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Willy Guhl Dining Room Chairs

Swiss, 1915-2004

Decades prior to the mass popularity of neo-industrial cement floors and furniture taking shape, there was Willy Guhl. The Swiss creative is considered one of the first “industrial” designers in his home country. He pioneered a rugged, organic style of modern furniture and decor — stylish planters, shapely seating and lots more — that remains widely coveted by many today.

Guhl was born in 1915 in Stein am Rhein and worked as a carpenter before beginning studies at the Zurich School of Applied Arts (known today as the Zurich University of the Arts), where he would go on to teach for nearly 40 years.

While Guhl is well-known for his range of provocative garden elements as well as his patio and outdoor furniture, today’s legion of mid-century modern enthusiasts are likely familiar with the designer’s iconic Loop chair (introduced in 1954). For this sculptural seat and other furnishings, Guhl tended toward industrial materials, which he bent and shaped into organic forms for a striking juxtaposition. Much of his work is crafted from either concrete or Eternit, a mixture of cement and asbestos developed by the Belgian company Etex, which, in the 1950s, commissioned Guhl and his students at the School of Applied Arts to conceive planters in the material. The resulting vessels — some hourglass-shaped, some in the form of handkerchiefs, all suitable for indoors or exteriors — remain some of Guhl’s most collectible pieces.

Guhl’s affiliation with the Swiss “neo-functional” movement centered on the idea of simplifying design without sacrificing form. According to Guhl, his mission was “achieving the most with the minimum of effort.”

In addition to his work as a designer, Guhl left his mark on subsequent creatives through his 39-year tenure at his alma mater, where he was instructor to the likes of Robert Haussmann, Kurt Thut and Bruno Rey. Modern-day shoppers at IKEA owe Guhl a debt of gratitude too. He was an early advocate of flat-pack furniture, championing its ability to make good design more widely accessible.

At its core, though, Guhl’s work was inherently human-centric: “At the center of my efforts, I put people and their living requirements,” he once said. “My products must be useful to people.” Guhl died in 2004 at the age of 89.

Find a range of vintage Willy Guhl furniture and decorative objects on 1stDibs.

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Creator: Willy Guhl
Set of Black Lacquer and Cane 4 No.3105 “Bankstuhl” Chairs by Willy Guhl, 1959
By Willy Guhl, Stendig Co.
Located in London, GB
A set of 4 black lacquered “Bankstuhl” Chairs designed by Swiss designer, Willy Guhl in 1959. This set of four dining chairs are emblematic of one of Willy Guhl's personal aphorism...
Category

1950s Swiss Mid-Century Modern Vintage Willy Guhl Dining Room Chairs

Materials

Cane, Wood, Lacquer

1960s Black Lacquered Bankstuhl Chairs by Willy Guhl for Stendig, Set of Four
By Stendig Co., Willy Guhl
Located in Philadelphia, PA
This is a set of four Bankstuhl caned dining chairs, designed by Willy Guhl. This simple solid model of dining chair is composed of a wood frame with a caned seat and back. This sil...
Category

1960s Swiss Modern Vintage Willy Guhl Dining Room Chairs

Materials

Cane, Wood, Lacquer

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Willy Guhl dining room chairs for sale on 1stDibs.

Willy Guhl dining room chairs are available for sale on 1stDibs. These distinctive items are frequently made of wood and are designed with extraordinary care. Many of the original dining room chairs by Willy Guhl were created in the modern style in switzerland during the 1960s. If you’re looking for additional options, many customers also consider dining room chairs by and De Sede. Prices for Willy Guhl dining room chairs can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $6,000 and can go as high as $6,000, while a piece like these, on average, fetch $6,000.
Questions About Willy Guhl Dining Room Chairs
  • 1stDibs ExpertJanuary 10, 2025
    Willy Guhl planters are made out of a variety of materials. For these furnishings, Guhl tended toward industrial materials, which he bent and shaped into organic forms for a striking juxtaposition. Much of his work was crafted from either concrete or Eternit, a mixture of cement and asbestos developed by the Belgian company Etex, which, in the 1950s, commissioned Guhl and his students at the School of Applied Arts to conceive Guhl's now-acclaimed planters in the material. Find a selection of Willy Guhl planters on 1stDibs.

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