Victor Sheleg Drawings and Watercolor Paintings

Seated nude. Washed ink and pencil. Signed and dated 1931.

Watercolour and gouache on paper of sailing boats at a quay side. The painting is signed bottom right but as yet undeciphered and dated 1945. Presented in a patinated wood custom fra...

'Pompeii', a study plein air. signed original work 2005. watercolor on paper 45cm x 55cm. Painted wood glazed frame 72cmx87cm Gradwell focuses on been in the space and time and ma...

Late Mid Century French feutre drawing on paper of a Provençal lady sitting in her kitchen by Jean Arène. Signed and dated bottom left. This artwork is a striking pen-and-ink drawing that vividly captures a cluttered interior scene filled with an assortment of teapots and household objects. The central figure, an elderly lady with an expressive face, sits at a table surrounded by an overwhelming array of details. The artist uses bold, dynamic lines to convey a sense of chaos and charm, creating an atmosphere of cozy clutter. The composition’s intricacy draws the viewer's eye around the room, showcasing...

JESPERS Floris. Landscape. Charcoal drawing. Signed lower left

Mid-century lyrical surrealist abstract watercolour on paper by French artist Jean Clerté, signed and dated bottom right. Presented in mid-century frame. Jean Clerté , born in 1930 in Saint-Savin-sur-Gartempe in Vienne, is a French painter, engraver, draftsman, watercolourist and sculptor . This work is a great example of his more humorous and expressive work influenced by Alechinsky from the late 1960s onwards. There is a light playfulness and yet the watercolours are more vivid than his previous palette. Jean Clerté works in series. His sequential narrations testify both to a youthful spontaneity and to a perfect mastery in the distribution of forms and images on the painted surface. The narration is not only an accumulation of juxtaposed fragments and symbols, it forms a whole, it takes on and gives meaning. In general, we can say of Clerté that he practices an “eco-art” that feeds on primary hungers: the feeling of being united with nature, the vegetable, the mineral, the aquatic. In his colourful canvases, his inks, his boxes, his objects, like a shaman on the path of his dreams, the painter Clerté mounts an assault on beasts and demons, elves and gnomes. From the Poitevin marshes to the tropical forests emerges a fauna caught in the meanders of a design that marvels at the appearance of these grotesque idols. Jean Clerté began to draw and paint at a very young age, and at the age of 15 he enrolled at the École des Beaux-Arts in Poitiers. Then in 1949, curious about the capital, he moved to Paris. Having very few financial resources, he could not continue his studies at first, worked as a model to survive, and met other artists; he was then admitted to the studio of Ossip Zadkine and, from 1952, he was also able to study engraving at Atelier 17 of Stanley William Hayter, an English engraver and printer living in Paris associated in the 1930s with surrealism. At the end of the 1960s, he worked alongside Pierre Alechinsky, founding member of the Cobra movement, engraving Alechinsky's originals, benefiting from his advice, and discovering acrylic as a medium. From 1976, Jean Clerté became associate professor at Hayter. Clerté had taught previously, in 1971 at the Salzburg Summer University and in 1972 he gave courses at the Paris-Sorbonne University . In 1981, he was appointed professor at the School of Decorative Arts , where he had Maïlys Seydoux-Dumas as a student and, from 1983 to 1988, he was Alechinsky's assistant professor at the Paris School of Fine Arts. His first works are part of the current of lyrical abstraction, and are nourished by impressions of nature (landscape motifs, e.g. forest fires, waterscapes), then around 1968, encouraged by Alechinsky, he rejects abstraction, and his work becomes more figurative with expressive and humorous elements. From this period his colours are more subdued, often with pastel tones, he works on series. Jean Clerté has created a world in a space where drawing, painting, objects participate in a playful figuration. From his drawings were born sculptures and sometimes mobiles (Le Moulin à dessin). If it is the artist who makes astonishing, polychrome, whimsical “toys”, it is the painter who appeals to adults through his caustic and satirical humour. His first exhibitions in France took place at the Galerie Massol , then at the Galerie Pascal...

Mid Century French feutre drawing on paper of a Provençal stable with horses by Jean Arène. Signed and dated bottom left and presented in a wooden frame under glass. This evocative...

Listing includes framing with UV plexi, free shipping and a 14 day return policy. Ed Templeton Untitled (Sunset Tower Hotel), 2019 Image size: 11 ...

George Grosz (German, 1893-1959), "In der Loge" [In the Lodge], Pen and Ink on Paper, circa 1913, signed in pencil "Grosz" and titled lower lower left, Achim Moeller, Ltd. label to v...

The work is titled "The Bathers" and is signed at the lower right "CARENA. "The scene depicts a natural setting in which two naked maidens are chatting as they are about to bathe; be...

Quang Ho's "Untitled" (2023) is an original handmade charcoal drawing done on paper. This piece depicts an abstracted portrait of nude women. Artist's Statement "Realism and abstrac...

Violin Player 1960/65 work size 11x29, with frame 18x36 inches, artist signed. Chaim Gross (1904 Austria–1991 USA) will always be remembered as one of the foremost American artist : ...