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William Parker Furniture

British

Late 18th-century glassmaker William Parker elevated lighting to a beautiful art form. His stunning chandeliers and candelabras caught the attention of aristocrats and nobles, and he designed luxurious pieces for many royal houses. Consideration of detail and an elegant neoclassical style earned Parker recognition as one of the foremost glass cutters and manufacturers.

Parker established his glass business on Fleet Street in London around the year 1763. His first major attributable commission was for the Bath Assembly Rooms in Bath, England, in 1771. British architect John Wood the Younger designed the interiors in 1769. Upon their completion, Parker was asked to produce lighting for the spaces. His five chandeliers still hang in the ballroom of the historic site and are among the finest surviving examples of 18th-century chandeliers.

Parker’s exquisite work in the Bath Assembly Rooms brought him acclaim and prestige. In 1778, he was commissioned to create chandeliers for the Bath Guildhall as part of a rebuild by architect Thomas Baldwin. In 1782, he supplied lighting to William Cavendish, the 5th Duke of Devonshire, and, from 1783 to 1787, he worked on lighting for Carlton House, a Westminster mansion belonging to the Prince of Wales.

While Parker’s legacy was cemented by his celebrated chandeliers, he was also a pioneering inventor of scientific instruments. His Fleet Street business provided chemists with bell jars and lenses for cutting-edge experiments. In 1784, he sent a sizable burning lens device to the American Philosophical Society. The device and its heating powers were so impressive that Parker was voted in as a member of the society in the following year. 

On 1stDibs, find a selection of antique William Parker lighting.

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A Pair Of George Iii Cut Glass Candelabra By William Parker
By William Parker
Located in Steyning, West sussex
The square concave bases of urn form, mounted with diamond cut containers issuing four notch cut arms, two of scroll form supporting drip pans and candle save all's, a further two mo...
Category

18th Century English George III Antique William Parker Furniture

Materials

Cut Glass

A Fine Pair Of George Iii Wall Lights By William Parker
By William Parker
Located in Steyning, West sussex
A fine pair of ormolu and cut glass wall lights suspended by oval fluted back plates with ball bead decoration, mounted with a scroll arm supporting cut glass eggs, mounted with a or...
Category

18th Century English George III Antique William Parker Furniture

Materials

Ormolu

English George III Period Pair of Candelabra by William Parker,
By William Parker
Located in Montreal, QC
An important pair of two light cut glass brass mounted George III candelabra by the celebrated maker William Parker, Each raised on a cut baluster and square base supporting two candle arms with hung drip pans and sconces, also with two complimenting arms terminating to canopied spires and centred by a large triangular spire supporting a canopy with an urn shaped finial, the whole beautifully draped with lustrous swags, pendants and drops all of the highest quality cut glass. PROVENANCE: original bill of sale M. Harris and Sons Sold: Nov 2. 1945, 165 pounds sterling...
Category

Late 18th Century English Georgian Antique William Parker Furniture

Materials

Crystal

Petroleum Club of Houston Rare Chandelier Venini Glass
By William Parker
Located in Hudson, NY
The Petroleum Club of Houston was designed by architect George Pierce and interior designer William Parker McFadden. Inspired by the geography and history of oil fields, the color of...
Category

1960s American American Craftsman Vintage William Parker Furniture

Materials

Aluminum

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Previously Available Items
Antique F Parker & Sons Ltd Claw & Ball Chesterfield Brown Leather Bench Stool
By William Parker
Located in GB
We are delighted to offer this exquisite F Parker & Sons LTD circa 1900 fully stamped Mahogany framed , Claw & Ball feet bench stool with hand dyed Chesterfield brown leather upholstery circa 1900 A very decorative and expertly crafted piece, the timber cuts are exquisite and expertly carved, the Chesterfield tufted leather is hand dyed and has a wonderful antique patina throughout This is a tall bench stool, I have seen them used as coffee tables with a glass top, in a bay window or as a piano stool, it is higher and larger than normal so ideally suited for tall people. The piece has the serial number stamped on the base rail and the furniture stamp inside the frame, we have fitted a new base cover so they are covered up but if you want to remove it, there are there We have cleaned waxed and polished it from top to bottom, there will be age and use related patina marks here and there as you would expect from a piece this age Dimensions Height:- 60cm Width:- 90cm Depth:- 62cm Please note all measurements are taken at the widest point, Parker, Frederick; Frederick Parker & Sons; London & High Wycombe; upholsterers, chair makers and furniture makers (fl.1869-2000) Frederick Parker (b.1845-d.1927) was the son of William Parker, cabinet maker (b.c.1810-d.1897). He was apprenticed in 1862 to an upholsterer, George Davis, at 10 Clifton Street Finsbury, London. In 1869 Frederick set up in business as an upholsterer in lofts above the stables behind his father’s home and factory in Bracklyn Street, Hoxton. He bought in the chair and settee frames and strove to make a better quality product instead of the cheap goods prevalent in the area. Frederick was also a draughtsman and inventor; one of his specialities was the Box Ottoman, for which he invented and patented a special hinge, which allowed the top to be raised from either the left or the right side. These sold for £3 at factory prices and this product, known as the Ambidexter couch, won a Gold Medal for Parker at the 1884 Inventors’ Exhibition at Crystal Palace. As the enterprise grew he employed several men and boys; at this time frames were still bought in. Parker moved to Blomfield Street in 1871 and then moved to Wenlock Street where he lived and had workshops at the rear. He purchased a new home for his growing famil at Welton Villa, St Anne’s Road, Tottenham, in 1879, and in 1880 the firm moved to Curtain Road. Parker Bros were recorded at 104 to 108 Curtain Road in the Furniture Gazette, 1886. Here there were extensive workshops, a basement used as a chair-makers’ shop, and a front shop window. Frederick’s brother, Walter, also an upholsterer, and an accountant named Smith came into business with him, but the partnership of Parker, Smith & Parker only lasted 6 or 7 years (Parker, Smith & Parker listed at 117 Curtain Road in 1886). Afterwards Walter and his sons continued at Curtain Road and eventually took premises in Southgate Road, London, while in 1889 Frederick, having borrowed money from his father-in-law, took premises including a shop in Drummond Street, Hampstead Road. The chairmakers and upholsterers were paid 9d per hour, with the polisher at a rate of 8d per hour, and the hours were 9 ½ hours a day plus 6 ½ hours on Saturdays with holidays unpaid. The first major customers were Maples, Shoolbreds, Army & Navy Stores, Marshall & Snellgrove and Oetzmanns, with Liberty & Sons later. During the 1890s the firm continued to make high quality seat furniture which was considerably more expensive than some rivals. About 1894 Parker moved to 280 Euston Road, a property owned by Shoolbreds. This building comprised two floors; one for the chairmakers, timber store and showroom and the floor above for upholsterers. A limited cabinet furniture production was also begun. However, shortly afterwards Shoolbreds decided to pull down the factory, so Parker transferred first to 44a Whitfield Street in 1895 and then to Charlotte Street (store and showroom) with a frame making workshop at Ockenden Road, Islington, before moving to High Wycombe in 1897. This last move was possibly encouraged by Alan Janes of the town who had been supplying the firm with chair frames for some years. According to a surviving transcript of a talk given to new staff by Frederick’s son, Tom: ‘Dickson, an upholsterer and myself were the first to arrive with a van load of equipment. Later a few of our London frame makers joined up. Local workmen were available and soon joined us bringing their own candles – supplying their own light as was then the normal practice. Wages were slightly below London rates, business was good and it soon became necessary to provide extra space and so… a factory was built…’. Despite opinion from the established Wycombe makers that only the staple ‘Windsor’ and fancy chairs could be made in the town, the local Parker employees were trained by Mr Hill, the foreman, and were soon producing high quality upholstered seat furniture. The firm was the first in the area to do so. Hill continued to work for the firm until his death in 1904. About 1900 the existing sheds in Frogmoor, Wycombe, were replaced with three-storey buildings around a central timber yard and new machinery was installed. In 1901 a private limited company was formed with the title of Frederick Parker and Sons Ltd. Harry, William and Thomas (Tom) Parker all became directors and shares were also allocated to Kit Morris (a lady in the office), the two foremen (Messrs. Hill and Vincent), and the salesman, Mr Springett. Frederick Parker as chairman retained a controlling interest. In 1902 Frederick purchased 20 Newman Street, London, as a showroom, and in 1904 he moved his home from Frogmoor to a large house (Cowley Peachey House or Clock House as it was known by the family) in Hayes, midway between Wycombe and London. Harry continued to live in Wycombe and he was responsible for running the factory while Tom joined his brother William working at Newman Street, where they shared responsibility for sales. A second factory was built on land acquired at the same time as the house at Cowley Peachey, near Uxbridge, adjacent to the Grand Union Canal, and to help in the company’s extensive trade in Europe a factory was taken at 183 Orenstrasse, Berlin. Meanwhile turnover increased from £13,095 in 1902 to £46,963 in 1912, and profits increased from £3,223 to £15,741 in those years. About 1907-1910 Lucien R. Ercolani, a freelance designer, joined the firm. He recalled that the factory was ‘dark, untidy and disorderly’ but the craftsmen were making ‘jewellery of furniture’. Walter Ferry was also employed as a designer for the company in the early years of the 20th century. For a short period from 1900 Albert Barnes (fl.1900-37) worked for F. Parker and Sons Ltd as foreman woodcarver before joining W. Bartlett and then Goodearl Brothers in 1903. Barnes, who had known the Parkers in London, remembered them as ‘very fine people and cultured folk’ and Frederick was ‘a great man for truth and tradition’. In 1912 an upholsterer called Brinkman was sent to the Berlin factory and with William Kowers, a German in the textile trade, he built up the business there. This ceased with the outbreak of war in 1914. In 1912, in order to improve transport between the factories at Wycombe and Cowley with Newman Street, the company bought its first motor van. In 1913 the firm was hit by the Wycombe furniture makers’ strike, and in an attempt to break the dispute, Parker sent an agent to France to recruit carvers from Paris. He duly hired ten but at the rail station in Paris the Paris Wood Carvers’ Association representative intervened, telling the men the true reason for their recruitment, upon which news the men attacked Parker’s agent, who ended up in a Paris jail for causing a breach of the peace. In 1920 the High Wycombe factories moved to Temple End. Frederick Parker retired in 1922, aged 76, leaving the business in the hands of his sons, Harry (who became Chairman), William and Tom. Frederick died in 1927. For a number of years until 1930, Frederick Parker & Sons had also acted as antique dealers, operating from their Newman Street showrooms, and Parkers, as it was often known, had a great reputation for their high quality reproduction furniture, which was all made to order. However, it was generally unknown to the public because most of the retailers put their own labels on the furniture supplied by the firm. Through Ambrose Heal, about 1928/29 Tom Parker met Willi Knoll from Stuttgart, who was trying to licence or sell his revolutionary seating system of laterally sprung ‘tension suspension’, and in 1931 at the British Industries Fair the new brand of Parker Knoll was launched. These new chairs were slow to appeal to the public but with advertising by the company and the fixing of a standard retail price to be used by all stockists, trade picked up. In the 1930s the firm could offer an amazing range of some 5,600 upholstery models and 2,500 cabinet pieces. Major commissions in the first part of the 20th century included 80 Chippendale-style chairs for the P & O liner Ophir, when it was commissioned as the Royal Yacht for the Prince and Princess of Wales’s first royal tour of the Dominions in 1902; cabinet work and upholstery for Sir Edwin Lutyens’ Viceroy’s House in New Delhi and the carved throne for Emperor Haile Selassie of Abyssinia. Early in 1914 Frederick Parker & Sons had begun manufacturing furniture for the Cunard Liner company; for the Aquitania over 200 Hepplewhite style chairs were supplied for the Second Class Dining Salon and a wide range of styles for the Palladian Lounge, some directly reproduced from the antique chair collection. The firm also furnished the liner Queen Mary and the aircraft designer Thomas Sopwith’s yacht, Endeavour, in 1935. In 1934 Parker Knoll chairs...
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Early 1900s English Victorian Antique William Parker Furniture

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Leather, Hardwood

Pair of George III Sauceboats Made in London in 1767 by Parker & Wakelin
By William Parker
Located in London, GB
This exceptional pair of early George III cast Sauceboats were made in London in 1767 by Parker & Wakelin. The Sauceboats are cast and are of exceptional quality and weight. Both sta...
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1760s English George III Antique William Parker Furniture

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English George III Period Chandelier by William Parker
By William Parker
Located in Steyning, West sussex
A highly important eight light cut glass ormolu mounted George III chandelier by William Parker the multi-baluster stem centred by a covered urn and supporting a drop hung canopy ter...
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1780s English Georgian Antique William Parker Furniture

Materials

Ormolu

William Parker furniture for sale on 1stDibs.

William Parker furniture are available for sale on 1stDibs. These distinctive items are frequently made of glass and are designed with extraordinary care. There are many options to choose from in our collection of William Parker furniture, although gray editions of this piece are particularly popular. Many of the original furniture by William Parker were created in the Georgian style in united kingdom during the 18th century and earlier. If you’re looking for additional options, many customers also consider furniture by William Cafe, Ebenezer Coker, and Bilston Battersea. Prices for William Parker furniture can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $21,000 and can go as high as $154,596, while a piece like these, on average, fetch $69,201.

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