William Russell Flint Drawings and Watercolor Paintings
to
1
2
1
1
Overall Width
to
Overall Height
to
4
1
1
2
2
2
2
1
1
1
1
3
2
1
1
1
8
808
408
306
282
2
2
2
Artist: William Russell Flint
Twentieth Century Figurative Semi Nude Model Conte Crayon Drawing
By William Russell Flint
Located in ludlow, GB
Twentieth Century Figurative Semi Nude of Model Conte Crayon Drawing.
One of the most important British Painters of the Twentieth Century, Will...
Category
20th Century Romantic William Russell Flint Drawings and Watercolor Paintings
Materials
Conté
Ceiling Fresco
By William Russell Flint
Located in Houston, TX
William Russell Flint was a Scottish artist and illustrator who was known especially for his watercolour paintings of women. He also worked in oils, tempera and printmaking. He was b...
Category
1960s Other Art Style William Russell Flint Drawings and Watercolor Paintings
Materials
Chalk
Amanda
By William Russell Flint
Located in Belgravia, London, London
Watercolour on paper
Paper size: 16 x 22 inches
Framed size: 30 x 26 inches
Signed lower left
Category
20th Century Impressionist William Russell Flint Drawings and Watercolor Paintings
Materials
Watercolor, Paper
A Study of Two Models by Sir William Russell Flint
By William Russell Flint
Located in New Orleans, LA
Sir William Russell Flint, R.A., P.R.W.S.1880-1969 Scottish
A Study of Two Models
Signed "WRussell Flint" (bottom right)
Ethereal and sen...
Category
20th Century William Russell Flint Drawings and Watercolor Paintings
Materials
Paper, Chalk
Related Items
Untitled (Man Reclining on Tile Floor)
By Mark Beard
Located in New York, NY
Graphite and conté crayon on paper
Signed and dated, l.r.
This artwork is offered by ClampArt, located in New York City.
Mark Beard, born in 1956 in Salt Lake City, now lives in Ne...
Category
1970s Realist William Russell Flint Drawings and Watercolor Paintings
Materials
Paper, Graphite, Conté
English Antique Portrait Sketch of Female Nude Seated
By Henry George Moon
Located in Cirencester, Gloucestershire
English Graphite Sketch of a Female Nude, Seated
by Henry George Moon (British 1857-1905)
on yellowed thin artists paper, unframed
measurements: sheet 15 x 18 inches
provenance: f...
Category
Late 19th Century Impressionist William Russell Flint Drawings and Watercolor Paintings
Materials
Graphite
watercolour nude white gloves
Located in Roma, GB
watercolour portrait of woman
naked lady
white cloves
nu
erotic art
unique piece
one-of-a-kind
watercolour tempera on paper
hand signed
51x41cm
Category
21st Century and Contemporary Abstract Expressionist William Russell Flint Drawings and Watercolor Paintings
Materials
Paper, Tempera, Watercolor
Untitled
By Mark Beard
Located in New York, NY
Charcoal with red and white conté crayon on Rives BFK paper
Signed and dated, recto
This artwork is offered by ClampArt, located in New York City.
Mark Beard, born in 1956 in Salt ...
Category
2010s Realist William Russell Flint Drawings and Watercolor Paintings
Materials
Paper, Conté, Charcoal
English Graphite Portrait Sketch of Male Nude, Back View
By Henry George Moon
Located in Cirencester, Gloucestershire
English Graphite Sketch of a Male Nude, Back View
by Henry George Moon (British 1857-1905)
on pale blue/grey artists paper, unframed
measurements: sheet 18.75 x 12 inches
provenance...
Category
Late 19th Century Impressionist William Russell Flint Drawings and Watercolor Paintings
Materials
Graphite
France circa 1820, Portrait of a gentleman, black chalk and pastel drawing
Located in Paris, FR
France circa 1820
Portrait of a gentleman
Black chalk and pastel on paper
12 x 10 cm
In its original mount, modern oak frame : 25 x 22.5 cm
Category
1820s Romantic William Russell Flint Drawings and Watercolor Paintings
Materials
Chalk, Pastel
English Graphite Portrait Sketch of Female Nude, Standing
By Henry George Moon
Located in Cirencester, Gloucestershire
English Graphite Sketch of a Female Nude, Standing
by Henry George Moon (British 1857-1905)
on off-white artists paper, unframed
measurements: sheet 14.5 x 11 inches
provenance: fr...
Category
Late 19th Century Impressionist William Russell Flint Drawings and Watercolor Paintings
Materials
Graphite
English Antique Portrait Sketch of Female Nude Standing
By Henry George Moon
Located in Cirencester, Gloucestershire
English Graphite Sketch of a Female Nude, Standing
by Henry George Moon (British 1857-1905)
on off white artists paper, unframed
measurements: sheet 14.75 x 10.5 inches
provenance:...
Category
Late 19th Century Impressionist William Russell Flint Drawings and Watercolor Paintings
Materials
Graphite
France 18th Century, The Surprised Lovers, original drawing
Located in Paris, FR
France circa 1770
Two lovers surprised in bed
Black chalk on paper
13 x 17 cm
Modern frame : 34 x 38 cm
This drawing had been attributed to Gabriel de Saint Aubin (1724-1780). It's...
Category
1760s Old Masters William Russell Flint Drawings and Watercolor Paintings
Materials
Chalk
Modern Dancers
By Mick Micheyl
Located in London, GB
'Modern Dancers', pastel, ink and gouache on fine art paper by French artist, singer and sculptor, Mick Micheyl (1964). Two elegant young men are depicted in a graceful dancing pose, arms outstretched, their lithe bodies so agile and limber. Perhaps one of the dancers was her friend, Philippe, to whom the painting is dedicated on the bottom. The dedication says: 'For you Philippe, all my friendship'. Signed: 'Mick Micheyl'. The work has been newly framed and glazed after having been acquired in the S. of France. It is in fair vintage condition commensurate with age showing minor blemishing on the paper. Upon request a video of the piece can be provided.
Dimensions with Frame:
H 75 cm / 29.5"
W 61 cm / 24"
Dimensions without Frame:
H 56 cm / 22"
W 42 cm / 16.5"
About the Artist: Mick Micheyl (1922 - 2019) was born in Lyon and had a busy and rewarding artistic career as a singer, producer, reviewer, metal sculptor, artist. After having received training at the School of Fine Arts in Lyon she became a painter and decorator in the theatre but then commenced a career in the musical activities of a theatrical troupe. She won the ABC competition in Paris in 1949 with a song, Le Marchand de Poésie, which she composed herself. She then performed in many cabarets: L'Échelle de Jacob, Harlequin and Liberty's. In the 1950s she was one of the most important French cabaret singers of that period. One of her titles, 'Un Gamin de Paris', became one of the French standards and also performed by Yves Montand and Robert Clary...
Category
1960s Modern William Russell Flint Drawings and Watercolor Paintings
Materials
Paper, Pastel, Ink, Gouache
Apollo and Daphne From Bernini Sculpture, Galleria Borghese, Rome - Original Ink
By Christopher Ganz
Located in Chicago, IL
Christopher Ganz
Apollo and Daphne From Bernini Sculpture, Galleria Borghese, Rome, 2014
Colored pens & chalk
11h x 7.50w in
27.94h x 19.05w cm
Frame: 16.25h x 14.25w in
CG0004
-ARTIST STATEMENT-
I depict my person in multiplicity with different selves representing dramatis
personae. My likeness is both implicit and symbolic in the portrayal of my
narrative; the drama involved in creating art and the artist’s role in society. I
use realism to invite the viewer into mysterious inner worlds that are layered
reflections of the outer. Dehumanizing environments are imbued with art
historical references as a critique of power structures. The artist is an
Everyman who is at odds with society and his self.
Visually my work is a celebration of society’s dark undercurrents and its
overlooked absurdities. I use charcoal and printmaking media as their
tenebrous values add a fitting metaphor. The nuances of light and shadow
seduce viewers into a world their better judgment would have them avoid.
This provokes a sense of disquietude that causes viewers to assess our world
through the austerity of a colorless, yet not humorless, light.
-BIO-
Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation.
-CV-
EDUCATION
MFA 2001 Printmaking Indiana University-Bloomington
BFA 1995 Drawing and Printmaking University of Missouri-Columbia
TEACHING/PROFESSIONAL EXPERIENCE
2002-13 Associate Professor, Printmaking and Drawing
Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN
2002 Adjunct Professor: Lithography (instructor of record)
Indiana University-Bloomington
1998-00 Associate Instructor: Beginning Drawing (instructor of record)
Indiana University-Bloomington
1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in
the production of an intaglio edition, Bloomington, IN
SOLO OR SMALL GROUP EXHIBITIONS
2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN
Feb. 5 – Feb. 21
2012 Dramatis Personae: Drawings and Prints by Christopher Ganz,
University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012
2011 Christopher Ganz; Prints and Drawing
Hendrix College, Hendrix, Arkansas, March 5 - 18
2009 Fall Season Exhibition, six drawings displayed
Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24
South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media,
six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23
Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago
2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center
Covington, KY, March 9 - April 6
Alter Egos: Drawings and Prints by Christopher Ganz
Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17
2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz
Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23
2004 Works on Paper: Christopher Ganz and Paul Schumann
Robert E. Wilson Gallery, Huntington College, Huntington, IN, Sept. 2 - 25
2002 Images by Christopher Ganz - Visual Arts Gallery
Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, Sept. 3 – Oct. 11
2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery
Indiana University, Bloomington, IN, March 27 - April 7
SELECTED ADJUDICATED OR INVITATIONAL GROUP EXHIBITIONS
2012
International Expositions of Sculpture Objects and Functional Art (SOFA) Chicago, Drawing,
“The Initiation” on display in Ann Nathan Gallery space, Nov. 2-4
Reverse Watching, Invitational Print Portfolio
Monoprint, “The Mind’s Eye" displayed at Mid America Print Council’s National
Conference, Southeast Missouri State, Cape Girardeau, MO, Nov. 1 – 3
Contemporary American Realism: Fort Wayne Museum of Art 2012 National
Biennial, Fort Wayne, IN, Aug.11-Oct. 28
32nd Annual National Print Exhibition at Artlink - National Juried Exhibition
Artlink Gallery, Fort Wayne, IN, April 13 – May 23
Juror: Ladislav Hanka, internationally exhibiting printmaker
International Expositions of Sculpture Objects and Functional Art (SOFA) New York, Park
Avenue Armory, Drawing, “The Enigma” on display in Ann Nathan Gallery space, April
20-23
Spring Group Show, drawings, “Checking Out” and “The Enigma” displayed, April – May 2
Ann Nathan Gallery, Chicago
2011
Prints U.S.A. 2011 – National Juried Exhibition
Springfield Art Museum, Missouri, Nov. 18 – Jan. 8
Juror: Elizabeth Wyckoff, Curator of Prints, Drawings & Photographs, St. Louis Art Museum
International expositions of Sculpture Objects and Functional Art (SOFA) New York,
Park Avenue Armory, Drawing, Checking Out on display in Ann Nathan Gallery
space, April 14-17
2010
Contemporary American Realism: Fort Wayne Museum of Art 2010 National
Biennial, Fort Wayne, IN, Sept. 3 – Nov. 7; two pieces accepted
Cultural Baggage, Invitational Print Portfolio
Intaglio print, Super-Heroes go to Hell, after Dore’ displayed at Mid America Print
Council’s National Conference, University of Minnesota Minneapolis, MN, Chicago, Oct.
13-16
Art Chicago: International Fair of Contemporary and Modern Art
Drawing, The Cyclops on display in Ann Nathan Gallery space, April 29 - May 2
30th Annual National Print Exhibition at Artlink - National Juried Exhibition
Artlink Gallery, Fort Wayne, IN, April 16 – May 26
Juror: Claudia Berlinski, Senior Lecturer of Printmaking at Akron University, Akron, OH
2009
Are you looking at me? Invitational Print Portfolio
Color lithograph, Open and Shut, displayed at IMPACT 6: International Print Conference
Centre for Fine Print Research, University of the West of England, Bristol, Sept. 16 – 19
Art Chicago: International Fair of Contemporary and Modern Art
Drawing, Self-Checkout on display in Ann Nathan Gallery space, May 1 – 4
Identification Please, Invitational Print Portfolio
Intaglio print, Good Cop/Bad Cop displayed at Southern Graphics Council National
Conference, Columbia College, Chicago, March 25 – 29
Boston Printmakers 2009 North American Print Biennial – National juried
printmaking exhibition
Juror: Rebecca Waddell, Curator of Prints at the New York Public Library
Boston University’s 808 Gallery, Boston, MA, Feb. 15 – March 30
22nd Parkside National Small Print Exhibition - National Juried Exhibition
University of Wisconsin-Parkside, Kenosha, WI, Jan.18 - Feb. 19
Juror: Professor of printmaking at the University of Wisconsin - Parkside
Portraits and Beyond, Ann Nathan Galley, Chicago, IL, Jan. 9 - Feb 19 2008 Contemporary American Realism: Fort Wayne Museum of Art 2008 National
Biennial, Fort Wayne, IN, Sept13 – Nov. 2; two pieces accepted
28th Annual National Print Exhibition at Artlink - National Juried Exhibition
2008
Artlink Gallery, Fort Wayne, IN, April 11 – May 21
Juror: Mark Pascale, Printmaking Faculty, School of the Art Institute of Chicago and
Curator of Prints and Drawing, Art Institute of Chicago
“No Danger” - Invitational Portfolio
Folded paper airplane lithograph, “The Dream of Flight” displayed at Richmond
International Airport as part of the Southern Graphics Council National Conference
Virginia Commonwealth University, Richmond, VA, March 26 – April 26
21st Parkside National Small Print Exhibition - National Juried Exhibition
University of Wisconsin-Parkside, Kenosha, WI, Jan.20 - Feb. 21
Juror: Karla Hackenmiller, Printmaking Chair and Associate Professor, School of Fine
Arts, Ohio University
2007
Singularities – Invitational group exhibit
Joan Resnikoff Gallery, Roxbury Community College, Boston, MA
Nov. 2 – Dec. 17
Hong Kong Graphics Art Festival 2007: Crossing Boundaries - Invitational
international printmaking exchange exhibition
School of Design Gallery, Hong Kong Polytechnic University, Kowloon, Hong Kong,
China, Nov. 1 – Nov. 16
27th Annual National Print Exhibition at Artlink - National Juried Exhibition
Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted
Award Selector: Brett Colley, Assistant Professor of Art and Design, Grand Valley
State University
Boston Printmakers 2007 North American Print Biennial – National juried
printmaking exhibition
Boston University’s 808 Gallery, Boston, MA, Feb. 18 - April 1
Juror: Judith B. Hecker, Assistant Curator, Department of Prints and Illustrated Books,
The Museum of Modern Art, New York
2006
The Printed Image: The First Biennial Midwestern Graphics Juried Exhibition
National Juried Printmaking Exhibition
Alice C. Sabatini Gallery, Topeka & Shawnee County Public Library, Topeka, KS
Aug. 11 - Sept 15
Juror: Karen Kunc, Professor of Printmaking/Book Arts, University of Nebraska- Lincoln
2006 National Contemporary American Realism: Fort Wayne Museum of Art's 2006
Biennial, Fort Wayne, IN, June 10 - Aug. 20; two pieces accepted
26th Annual National Print Exhibition at Artlink - National Juried Exhibition
Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted
Award Selector: Carolyn Autry, artist and Associate Professor of Art and Art History
at the University of Toledo
19th University of Dallas Print Invitational - Traveling national invitational exhibition
Haggerty Gallery, University of Dallas, Irving TX, Jan. 28 – March 6 three pieces accepted
Texas A&M University – Corpus Christi, TX, Feb. 1 – March 9, 2007
Juror: Juergen Strunck, Professor of Art, University of Dallas
A Mammalian Future? - Invitational Portfolio
Intaglio print Jonas Ark displayed at Southern Graphics Council National Conference
University of Wisconsin-Madison, University of Wisconsin-Madison, April 5 – 9
Paper in Particular - National Juried works on paper exhibition
Larson Gallery, Columbia College, Columbia, MO, Feb. 5 - March 5; two pieces
accepted. Juror: David Morrison, Professor of Printmaking, Herron School of Art and
Design, Indianapolis, IN
19th Parkside National SmallPrint Exhibition - National Juried Exhibition
University of Wisconsin-Parkside, Kenosha, WI, Jan.15 - Feb. 16
Juror: Rudy Pozzatti, Professor Emeritus, Indiana University - Bloomington
2005
18th Parkside National Small Print Exhibition - National Juried Exhibition
University of Wisconsin-Parkside, Kenosha, WI, Jan.14 - Feb. 22
Juror: Karen Kunc, Professor of Printmaking/Book Arts, University of Nebraska-Lincoln
2004
Exchange! A Survey of International and National Exchange Print Portfolios
Visual and Performing Arts Center, Main Gallery, Purdue University, Feb. 1 - 15
Juror: Kathryn Reeves, P rofessor of Art, Purdue University
2003
23rd Annual National Print Exhibition at Artlink - National Juried Exhibition
Artlink Gallery, Fort Wayne, IN, May 16 - July 2, 2003
Border to Border – National Juried Drawing Exhibition
Trahern Gallery, Austin Peay State University, Clarksville, TN, March 3 - 30
Juror: Jim Cantrell, independent studio artist, Bardstown, KY
On/Of Paper – National Juried Exhibition
Clyde Snook Gallery, Adams State College, Alamosa, CO, March 3 - April 11
Juror: Dale Leys, Professor of Drawing, Murray State University, Murray, KY
Emerging Artists 2003 – National Juried Exhibition
Limner Gallery, New York, NY, Feb.12 – March 1
Jurors: Tim Slowinski...
Category
21st Century and Contemporary Contemporary William Russell Flint Drawings and Watercolor Paintings
Materials
Paper, Chalk, Ink
English Graphite Portrait Sketch of Male Nude, in Profile
By Henry George Moon
Located in Cirencester, Gloucestershire
English Graphite Sketch of a Male Nude, in Profile
by Henry George Moon (British 1857-1905)
on pale blue/grey artists paper, unframed
measurements: sheet 18.5 x 12 inches
provenance...
Category
Late 19th Century Impressionist William Russell Flint Drawings and Watercolor Paintings
Materials
Graphite
Previously Available Items
Models Resting, Moray, West Highlands by Sir William Russell Flint
By William Russell Flint
Located in New Orleans, LA
Sir William Russell Flint, R.A., P.R.W.S.
1880-1969 Scottish
Models Resting, Moray, West Highlands
Signed “W. Russell Flint” (lower right)...
Category
20th Century William Russell Flint Drawings and Watercolor Paintings
Materials
Paper, Watercolor, Pencil
H 27.5 in W 34.5 in D 1 in
Variations on a Theme II (Cecilia)
By William Russell Flint
Located in New Orleans, LA
At once sensual and elegant, this remarkable watercolor is the work of Scottish painter Sir William Russell Flint. One of the most celebrated watercolorists of the 20th century, Flin...
Category
20th Century Academic William Russell Flint Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Storm on the Liguarian coast, 1954, Santa Margherita, Italy. Original Watercolor
By William Russell Flint
Located in Sutton Poyntz, Dorset
This original painting by Sir William Russell Flint, dated January 1954, is presented and supplied in a substantial frame behind glass dating from 1990 (which is shown in these photographs).
The frame dimensions are 59cm high x 68.5cm wide. The visible watercolour dimensions are 26cm high x 37cm wide (10.24inches high x 14.57inches wide).
The watercolour was previously with Frost and Reed, London (Registered Number D7914) and The Church Hill Gallery, Knutsford, Cheshire (where the re-framing was performed in 1990).
The watercolour is signed lower left and on the reverse.
Sir William Russell Flint is widely acknowledged as the greatest watercolour artist of the twentieth century. He had a lifetime spanning almost ninety years during which he enjoyed unprecedented success as an artist, excelling in a variety of media. However, it is as a watercolorist of landscapes, historical subjects and semi-nudes in Spanish settings that he is best remembered.
He has enjoyed almost constant popularity since the 1920s. In recent years, his prints have commanded high prices in auction and his originals are genuinely competed for by top dealers and private collectors. He was given the ultimate accolade by his peers when he had the honour of a one-man exhibition at the Royal Academy in 1962 – the highest distinction an artist can achieve during his lifetime.
William Russell Flint was born in Edinburgh on the 4th April 1880. His father was a commercial artist and so young William was brought up in a creative environment. He studied at Daniel Stewart’s College, Edinburgh until the age of 14 when he became apprenticed to a firm of lithographers. From 1895 he began studying at the Royal Institute School of Art evening classes. This led him to work on line and colour, which progressed later into his own unmistakable watercolour style. He found inspiration when he visited the continent with his brother, and painted watercolours in Dordrecht, Amsterdam and Volendam.
In 1900 he moved to London where he was at first employed to undertake medical drawings, and later joined the staff of the Illustrated London News, 1903-7. This was in the days before photography, and drawings and engravings were the only source of illustration for books and magazines. The Illustrated London News was read across the world, and the name of William Russell Flint accordingly, providing the basis for the international recognition that he was later to receive as a watercolour artist. During this period, he studied at Heatherley’s Art School in the evenings and also furthered his art education by studying independently at the British Museum. His initial ambition was to be a book illustrator and he undertook various commissions, producing illustrations for great classic editions, including Homer’s Odyssey, Thomas a Kempis’ The Song of Solomon, H Rider Haggard's King Solomon's Mines, W. S. Gilbert's Savoy Operas and Chaucer's Canterbury Tales.
In 1905 Russell Flint married an admiral's daughter, Sibylle Sueter. They had a long and happy marriage, until his wife died in 1960.
Russell Flint had illustrated watercolours at the Royal Academy from 1906 and soon achieved recognition for these and his oil paintings. He visited Italy in 1912-13 and around this time also took up etching, which he studied at Hammersmith School of Art in 1914, having already won a silver medal at the Paris Salon in 1913. After exhibiting only 3 oils at the RA he was elected an Associate member. He was elected a full member in 1933.
During the Great War, Russell Flint served as a Lieutenant in the Royal Navy Air Service, working on the development of rigid airships. He transferred to the RAF as a Captain and served from 1918 to 1919 as Admiralty Assistant Overseer Airships. Some years later he painted a watercolour titled ' Hilda's Bonnet' on a small piece of material from HM Airship 24 which had been in his charge.
After the war, Russell Flint returned to his first love – painting, and in doing so travelled all over Europe with his wife, especially in France, Italy, Scotland, Spain and Switzerland, producing and exhibiting many fine works. In his autobiography he wrote “On getting out of uniform in February 1919 I found that so many people wanted my watercolours that I ceased to be an illustrator and became a painter. From 1919 to the present day I have lived by my brush, still in pursuit of my own indefinable ideal.”
Throughout the early 1940s, William and Sybil Russell Flint went to live in Devon on a poultry farm. Having served in the RAF, he was allowed to visit Devonport Dockyard,( of which a limited edition has been published, described as a masterpiece of perspective) and paint, whenever he wished.
After the end of the Second World War, William Russell Flint and his wife Sybil returned from Devon to their home at Peel Cottage, Camden Hill, London. This proved a tremendous success for Russell Flint as the nation was beginning to recover from the years of war, and beginning to enjoy the arts once more. His talent with both the watercolour medium and his skill in depicting the female form created a hallmark style which would later become legendary. In 1947 William Russell Flint was knighted by King George VI for his services to art.
Flint was elected president of Britain's Royal Society of Painters in Watercolours (now the Royal Watercolour Society) in 1936 to 1956. During his career he exhibited a total of one hundred and twenty-three works at the Royal Academy as well as many at the Royal Watercolour Society, Royal Institute of Oil Painters, British Institution and elsewhere.
In his later years, due to his artistic and financial success, Russell Flint was able to travel extensively across Europe, and this era produced some of his finest landscape work.
Although a limited edition of his work works was published in 1924, it was not until Russell Flint was in his seventies that publications of his works really gathered momentum. Between 1951 and his death in 1969 a further 70 titles were released as demand and interest in his work increased. In all 106 signed limited editions were published by five different publishers from 1924 to 1970.
Russell Flint remained active as an artist until his death from leukemia in London on 30 December 1969, aged 89. The Times obituary paid tribute to his remarkable technical skill. He left behind one of the finest and most sought after collections of watercolours in the world. As well as his original work, many of his paintings have been reproduced as limited edition prints.
Today, his works can be found in many important private collections. He is also represented in many public collections, including the art galleries of Aberdeen, Belfast, Birmingham, Brisbane, Brooklyn, Chicago, Dundee, Edinburgh, Glasgow, Indianapolis, Johannesburg, Liverpool (Walker Art Gallery), London (Victoria and Albert Museum), Manchester (Whitworth Art Gallery), Ottawa, Perth, Santa Barbara, Sydney, and Toronto.
The artist Adrian Bury wrote of Flint; “I have always regarded Sir William Russell Flint as a great artist and a great man (the two are not always synonymous), in the sense that he planned life so as to make the most of his many talents, to add more beauty to the world, and give happiness to his dependents, friends, and humanity at large”.
Despite his considerable success, Sir William Russell Flint remained a modest man, who always remained genuinely grateful for the talent he had been born with. He once said "I have always painted for fun. If it ceased to be fun I would stop painting".
This original watercolour by Sir William Russell Flint was painted in 1954 during one of the artist’s many visits to the Italian coast. It depicts a storm on the Liguarian coast, a region of north western Italy, whose capital is Genoa. The region is popular with tourists for its beaches, towns and cuisine. Santa Margherita...
Category
Mid-20th Century Modern William Russell Flint Drawings and Watercolor Paintings
Materials
Paper, Watercolor
November in Provence (near Vence), 1962. Original Watercolor. Landscape. France
By William Russell Flint
Located in Sutton Poyntz, Dorset
This original painting by Sir William Russell Flint, dated 13th November 1962, is presented and supplied in a substantial frame behind glass dating from 1991 (which is shown in these photographs).
The frame dimensions are 65.5cm high x 89.5cm wide. The visible watercolour dimensions are 34cm high x 55cm wide (13.39inches high x 21.65inches wide).
The watercolour was previously with Frost and Reed, London (Registered Number D11621) and The Church Hill...
Category
Mid-20th Century Modern William Russell Flint Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Clarissa Impatient - Watercolor, Nude Figure in Coastal Landscape by W R Flint
By William Russell Flint
Located in Marlow, Buckinghamshire
A stunning watercolour on paper by British artist Sir William Russell Flint. This very delicate painting depicts a young woman - Clarissa - standing semi-nude and barefoot in the wet sand on the beach, the sea behind her. Signed lower left. Framed dimensions are 20 inches high by 24 inches wide.
Provenance:
The Fine Art Society - New Bond Street, London (labels verso)
William Flint was the son of F. Wighton Flint. He studied with a lithographer in Edinburgh. From 1900, he worked as an illustrator in London before beginning to paint almost exclusively in watercolours. In 1917, he became a member of the Royal Society of Painters in Watercolours, of which he was president from 1936 to 1956. He was elected a member of the Royal Academy in 1933. He is known in particular for the studies he brought back from trips to France and Italy, including: Blue Riviera, the Garonne; Scottish landscapes such as Storm, Loch...
Category
1930s Post-Impressionist William Russell Flint Drawings and Watercolor Paintings
Materials
Paper, Watercolor
William Russell Flint drawings and watercolor paintings for sale on 1stDibs.
Find a wide variety of authentic William Russell Flint drawings and watercolor paintings available for sale on 1stDibs. You can also browse by medium to find art by William Russell Flint in paper, chalk, paint and more. Not every interior allows for large William Russell Flint drawings and watercolor paintings, so small editions measuring 7 inches across are available. Customers who are interested in this artist might also find the work of Ellsworth Woodward, and Dipen Bose. William Russell Flint drawings and watercolor paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,500 and tops out at $68,500, while the average work can sell for $12,653.