20TH CENTURY DESIGN Serveware, Ceramics, Silver and Glass

Large Rörstrand Ashtray by Gunnar Nylund, 1950s Swedish Ceramic, Organic Form A striking large ashtray, shell-like in its design, produced by the esteemed Swedish ceramic maker Rörs...

Large Rörstrand Ashtray Table by Gunnar Nylund, 1950s Swedish Ceramic, Signed A large and distinctive ashtray table produced by Rörstrand, Sweden, in the 1950s. Designed by Gunnar N...

Creating a wonderful display for Oysters or sea food this French Majolica oyster plate in lustrous deep colouring, by the well thought of maker Sarreguemines, circa 1890. Six scallop...

Creating a wonderful display for Oysters or sea food this French Majolica oyster plate in lustrous deep colouring, but the well thought of maker Sarreguemines, circa 1890. Six scallo...

Creating a wonderful display for Oysters or sea food this French Majolica oyster plate in lustrous deep colouring, but the well thought of maker Sarreguemines, circa 1890. Six scallo...

Creating a wonderful display for Oysters or sea food this French Majolica oyster plate in lustrous deep colouring, but the well thought of maker Sarreguemines, circa 1890. Six scall...

A beautiful decorative Horn Beaker or cup with wonderful decorative markings, benefitting from and interior copper and silver or tin lining interior sleeve...

Creating a wonderful display for Oysters or sea food this French Majolica oyster plate in lustrous deep colouring, but the well thought of maker Sarreguemines, circa 1890. Six scallo...

Swedish ceramic artist Carl-Harry Stålhane (1920- 1990) played a major role in popularizing Swedish pottery during the 20th century, working for more than three decades at Rörstrand, one of the oldest ceramics manufacturers in Europe. During his long tenure at Rörstrand, Stålhane was responsible for small-batch studio pieces, mass-produced tableware , and all manner of decorative accessories . Born in 1920 in Mariestad, Sweden, Stålhane began working at Rörstrand in 1939 as a decorative painter, assisting Danish-Finnish ceramic artist, designer, and sculptor Gunnar Nylund (1904-1997). During this time, Stålhane decorated various ceramic pieces, most notably Nylund’s Flambé range (1939s), quickly establishing himself as a talented ceramic artist. Inspired by the desire for new products during the postwar economic boom, Stålhane went from being a talented decorator to an exceptional ceramic artist. In 1943, Stålhane caught the eye of Swedish artist Isaac Grünewald (1889-1946), who was visiting Rörstrand. Grünewald was so impressed with Stålhane’s work that he took him on as a student, and from 1943 to 1946, Stålhane studied art at Grünewald's Art School in Stockholm. Subsequently from 1947 until 1948, he studied sculpture at Académie Colarossi in Paris. During the 1950s, Stålhane’s work appeared in several solo exhibitions in Sweden, the United Kingdom, and the United States. His Blanca Tableware range (c. 1955) won numerous international prizes and was in high-demand. In 1958, Stålhane succeeded Nylund as Artistic Director and Chief Designer at Rörstrand. In 1960, Stålhane unveiled a new collection at Stockholm’s Galerie Blanche. Featuring dark stoneware pieces made from local clays, this collection represented a bold departure from the soft, restrained shapes of the 1950s. It has since been praised for its precient aesthetic that would influence the look of ceramics for more than a decade. From 1963 until 1971, Stålhane taught ceramics at the Art Industrial School in Gothenburg. For a short time, he also was the Design Director at the Swedish factory Upsala Ekeby, which in addition to porcelain, produced tile, brick, and glass. Stålhane eventually left Rörstrand in 1973 in order to establish his own ceramic company, Designhuset, in Lidköping, where he further experimented with local clays and minerals. Stålhane continued to work until his death in 1990. Today, Designhuset is a school for ceramists and model-makers. Over the course of his career, Stålhane created several public works for The Commerce Trust Company in Kansas City, Missouri, and for Volvo in Gothenburg, Sweden. His work is represented at several international museums, including Stockholm’s Nationalmuseum and New York’s MoMA. Rörstrand is the second oldest brand of ceramics in Europe and can be found in homes all across Sweden and Europe. Rörstrand’s long legacy includes some of Europe’s most iconic ceramics collections including Swedish Grace, Mon Amie, Ostindia, Filippa...

This wonderful Art Deco plate or shallow bowl made in Sweden 1930s at Gustavsberg factory, was designed by the painter and ceramicist Wilhelm Kåge. The name Argenta comes from the La...

A wonderful Casserole bowl or dish with integral lid, produced in Belgium, circa 1930. A ‘Tellurite’ model number -1125- lidded tureen with basket weave sides in rich, deep earth ton...

A large pair of English Staffordshire style ceramic figures of orange and white seated spaniel dogs with gold chain leashes. Their two front legs are separated, a more delicate, ther...

A Mid-Century Modern (Scandinavian Modern) Danish teak tray designed by Jens Quistgaard for Dansk of the USA. A Teak tray designed by the highly regarded and very collected Jens H...

This refined and sculptural translucent glass bowl was produced by Daum, one of the most illustrious glass makers of the period in Nancy, France, circa 1950. Daum was awarded a Grand...

A fine example of a Scandinavian Modern teak ice bucket designed by Jens Quistgaard, a master of the sculptural paired back and simplistic form. This teak ice bucket has had its wood...

A midcentury teak ice bucket in the style of Jens Quistgaard. This piece is one of a collection we have collected and restored by the Italian Maker Arni Form...

Antique French Glazed Terracotta Water Spout Jug - Authentic Southern France This rare antique French glazed terracotta water spout handle jug is a unique and authentic piece from ...