmons (1811-1882) after Frank Stone (1800-1859). Engraving on paper. Published by E. Gambart & Co, 1851. Presented in a large 19th century birdseye maple frame with g...

Painting and etching 70x50 cm, Chahab, 2N Gallery New York

James Bond Goldfinger - Original 1964 Lobby Card Vintage 1964 Goldfinger lobby card: While investigating a gold magnate's smuggling, James Bond unc...

'Il Quebec / Irochesi - Capo degl' Irochesi'' Italian lithograph, c1841. Originally from 'Galleria universale di tutti i popoli del mondo' by Giuseppe Antonelli, published in Venice...

Coleth The Lovers of Venice Carnival Original gouache and ink drawing (c. 1925) Signed bottom right On drawing paper 23 x 20 cm (c. 9 x 8 in) at view...

Original Les Codes de CHANEL Poster – Black Fashion Wall Art, Modern Luxury Décor, Iconic Designer Brand Print for Bedroom, Living Room, Glam Office poster. Archival linen backed in ...

This monochromatic artwork depicts a lively hunting scene, with a large group of riders on horseback accompanied by numerous hounds in the foreground of a vast rural landscape. Insc...

The Godfather Part II - Original 1974 Lobby Card #6 Vintage 1974 The Godfather Part II Lobby Card: The early life and career of Vito Corleone in 192...

19th century European Group of 13 hand-colored English and Continental fashion plates and costume designs. Each an etching with hand coloring in watercolor. Various sizes and condit...

French School 20th century Two naval images depicting 17th century warships flying various flags, including the Plantagenet Lions and St. George's Cross. (2) c1950. Two engravings w...

Original Les Codes de CHANEL Poster – Pink Fashion Wall Art, Modern Luxury Décor, Iconic Designer Brand Print for Bedroom, Living Room, Glam Office poster. Archival linen backed in...

Sedans used by the Japanese Ladies of Quality; One plate from Drake's Voyages London: circa 1860. Engraving with hand coloring in watercolor on cream laid paper; 7 1/2 x 10 3/4 inch...

This framed advertising poster for Hatamen Cigarettes from the late 1920s melds the meticulous detail of traditional Chinese painting with the nuanced color and fine resolution of color lithography. Ensconced in a filigree frame, a woman peers out alluringly, caressing the fur trim of her luxurious robe. Discreetly positioned on the lower corners, an open pack of Hatamen cigarettes makes a more subtle appeal to the senses. These advertisements, depicting fashionable women and influenced by the Art Deco movement in the west, recall the economic boom of early 20th-century Shanghai, an international center of business and trade. Today, these lithograph tobacco posters...

'Virginio - Sacerdote Virginio' / 'Gi' Indiant nella Virginia venerano il Fuoco'' Italian lithograph, c1841. Originally from 'Galleria universale di tutti i popoli del mondo' by Giu...

Original Ajanta India vintage travel poster from 1959. Archival linen backed in Grade A condition, ready to frame. Note that a later edition of this poster was printed but the im...

Archway is a print artwork realized by Jean-Charles Renaud  (Brest 1891 - before 1958 Paris) in the early 20th century Etching on paper Good conditions and aged.

The Godfather - Original 1972 Lobby Card #1 Vintage Godfather Lobby Card: The aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluc...

Original Museum of Modern Art, New York poster. “Information Art” Diagramming Microchips. This exhibition was made possible by the Intel Corporati...

This is a cast metal sculpture of a woman and child, mother and baby in a rocking chair. It has a patina on a white metal. Not sure if it is steel or aluminum. It is and older vintage piece and has wear to patina where it sits and rocks on table. It is not signed or numbered and there is no foundry mark. Hence it is being sold as being after or in the manner of Henry Moore. Henry Spencer Moore (1898 – 1986) Moore was born in Castleford, the son of a coal miner. He became well-known through his carved marble and larger-scale abstract cast bronze sculptures, and was instrumental in introducing a particular form of modernism to the United Kingdom later endowing the Henry Moore Foundation, which continues to support education and promotion of the arts. After the Great War, Moore received an ex-serviceman's grant to continue his education and in 1919 he became a student at the Leeds School of Art (now Leeds College of Art), which set up a sculpture studio especially for him. At the college, he met Barbara Hepworth, a fellow student who would also become a well-known British sculptor, and began a friendship and gentle professional rivalry that lasted for many years. In Leeds, Moore also had access to the modernist works in the collection of Sir Michael Sadler, the University Vice-Chancellor, which had a pronounced effect on his development. In 1921, Moore won a scholarship to study at the Royal College of Art in London, along with Hepworth and other Yorkshire contemporaries. While in London, Moore extended his knowledge of primitive art and sculpture, studying the ethnographic collections at the Victoria and Albert Museum and the British Museum. Moore's familiarity with primitivism and the influence of sculptors such as Constantin Brâncuși, Jacob Epstein, Henri Gaudier-Brzeska and Frank Dobson led him to the method of direct carving, in which imperfections in the material and marks left by tools became part of the finished sculpture. After Moore married, the couple moved to a studio in Hampstead at 11a Parkhill Road NW3, joining a small colony of avant-garde artists who were taking root there. Shortly afterward, Hepworth and her second husband Ben Nicholson moved into a studio around the corner from Moore, while Naum Gabo, Roland Penrose, Cecil Stephenson and the art critic Herbert Read also lived in the area (Read referred to the area as "a nest of gentle artists"). This led to a rapid cross-fertilization of ideas that Read would publicise, helping to raise Moore's public profile. The area was also a stopping-off point for many refugee artists, architects and designers from continental Europe en route to America—some of whom would later commission works from Moore. In 1932, after six year's teaching at the Royal College, Moore took up a post as the Head of the Department of Sculpture at the Chelsea School of Art. Artistically, Moore, Hepworth and other members of The Seven and Five Society would develop steadily more abstract work, partly influenced by their frequent trips to Paris and their contact with leading progressive artists, notably Pablo Picasso, Georges Braque, Jean Arp and Alberto Giacometti. Moore flirted with Surrealism, joining Paul Nash's modern art movement "Unit One", in 1933. In 1934, Moore visited Spain; he visited the cave of Altamira (which he described as the "Royal Academy of Cave Painting"), Madrid, Toledo and Pamplona. Moore made his first visit to America when a retrospective exhibition of his work opened at the Museum of Modern Art in New York City.[28] Before the war, Moore had been approached by educator Henry Morris, who was trying to reform education with his concept of the Village College. Morris had engaged Walter Gropius as the architect for his second village college at Impington near Cambridge, and he wanted Moore to design a major public sculpture for the site. In the 1950s, Moore began to receive increasingly significant commissions. He exhibited Reclining Figure: Festival at the Festival of Britain in 1951, and in 1958 produced a large marble reclining figure for the UNESCO building in Paris. With many more public works of art, the scale of Moore's sculptures grew significantly and he started to employ an increasing number of assistants to work with him at Much Hadham, including Anthony Caro and Richard Wentworth. Moore produced at least three significant examples of architectural sculpture during his career. In 1928, despite his own self-described "extreme reservations", he accepted his first public commission for West Wind for the London Underground Building at 55 Broadway in London, joining the company of Jacob Epstein and Eric Gill. At an introductory speech in New York City for an exhibition of one of the finest modernist sculptors, Alberto Giacometti, Sartre spoke of "The beginning and the end of history...

A stunning 18th century optical view of London from the Thames. London: 1760. Copper plate engraving with hand coloring in watercolor on cream laid paper with a large circular wate...

This poster from the 1920s melds the meticulous detail of traditional Chinese painting with the craft of color lithography. The poster depicts two young girls gathered by an ornate stool...

Original vintage poster: The U.S. Marines Want You. This military vintage poster is archival linen-backed and in fine condition, ready to frame. There is no date, artist, or printer'...

Anonymous, Japanese Kimono Fabric Design, color woodcut, c. 1930. A superb impression, with fresh colors, fine graduations, and metallic gold motifs, on ...

From London With Love is an original offset of 1980. There is The state of preservation of the artwork is very good. Sheet dimension :88 x 61.5 cm The poster represents a nude wom...

Incredibly detailed and colorful mono print from the American artist Susan Dysinger. She studied art at the university of California at Santa Barbara. Known for these New Orleans jaz...

A lovely grand tour image of the Doric architectural masterpiece dedicated to Castor and Pollux. Dated 1863. Watercolor and graphite on lightweight card stock, 10 x 13 3/4 inches (2...

Ancient View of Brescia is an original modern artwork realized in Italy in the half of the 19th Century. Original lithograph on Ivory Paper. Inscripted on the lower margin. Pass...

What did Broadway look like at the turn of the 20th Century? Here is a scarce and important block-by-block view published in 1899 by The Mail and Express New York: The Mail and Expr...

Decorative motifs of the french Renaissance is a vintage chromolithograph realized by an anonymous artist of the early 20th Century. Good conditions. The print represents Decorativ...

Lichtenstein Exhibition Poster is a very colorful poster realized in occasion of the artist's exhibition at Leo Castelli Gallery New Yor...

'Joe' Hentschel-Colourtype. 1910. Vanity Fair portrait of Sir Joseph Lyons who founded the famous Cafe shops. 380mm by 265mm (sheet)

English School, 19th century The Sunday Before Confirmation; Parson: What did your godfathers & godmothers then for you? Boy: Nothing sir, rot'em for I never had none. London: Thoma...

This is an engraving of a tomb monument rubbing that has been highlighted with gold color on a dark grey to black background. The rubbing is of a brass plaque on a stone slab. It has...

Original Ingen Rast, Ingen Ro, a Swedish vintage silent movie poster from 1920. Translated, it means No Rest, No Peace. However, the American titl...

A surrealist artist's proof featuring fragmented overlapping faces that blur the boundary between portraiture and abstraction. The composition merges profile and frontal views, evoki...

James Bond The Spy Who Loved me - Original 1977 Lobby Card #7 Vintage 1977 The Spy Who Loved Me lobby card of 007's car crashing into ...

Lithograph on heavy weight wove paper, 12 3/8 x 16 3/8 inches (313 x 416 mm), full margins. Titled and signed (illegibly) in pencil, lower margins. With scattered notations in red pe...

Ancient View of Lago Maggiore is an original modern artwork realized in Italy in the first half of the 19th Century. Original Lithograph on Ivory Paper...

'La Mode de Paris' Wood-engraving with original hand-colouring. French 1870s fashion illustration, from a series called 'La Mode de Paris'. Signed in ...

Ancient View of Piraeus is an original modern artwork realized in the mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin in Capital Letters:...

Original American Airlines Hawaii Vintage Poster - Authentic 1960s Travel Memorabilia. Archival linen backed in very good condition, A-. N...

Zbrodnia Pod Blekitna Gwiazda - Vintage Poster is a vintage poster realized by Unknown Artist, in 1975s. Mixed colored offset print. The artwork represented a poster of a Czechosl...

European fashion design from the 'Atelier Sogra', published in Vienna. 325mm by 220mm (sheet)