Skip to main content

William Anderson Art

British, 1757-1837
William (or Wiliam) Anderson (1757 – 27 May 1837) was a Scottish artist specializing in maritime and patriotic themes. He was well-regarded for his detailed and accurate portraits of ships under sail, exhibiting his works annually in London between 1787 and 1811 and then occasionally until 1834. Anderson influenced other artists, notably John Ward and others of the Hull school. Anderson's early life is obscure, but he is known to have trained as a shipwright before moving to London to become a maritime painter when he was about 30. His training served him well as a painter, providing "a practical nautical knowledge" of his subjects. He earned a reputation for "accuracy and refinement of detail" and was admired for his bright, clear colours. He worked in both oils and watercolours. He based his style on that of well-known Dutch maritime painters of the 17th century. He first exhibited at the Royal Academy in 1787 and the Royal Institution in 1810, and continued to exhibit annually until 1811. He then exhibited intermittently until 1834.[6] His best work was executed in the years 1790–1810, during the French Revolutionary and Napoleonic Wars, at which time the demand for naval paintings was high. His painting was not restricted to marine subjects and included an exhibit in 1822 of a painting depicting the Battle of Waterloo. Like other artists of the time, Anderson's paintings of marine incidents were often based on sketches by participants and were bought by individuals who had risen in social standing and wealth during the wars. Commissions that took Anderson back north introduced him to the Hull school of painters, notably influencing the young John Ward (1798–1849), who copied at least one of Anderson's paintings. He was also a friend and possibly a collaborator of the painter Julius Caesar Ibbetson (1759–1817). His work was influenced by his travels in the North, which led to depictions of Berwick-on-Tweed and Tynemouth. His last exhibit was of Lord Howe's fleet at Spithead at the Royal Academy in 1834, the last of 45 paintings that he exhibited there. He died in London on 27 May 1837.
(Biography provided by David Brooker Fine Art)
to
1
1
1
1
Overall Height
to
Overall Width
to
1
1
1
1
1
1
3
8
6
5
2
1
1
Artist: William Anderson
Dealer: valentine fine art
"Shipping off the Coast, " (possibly Isle of Wight)
By William Anderson
Located in ludlow, GB
WILLIAM ANDERSON British 1757 - 1837 "Isle of Wight" Oil on Panel. The painting is not signed though it is undoubtedly of his hand. It has the label f...
Category

Late 18th Century William Anderson Art

Materials

Oil

Related Items
Piazza San Marco after the rain
By Beppe Ciardi
Located in Wien, Wien
"Piazza San Marco after the rain" Oil on canvas 60,5 x 90 cm Signed u.r. Reverse: Label Collezione Monti, Modena eppe Ciardi was born in Venice in 1875, the son of the painter Gugl...
Category

Early 20th Century William Anderson Art

Materials

Oil

Piazza San Marco after the rain
Free Shipping
H 23.82 in W 35.44 in
Antique Oil on Canvas Painting "Dancing Nymphs" Mythological Landscape Scene
Located in Firenze, IT
A luxuriant forest is the romantic and lyrical landscape where the dance of the nude nymphs takes place in this joyful 19th Century antique oil on canvas painting featuring a mythological scene. Dance of the Nymphs and Naiads is a myth inspired by the tales of ancient Greece and ancient Rome, a subject already much loved in the Renaissance period as an allegory of rebirth - as in one of the most famous paintings in the world the Spring by Sandro Botticelli- then reproduced throughout the neoclassicism by academic painters -due to the renewed interest in classical artworks following the discovery of archaeological sites- and taken up later, with ecological purposes and meanings, also by the Barbizon school and Impressionist artists. The present artwork – signed Vagner low left and datable to the second half of the 19th century - is closely inspired by an important work by the great Camille Corot, which is now housed at the Musée d'Orsay (Paris). This historical oil on canvas painting, featuring a joyful scene with the three graces and other dancing nymphs...
Category

19th Century Barbizon School William Anderson Art

Materials

Canvas, Oil

Waterlilies III
By Jamel Akib
Located in Battle, East Sussex
Jamel Akib Born in Leigh-on-sea, Essex in 1965 to English and Malaysian parents, Jamel moved to North Borneo at the age of five. At thirteen he returned to England to pursue his edu...
Category

21st Century and Contemporary Contemporary William Anderson Art

Materials

Canvas, Oil

Venice Landscape Italian Oil on Canvas Painting in Gilt Wood Frame, Belle Epoque
Located in Firenze, IT
This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...
Category

Early 20th Century Impressionist William Anderson Art

Materials

Canvas, Oil

Italian Impressionist Oil on Board Marine Landscape Painting Naples Bay View
By Francesco Coppola Castaldo
Located in Firenze, IT
Everyday fishermen life is captured in this wonderful Italian impressionist late 19th century oil painting on thin board titled fishermen ashore. We love the neutral and natural colo...
Category

Late 19th Century Impressionist William Anderson Art

Materials

Board, Oil

Allegory of Abundance
Located in New York, NY
Painted in collaboration with Hendrick van Balen (Antwerp, 1575 – 1632). Provenance: Private Collection, Uruguay, since the 1930s. The eldest son of Jan Br...
Category

17th Century Old Masters William Anderson Art

Materials

Copper

Atlantic Enclosure, Oil on canvas by Contemporary Scottish Artist Garry Brander
By Garry Brander
Located in Battle, East Sussex
Atlantic Enclosure 58x58cm including Black wooden Frame A graduate of Glasgow School of Art, Brander gained a BA (Hons) in 2011 Early on, Garry discovered an interest in old buil...
Category

21st Century and Contemporary Contemporary William Anderson Art

Materials

Oil

Two Scenes of Diana and Actaeon (a pair)
By Giovanni Battista Viola
Located in New York, NY
Provenance: Robert L. and Bertina Suida Manning, New York, until 1996 Private Collection, USA Giovanni Battista Viola was born in Bologna a...
Category

17th Century Baroque William Anderson Art

Materials

Copper

View of St. John’s Cathedral, Antigua
Located in New York, NY
Provenance: Robert Hollberton, Antigua, ca. 1841 Private Collection, New York The present painting depicts Old St. John’s Cathedral on the island of Antigua. The church was erected in the 1720s on the designs of the architect Robert Cullen. It measured 130 feet by 50 feet with north and south porches 23 x 20 ½ feet. The tower, 50 feet high with its cupola, was added in 1789. The church was elevated to the status of a cathedral, but disaster struck in the form of an earthquake that destroyed the building on 8 February 1843. A memorandum of that date relates the event: “On Wednesday, 8th February, 1843, this island was visited by a most terrific and destructive earthquake. At twenty minutes before eleven o’clock in the forenoon, while the bell was ringing for prayers, and the venerable Robert Holberton was in the vestry-room, awaiting the arrival of persons to have their marriage solemnized, before the commencement of the morning service, the whole edifice, from one end to the other, was suddenly and violently agitated. Every one within the church, after the first shock, was compelled to escape for his life. The tower was rent from the top to the bottom; the north dial of the clock precipitated to the ground with a dreadful crash; the east parapet wall of the tower thrown upon the roof of the church; almost the whole of the north-west wall by the north gallery fell out in a mass; the north-east wall was protruded beyond the perpendicular; the altar-piece, the public monument erected to the memory of lord Lavington, and the private monuments, hearing the names of Kelsick, Warner, Otley, and Atkinson, fell down piecemeal inside; a large portion of the top of the east wall fell, and the whole of the south-east wall was precipitated into the churchyard, carrying along with it two of the cast-iron windows, while the other six remained projecting from the walls in which they had been originally inserted; a large pile of heavy cut stones and masses of brick fell down at the south and at the north doors; seven of the large frontpipes of the organ were thrown out by the violence of the shock, and many of the metal and wooden pipes within displaced; the massive basin of the font was tossed from the pedestal on which it rested, and pitched upon the pavement beneath uninjured. Thus, within the space of three minutes, this church was reduced to a pile of crumbling ruins; the walls that were left standing being rent in every part, the main roof only remaining sound, being supported by the hard wood pillars.” The entrance from the southern side into the cathedral, which was erected in 1789, included two imposing statues, one of Saint John the Divine and the other of Saint John the Baptist in flowing robes. It is said that these statues were confiscated by the British Navy from the French ship HMS Temple in Martinique waters in 1756 during the Seven Years’ War and moved to the church. The statues are still in situ and can be seen today, much as they appeared in Bisbee’s painting, but with the new cathedral in the background (Fig. 1). Little is known of the career of Ezra Bisbee. He was born in Sag Harbor, New York in 1808 and appears to have had a career as a political cartoonist and a printmaker. His handsome Portrait of President Andrew Jackson is dated 1833, and several political lithographs...
Category

19th Century Old Masters William Anderson Art

Materials

Canvas, Oil

Gum Drops Beach Den, Oil on canvas by Contemporary Scottish Artist Garry Brander
By Garry Brander
Located in Battle, East Sussex
Gum Drops Beach Den 108 x 108cm including Black wooden Frame A graduate of Glasgow School of Art, Brander gained a BA (Hons) in 2011 Early on, Garry discovered an interest in old...
Category

21st Century and Contemporary Contemporary William Anderson Art

Materials

Oil

Ezekiel in the Valley of Dry Bones
By Philip Burne-Jones
Located in New York, NY
Provenance: Christie’s, London, 3 March 1922, lot 46 (with The Tower of Babel); James Nicoll Private Collection Sotheby’s, London, 29 March 1983, lot 157 Private Collection, New Yo...
Category

Late 19th Century Victorian William Anderson Art

Materials

Canvas, Oil

Wonderworld, Oil on canvas by Contemporary Scottish Artist Garry Brander
By Garry Brander
Located in Battle, East Sussex
Wonderworld Beach Den 108 x 108cm including Black wooden Frame A graduate of Glasgow School of Art, Brander gained a BA (Hons) in 2011 Early on, Garry discovered an interest in o...
Category

21st Century and Contemporary Contemporary William Anderson Art

Materials

Oil

William Anderson art for sale on 1stDibs.

Find a wide variety of authentic William Anderson art available for sale on 1stDibs. You can also browse by medium to find art by William Anderson in oil paint, paint, panel and more. Much of the original work by this artist or collective was created during the 19th century and is mostly associated with the Old Masters style. Not every interior allows for large William Anderson art, so small editions measuring 10 inches across are available. Customers who are interested in this artist might also find the work of Flemish School, 17th Century, William Bromley, and Giulio Di Sotto. William Anderson art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $6,360 and tops out at $8,672, while the average work can sell for $6,360.

Artists Similar to William Anderson

Recently Viewed

View All